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Sculptures of the Renaissance Period

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Sculptures of the Renaissance period

Johnny R. Hilton

ART/101

March 18, 2012

Kristy Yau

“Madonna of humility” 1403 by Jacopo Della Quercia

Jacopo Della Quercia was probably trained by his father in the art of sculpturing using both methods of wood and marble; he was influenced by such artist as Donatello and Michelangelo. Jacopo Della Quercia influences in sculpturing made him a very transitional artist from the Gothic styles to the Italian Renaissance era. In Jacopo Della Quercia sculpture of “Madonna of humility” we see that the Virgin Mary is seated and posed with the look of divine intervention of the birth of baby Jesus as she cradles him in her lap. This devotional theme sets as a humbling background for the churches as it shows a divine will for God.

“St John the Baptist” 1412 by Lorenzo Ghiberti

Lorenzo Ghiberti was an artist who thrived during the early years of the renaissance period who learned the trade of a goldsmith from his father, were he expanded out to become very influential sculpture. Ghiberti was best known as a painter before becoming a sculpture because of his knowledge of design and coloring. The sculpture of “St. John the Baptist” was one of the first instrumentals figures cast in bronze for those modern times and was a single casting piece that proved to be difficult to do. Ghiberti art work is seen as a reflection of his faith in the Christianity beliefs

“David” by Donatello c. 1440s

This statue is known as one of Donatello’s most famous works of art because it was one of the first known creations that were free standing and nude. Donatello shows the young figure of David who has already killed the giant Goliath and is standing over the his head with his sword poised on top of his head, by his stance shows that he has been symbolized by the Republic of Florence and it gives a sense of being blessed by God, and so by this we see David victorious. There has been some controversy stating that Donatello showed some homo-erotic qualities and produced this piece as a reflection of his feelings.

“Statue of Bartolomeo Colleoni” By Verrocchio, cast by Leopardi

We know from history that the General of Venice republic died and left part of his estate to the republic on a condition that they resurrect a statue of him. There were two other sculptures up for the contract to build this sculpture of Bartolomeo Colleoni but it was award to Verrocchio in 1483. Verrocchio had completed his clay model of the General but died in 1488 before it could be casted in bronze, but before his passing he had asked his pupil Lorenzo di Credi who had been in charge of his shops in Florence to finish the statue. After some considerable delay in the work they commissioned another sculpture to finish the statue of General Bartolomeo Colleoni by the name of Alessandro Leopardi.

“Saint Barbara” 1485 by Tilman Riemenschneider

Tilman Riemenschneider was a very influential sculpture of his time in Germany where he belonged to a political regime dominated by three powerful individuals. The sculpture of “Saint Barbara” is one of his most important sculptures because it has emphases on a young and youthful presence of a Saint with a long flowing gown and the presence of innocents upon her face. Tilman Riemenschneider was praised for his work with unpainted Limewood which allowed him to be able to carve against the grain and when dried did not split unlike his peers who preferred to use metal surfaces to create their work. It was known that Tilman Riemenschneider was a sensitive person who was among the first to humanist to show commitment to the natural representation of religious icons.

"Pietà" by Michelangelo 1499

This is one of many master pieces by Michelangelo and is the only one signed by the artist. The Pietà (1498-1499) is a representation of the body of Jesus on the lap of his mother Mary after he was crucified on the cross. We can see that there is great detail in this sculpture with how Mary’s drapery spreads out over the base of a rock to allow the body to be held in it. You can also see that Mary is depicted as looking young and not old while the face of Jesus shows no signs of death but his body reveals the wounds of being hung on the cross and crucified.

Hercules and Cacus 1534 by Bartolommeo Bandinlli

Bartolommeo Bandinlli was born the son of a prominent goldsmith and was inspired by the likes of Donatello. Bandinlli Was an excellent draftsman on small scale sculptures, but had a fascination to do large scale sculpture and with a desire to imitate Michelangelo became his driving force. The fact that Bandinlli was seen as more of a controversial sculpture of his time gained no respect of other artist of that period and could be referred to as a sack of melons. Bandinlli sculpture of Hercules and Cacus was made out of white marble and was meant to try and complement Michelangelo’s David but did not. Bandinlli sculpture shows Hercules towering over Cacus after killing him a tense battle for stealing cattle, Cacus is portrayed as a fire breathing menaces where Hercules is shown as a symbol of strength and solitude for his people.

Perseus with the head of Medusa by Benvenuto Cellini, 1545–1554

Benvenuto Cellini sculpture is one of many that are done of Greek mythology and the beheading of Medusa by Peruses is just one example of this. We can see that Peruses has just behead Medusa because he is standing there in triumphant victory hold her by her hair with left hand and holding his sword posed in his right hand while standing on the body of Medusa. We can also see that this is done in the nude and that the body shows to look strong and muscular and well built. Cellini had made comments to the fact that the statue had its difficulties and put him to his test.

“Rape of the Sabine Women” 1583 by Giambologna

Giambologna was influenced by Michelangelo’s works, but strived on developing his own style of Mannerist, with his style he liked to use less emotion so that he could show a more refined surface to his work, so that it showed a cool elegance with a touch of beauty. He found some delight in working on a complex sculptures were the bodies were intertwined such as in the piece of “Rape of Sabine Women.” Giambologna had become well known for his work that depicted a sense of action and movement in his work which made him an important and influential sculpture to his peers and pupils.

The Ecstasy of St. Teresa 1598 by Lorenzo Bernini

Lorenzo Bernini was a very influential and leading sculptor for his age and was also a prominent architect, he was not held back by any means he also painted, wrote plays, and designed metal work and stage sets. Bernini was a student of classical sculpture work and had the very unique presents to capture natural realism in marble with the projection of moment in his work which could be considered shocking. With all the combined energy that is shown through this piece the cupid like angel seems too suspended over St. Teresa giving her the complete feeling of being overjoyed as if in the presences of God himself.

References;
Ancient Greek sculpture - Wikipedia, the free encyclopedia retrieved March 16, 2012 en.wikipedia.org/wiki/Ancient_Greek_sculptureCached - Similar artnet.com Magazine Features - Poet in Wood and Stone retrieved March 18, 2012 www.artnet.com/Magazine/features/stern/stern3-7-00.aspCached
Category:19th-century sculptures - Wikipedia, the free encyclopedia retrieved March 16, 2012 en.wikipedia.org/wiki/Category:19th-century_sculpturesCached
Lorenzo Ghiberti - NNDB retrieved March 18, 2012 www.nndb.com/people/688/000084436/
Madonna of Humility retrieved March 17, 2012 www.nga.gov/collection/gallery/gg5/gg5-46010.html
Renaissance Art and Science retrieved March 18, 2012 www.all-about-renaissance-faires.com/.../renaissance_art_and_scienc...

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