...Censorship in A Streetcar Named Desire Author of A Streetcar Named Desire - Tennessee Williams - stated that his plays are “Pleas for the understanding of delicate people”. A Streetcar Named Desire explores dysfunctional relationships and conflicts that arise in the breakdown. The 1930’s production code forced Kazan - director of A Streetcar Named Desire - to change the original text. The censors of the Breen Office forced Kazan to omit the film’s raw and candid portrayal of human behavior and relationships. Because the Breen Office controlled of the film industry, it definitely took away the audience’s understanding of the characters and their relationships especially in Stella’s descending of the staircase, dialogue between Blanche and Stella,...
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...blind to the things around you. The play, A Streetcar Named Desire by Tennessee Williams creates a situation where A Streetcar Named Desire is driven by the fantasy of Blanche, Stanley, Stella and Mitch. In the play the characters hide from their reality by acting as if the events they went through didn’t happen or were not important. The idea of reality vs. illusion seems to bring on the idea that these characters want to escape their world or they want to act blind they don’t have to face reality. One of the main characters that brings the idea of reality vs. illusion and escapism is Blanche. Blanche came from a wealthy background and lived in city named Laurel. When Blanche’s husband died and her family members began to die, she spent her money on their funerals and she ended up losing her home. Blanche losing her home can be compared to a princess losing her castle and money but in this story she didn’t have a handsome prince rescue her. She gained a bad yet truthful reputation for sleeping around with different men. She wanted to escape this so she went to visit her sister Stella. When she came to Stella’s house she acted as if everything in Laurel didn’t actually happen. This is when her fantasy began, in Stella’s town she acted as an old-fashioned woman who was proper and modest, this was not true. Her past revealed that she is not what she claimed to be. While in Stella’s town Blanche met a man named Mitch who is a friend of Stella’s husband. Blanche and Mitch’s relationship...
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...Mélanie Urvoy English 102-005 13 February 2012 Research paper A Conflict as a Poker Game In the early twentieth century, women were still dependent on men. It was difficult for a woman to have a job and be financially independent. In addition, at this time, women had to keep their virginity to have a chance to get married. A Streetcar Named Desire by Tennessee Williams is placed in the picturesque French Quarter in New Orleans. The play starts when Blanche DuBois comes in New Orleans to visit her sister Stella after she lost the family plantation Belle-Reve because of money problems. She then meets her brother-in-law Stanley Kowalski, a World War II veteran. As soon as they meet each other, a mistrustful rivalry starts between them. A Streetcar Named Desire depicts the conflict between two opposing views as a poker game between Blanche and Stanley for control. From the beginning of the play, Williams starts distinguishing Stanley and Blanche by their mentalities. In fact, Blanche has the Old South mentality. She grew up in a plantation where she learnt how to behave as an aristocrat whereas her brother-in-law is an industrial and a Polish immigrant representing the New South. Blanche is described as delicate and fragile whereas Stanley is rude and violent. Blanche lives in a world of illusion. She acts as a queen and wants the men to treat her like it. Unlike Blanche, Stanley lives in a rude world, a world where if a person are strong enough physically and mentally, he...
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...Janet Ng Professor Faunce WRT 102 7 March 2012 Textual Analysis of A Streetcar Named Desire Based on Tennessee William’s A Streetcar Named Desire, Elia Kazan creates an award winning movie that helps readers visualize Stanley’s primal masculinity, the inner torments of the Kowalski women and the clash of the other characters’ problems which create a chaotic mess. Using stage directions in the play, William hints that Blanche is not who she appears to be while the movie subtly sheds light on Blanche’s strange little habits that suggests a bigger issue. The movie also censors many of the main themes in Williams’ play but makes up for it by having its actors flawlessly portray the characters’ emotions, allowing the readers to see the conflict at its full magnitude. Both the movie and the play sympathize with the powerless women by underlining the important theme of women’s dependence on men. Blanche is an insecure, miserable older woman who masks herself as a rich, upper class lady. She continues to shy from reality and seduce men as she cannot comprehend that her reliance on men will ultimately lead to her downfall. “Now run along, now, quickly! It would be nice to keep you, but I’ve got to be good-and keep my hands off children.” (Williams, pg 99) This isn’t the first time that Blanche has put moves on a kid as made evident when she states “I’ve got to be good and keep my hands off children.” She clearly hasn’t learned her lesson after losing her job. The scene is even more...
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...Characters Blanche DeBois: * Around the age of 30 * from Mississippi, an aging southern belle(panics about her fading beauty) * lost Belle Reve(DeBpis family home) and her young husband(gay, she announced her disgust at his homosexuality suicide marks the end of Blanche’s sexual innocence) * drinking problem * Stella’s older sister * moves into the Kowalski home in New Orleans * destitute * has had many lovers (strong sexual urges) self-esteem depends on many for happiness * avoids reality(snobbery hide her poverty and indignity) * throughout the play her self-image and sanity crumble End: Stanley rapes her(destroys rest of mental and sexual esteem) and commits her to an asylum Stella Kowalski: * Around the age of 25 * Blanche’s younger sister * Mild character * Married to Stanley Kowalski (robust sexual relationship violent and renewing) and pregnant * Torn between her sister and her husband (stands by Stanley in the end) Stanley Kowalski: * Stella’s husband * Working-class * Example of vital force * Loyal to friends (Steve, Pablo, Mitch), passionate to Stella, cruel to Blanche * Polish ancestry( represents new heterogeneous America Blanche doesn’t belong to them, she is from an old social hierachy) * Fought in WW2 * Wishes to destroy Blanche’s social life * Beats his wife and rapes Blanche (BUT no remorse and still the proud family man) * Doesn’t like Blanche because...
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...In the play of A Streetcar Named Desire, Tennessee Williams refers to human sexuality through the strong use of gender roles that represent the attitudes of post-war. Stanley sees himself as the provider and head of the household. He is a very dominant and in control figure throughout the play. Stanley wears denim, drinks beer and plays poker several times in the play to show his carefree and powerful attitude towards life. He sees Stella's role as a homemaker, who stays at home, cooks his meals, and generally takes care of him. From the very start of the play we see that Stella and Stanley seem pretty happy with each other, and also content in their gender roles we see this in scene one when Stanley returns from work, bellows, and hurls a pack of meat up to his wife. He's providing the day's dinner, and she laughs at his gruff antics, happy to make their meal and watch him go bowling with his friends. Stella in the play represents a very calm and relaxed woman. She cooks dinner, does the laundry and waits on her husband day after day. Stella is so wrapped up in Stanley’s appearance and sexually pleasing features that she doesn't seem to care about the way he treats her. During this time period women were very oblivious to the rude and harsh ways in which their husbands were treating them. All they wanted was to please them and to fulfil their every desire. Stella is a lost and powerless woman in society that is a slave to her husband. Stella represents most of the women...
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...adaptation of the play “Streetcar Named Desire” by Tennessee Williams. Blue Jasmine presents Jasmine, main character, living in an entitled world who falls into nothingness due to the affair and the investment scheme of her husband. She, therefore, moves into her adopted sister, Ginger’s apartment situated in the downscale San Francisco. In hopes of starting a fresh life, Jasmine enters a job in a Dentist Office; however, she encounters frustration from the patients and harassment from her boss, Dr. Flickr. Jasmine finally quits the job, and instead seeks to find a man for a peace in her life. Although she finds a man, Dwight, she loses him due to her false reality and lies just like Blanche,...
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...compete in the same spheres as men, resulting in a blurring of the once distinct boundaries between the male and female worlds. This intersection of the sexes had two effects: first, because women were no longer confined to domestic work, they had less incentives to remain in dominantly female circles; second, because women could operate in the male world as individuals, they had to learn to mirror male patterns of dominance or portray the traditional role of women. These combined effects resulted in the breakdown of sisterhood as women distanced themselves from female bonds in order to gain power in the male world. This fall of sisterhood is evident in literature, which I will convey through an analysis of three selections: A Streetcar Named Desire, a play by Tennessee Williams; “Recitatif,” a short story by Toni Morrison; and “Everyday Use,” a short story by Alice Walker. First, I will...
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...the World War Ⅱ, Tennessee Williams won lots of theatrical awards for his masterpiece A Streetcar Named Desire. As a result, Blanche, the heroine in the play, had been the focus point of the critics. This thesis tries to analyze profoundly the cause of the tragedy of Blanche from several aspects .As Williams T concluded, ‘The heroine Blanche was struggling between reality and fantasy, finally, her spirit was broken drastically under the beat of ruthless reality. She was the typical weak woman and victim in the patriarchal society. Her tragedy shows that the woman can’t escape the control of the typical patriarchal society in any case of resistances.’(Williams, 2).Some of William’s points will be elaborated in this paper which includes four parts. Chapter one serves as an “introduction”, which gives a general review of main characters in the novel. Chapter two, “Character of Blanche” ,Blanche’s being trapped by the conventionality; Blanche’s illusion about men; Blanche’s illusion about herself; her husband’s suicide; Stanley’s rude behavior and sense of dominance; Stella’s betrayal; Mitch’s desertion and the cold realistic world. In conclusion, it is the Blanche’s illusion about men ,herself and cruelty of Stanley that mainly causes her tragedy. Keywords: tragedy conventionality illusion 1．Introduction 1.1 Review of the protagonist In Tennessee Williams' "A Streetcar Named Desire," each character represents something different. The play centers around two characters...
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...A street The character of Blanche Dubois in the story of A Streetcar Named Desire is considered a tragic protagonist for the various conflicts she is suffering both internally and externally. It is mainly her self-delusion that ultimately leads to her destruction and the reason she is committed to an insane asylum. From the very beginning of the play we can tell that Blanche is being standoffish and not revealing everything. For instance, Blanche tells her sister in scene one that she’s simply taking a leave of absence from her job as a schoolteacher. In reality Blanche has been fired from her position and was basically run out of the town she is from because of her scandalous behavior. Blanche has been lying to so many people for so long, she can no longer can see the delineation between fantasy and reality. Blanche’s husband’s death at his own hands causes her a great deal of anxiety and guilt. We realize she is most haunted by that scene of her husband’s suicide, and that the memory is present by the sound of the polka music and then the sound of a gunshot. The death of all her older relatives and the loss of the family mansion Belle Reve contribute further to her mental instability. The struggle between Blanche and her brother in law Stanley Kowalski are a major focal point of A Streetcar Named Desire; almost immediately after meeting Blanche, Stanly has formed an opinion of her and doesn’t hold back from letting it be known how he feels about her. Stanley is a workingman...
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...Dariela Colon AP English Senior Thesis Mr. Noel Sexual Liberation in a Patriarchal Society The American feminist writer, Kate Millet, once said that “We’re more sexually repressed than men, having been given a much more strict puritanical code of behavior than men ever have”. Throughout history, women have often been viewed as the “weaker” gender and have been expected to behave a certain way. Women are seen as submissive and docile because of societal expectations, these expectations eventually became the societal norm. This “norm”, according to Sigmund Freud, is the repression of several archaic and primitive desires. Females have often had to repress these desires more than males. Males have been the dominating species throughout history and have expected women to repress their nature. For the most part, females kept their place in society and played their role but there were some who broke the norm. There have been serious consequences for females who have attempted to liberate themselves, especially when they attempt to do so sexually. Females have the ability to achieve their sexual liberation despite the patriarchal societies in which they live. Two females which have attempted to achieve sexual liberation are Hester Prynne in The Scarlet Letter and Blanche Dubois in A Streetcar named Desire. Both Hester Prynne and Blanche Dubois’s attempts to achieve sexual liberation were hindered by the patriarchal societies in which they lived in; making only one of them...
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
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