...Program notes are generally used as an element in the application of both classical and contemporary music. The purpose is to provide historical and background information on the piece and in some cases details about the composer. It also allows the audience to retrieve some sense of what to expect when listening to the work that is being offered. The reaction that I received in regards to Beethoven Fifth Symphony, First Movement; was that I immediately noticed the very catchy but strong opening that was displayed in my ears. In the beginning it was as if there were knocking on a door or someone running through a dark corridor of some sort. Then later there was light, then heavy repetition that went on along different levels and style etiquette. The program notes allowed me to understand the piece just a little bit since I can not read music quite well. I did notice very briefly, the flats pattern that was orchestrated in the music. The specific details that was overlooked if I did not have read the description beforehand, was the strong inspiration of what Beethoven held during that era. It was as if he had a lot to say and it was started to build up inside. If I were to described this piece in one word it would be “moving”. The reason for which is because it gives one a desire to become motivated. I would not have described this piece by Beethoven any differently. Mr. Downes' description of the message was very true and I agree 100 percent on his commentary...
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...Sina Valizadeh Concert Report 2 03/19/14 Classical Music Concert Report The concert took place in Balboa Park at Spreckels Organ. I was there for about an hour and they played 7 songs. #1: Jared Jacobsen: Toccata from Symphony No.5, Opus 42 from Charles-Marie Widor (1844-1937) From the start of the song tempo was presto. It has a 1,2 rhythm and it is very simple overall until it goes toward the end of a song and you hear more different melodies. it had an amazing finishing. during the middle of the song you could've hear the middle parts with louder and harder melodies. #2: Jared Jacobsen: Toccata in D Minor, S. 565 from Jonathan Sebastian Bach (1685-1750) This piece almost took 10 minutes and by far i can say is one of the best classical songs I've ever heard. it seems like a happy song. a lot of high pitch sounds and melodies were used in this song. tempo was combination of presto and moderato and it seems like its a dramatic song. #3: Sam Rudenberg: Prelude in G minor, BWV 556 from Jonathan Sebastian Bach (1685-1750) Very relaxing song, decent speed and largo tempo. i can say it is esspresione and it gets loud at the end of a song. #4: Sam Rudenberg: Finale from Janet Correll (b. 1942) Its a romantic era, it has a story line and a song like melody, usually it narrates a story about some one or a specific event that happened in the history. kind of slow tempo and a 1.2 rhythm. i heard a little bit of syncopation as well. #5: Jared Jacobsen: oh Danny boy...
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...1 – The symphony is an important genre that was created during the Classical period. Using examples of symphonies by Haydn, Mozart, Beethoven and Brahms, describe two [2] main features of the genre, and describe two [2] important changes or innovations that took place by the time Brahms composed his Symphony no. 1. Two main features of the genre are that there are four movements: sonata allegro, theme and variation, minuet, and then finale or rondo.Fast, usually an allegro and in what became known as sonata form. Slow and often in a simple form such as ternary form. Minuet and trio, a dance borrowed from the Baroque period and in ternary form. Fast and usually an allegro, often light-hearted in style and in a form such as rondo form, theme and variations or sonata form. strings, a woodwind section of a flute, two oboes, two clarinets and two bassoons, with some brass instruments, two French horns, sometimes two trumpets and normally only timpani from the percussion section. symphony no. 5 by Beethoven. Haydn, “Father” of the Symphony, Symphony No. 104 In D Major, “London” and Mozart, Symphony no. 40 in g-minor all focused on absolute music. Brahms began composing his Symphony no. 1 in 1854 and completed it in 1876 which was during the romantic period. The range of musical materials used by composers expanded enormously. Romantic composers looked for a greater freedom in the design and structure of their music, and more intense and personal expression of emotion. Melodies...
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...Classical Music Oct 24th Classic Era 1750-1800 Dates shift over the course of: a) An individual’s output b) A given work c) Throughout areas of Europe (and its colonies) In Transition 1720’s-1750’s Galant Rocco Attuned to nuance, we look at detail, instead of amount of detail Baroque vs Classical Music: * Over Statement vs Understatement * Obscurity vs Clarity Ornamentation and Decoration = bad in classical Nature vs Music * Genius – technique * Inspiration – Craft * Unconsciousness – Consciousness * Effortless – Hard work * Divine – Human * Not teachable – Teachable * Proportional Clarity * Balance * Naturalness * Greek and Roman Influences Elements of Classical Style: a) Basso Continuo disappears b) Obbligato Accompaniment: all performance parts were written out and you must play exactly what was written c) Periodic Phrase Structure: Start out with a phrase that has question, then next has an answer d) Paratactic to Syntactic: We move to a formal, set, pattern e) Slowing of Harmonic Rhythm Sonata Form: Not to confused with an actual Sonata, this is a structure of a piece Rondo Form: What Ritornello form is when the Classical musicians get their hands on it. Harmony controls form Illusion of Order * Establishing or Thwarting expectation The Age of Enlightenment * The philosophes * War/revolution/industrial revolution * Encyclopedia’s, histories...
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...Individualism, which some claim dates back centuries in America and other western cultures. Individualism, which some claim dates back centuries in America and other western cultures. Sonata form (also sonata-allegro form or first movement form) is a large-scale musical structure used widely since the middle of the 18th century (the early Classical period). Sonata form (also sonata-allegro form or first movement form) is a large-scale musical structure used widely since the middle of the 18th century (the early Classical period). Symphony is an extended musical composition in Western classical music, normally thought of as being written for orchestra Symphony is an extended musical composition in Western classical music, normally thought of as being written for orchestra Lyricism-gentle or romantic emotion, expressed in writing or music. Lyricism-gentle or romantic emotion, expressed in writing or music. Symmetrical is not restricted to the visual arts. Its role in the history of music touches many aspects of the creation and perception of music. Symmetrical is not restricted to the visual arts. Its role in the history of music touches many aspects of the creation and perception of music. Classical are generally accepted as being between about 1750 and 1820. However, the term classical music is used in a colloquial sense as a synonym for Western art music, which describes a variety of Western musical styles from the ninth century to the present, and especially...
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...now to other directions." Yet, still after Czerny, the Andante of the Pastorale Sonata, was one of the composer's favorites, he played it quite often and re-published it in a shortened and fingered version in 1820 in a "Methode pour le pianoforte". Critics at the Allgemeine Musikalische Zeitung wrote on December 8, 1802, that the first and third movements are "original and even strange and extravagant." The subtitle is perfectly justified. We know how Beethoven was keen on the nature. In a letter to Therese Malfatti he writes: "what a joy for me when I can wander around forests and bushes. Among trees and rocks! No other can love the nature as I do. Woods and rocks only can bring the man the echo he was expecting." Sister of the sixth symphony, also "Pastorale" started in 1805, in this sonata is found the same serenity and idyllic joy. Allegro The themes are all lyrical. A very peculiar beginning on a repeating pedal note D which strangely acts not as the tonic but the root of dominant 7th to the key of G major. The first right hand chord (C-natural - F-sharp - A) comes highly unexpected. It almost evolves in the key of G major before unconvincingly settling in D and it promptly re-starts, still "shifting" towards G major in the repetition of the first theme. Nowhere a solid V - I (dominant - tonic) evolution is seen during that first exposition of the main theme. The 24 bars long repeating pedal note D on the bass, acting sometimes as the tonic root and at other times as root...
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...longwindedness." He continued to use the classical forms that he had learned in his youth; however, he extended and enriched those forms in a new and exciting way. In the words of Mies, "this step by step expansion of old resources and the employment of new ones set the seal on Beethoven's unique development." This expansion of traditional forms also shows how Beethoven was a pivot between the earlier classical style and the later romantic style. One of the classical forms that Beethoven expanded was the sonata. In both the classical and romantic periods, the sonata form was usually the basis for the first movement of a symphony, and it was often used as the basis for the last movement as well. One of Beethoven's greatest contributions to romantic music was his "reinterpretation of the sonata principle." Mies argues that the formal changes made by Beethoven in his symphonies...
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...studied with Christian Gottlob Neefe. Neefe once wrote about Beethoven in the Magazine of Music saying, “If he continues like this, he will be, without a doubt, the new Mozart.” For a while he also studied with composer Wolfgang Amadeus Mozart. In 1792, Vienna became his permanent residency where he studied with Austrian composer Joseph Haydn. In the early 1800’s, Beethoven’s hearing started to decline. 1814 was his faming peak. Two of his most famous works were: Wellington’s Victory op. 91 in 1813 (otherwise known as the Battle Symphony) and The Glorious Moment op. 136 in 1814. His works done between 1818 through 1826 included: the Sonara in B-flat major op. 106 in 1818, the Missa Solemnis in D-major op. 123 in 1823, the Thirty-Three Variations on a Waltz by Diabelli in Cmajor op.120 in 1823, the Symphony No. 9 in D-minor op. 125 in 1824, and his last string quartets. Throughout his life he wrote: one opera, five piano concertos, nine symphonies, thirty-two piano sonatas, and string quartets. MUSIC One of Beethoven’s famous piano sonatas is entitled the Moonlight Sonata. The Moonlight Sonata is remembered best for it’s dream-like opening. This work was composed in 1801 and dedicated to Giulietta Duicciardi, a student of his. This sonata is divided into three movements, otherwise known as Sonata- Allegro Form. The first...
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...Analysis of Excerpts of Representative Composers In 1930 Igor Stravinsky wrote the piece Symphony of Psalms, which he intended to be of great contrapuntal development. Three movements comprise the work, each one including some polyphonic writing. Undoubtedly the second movement is the most highly contrapuntal; it is set as a double fugue. Figure 2.8 shows an excerpt that pertains to the exposition of the second movement of Symphony of Psalms, measures 1-19. Although some scholars argue that the formal aspects of this movement are not strictly fugal, the exposition follows the traditional procedure of a fugue. The four subject entries are spaced evenly with the exception of the third one, which appears two measures later. The first answer appears on the dominant key accompanied by the countersubject in measures 6–10 followed by two measures of new material, developed motivically from the last two bars of the subject. In measure 13 the second answer appears on the original key with a variation of the countersubject on flute 1, and new contrapuntal material on the oboe. Finally the third answer is exposed in measure 18,...
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...violin, which is very longato, and then soothes the listener, and then makes the piece more and more forte and appassionato. The theme of the piece is played. Rimsky-Korsakov is a Russian composer, and uses very Russian-like technique, for example, the beginning, which is very dark and gloomy, but strong like Russians. The piece gets very thrilling which is why it is so famous. When the piece is played, it experiments in different tones and volume at surprising times; at one moment is very soothing and longato, but at the next moment, it will be very thrilling and many sforzandos. It is also famous because Korsakov composed this off of arabian nights, which was famous, and that he was at first an opera composer, but then wrote a piece for symphony orchestra. The era was right before the Russian imperialism, and Alexander III was the ruler. Alexander III was a peaceful man, making Russia not involved in major foreign affairs or major wars/battles; consequently, the country did not have many despair in war. This made it possible for the composer, Rimsky-Korsakov, to create a non war-like piece, but a romantic, hateful towards love piece. This was the Romantic era in music, and this piece is somewhat romantic, since some parts are very romantic, but some parts aren’t romantic, but mean, at all. This made people love it more, and were intrigued by it. All of these things make the piece very famous since this piece is mainly romantic, however, the first two movements are not mainly romantic...
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...Prokofiev began composing his sixth symphony before finishing his fifth in 1944, and then completed the symphony in February 1947. The first performance of this work was given in 1947 in Leningrad. To the listener the sixth symphony appears to be more emotionally complex and highlights more the subtlety that was not as prominent In his wildly successful fifth symphony. The Central committee of the Communist Party and Stalin’s musical authority, issued a declaration condemning the works of Prokofiev on February 11, 1948. As a result of this declaration, the sixth symphony was put aside shortly after its premier. The piece and composer were denounced for creating “anti-Soviet” art. This piece was not upbeat and enthusiastic enough for the Soviet party. These characteristics highlight the contrasts between the fifth symphony, which was received with great enthusiasm and the sixth symphony. For as long as Stalin lived and was in control Prokofiev could not regain his musical prominence in his home country. Interestingly Prokofiev died less than one hour before Stalin on March 5,1953 so sadly he never saw his musical prominence resurface at home....
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...The concert I visited was Beethoven’s 7th Symphony on Sunday April 6; the conductor was Edo De Waart. Included in the concert there was a performance of Symphony of Wind Instruments, this was created by Ivor Stravinsky there were multiple different wind instruments used in this piece, there was three flutes; two oboes; English horn; three clarinets; three bassoons; four horns; three trumpets; three trombones; tuba. John Adam’s violin concerto was played in the concert, this had instruments from many different groups it consisted of, two flutes; two oboes; two clarinets; two bassoons; two horns; trumpet; percussion; two keyboard samplers; strings. As for Beethoven’s Symphony he used multiple different instruments, two flutes; two oboes; two clarinets; two bassoons; two horns; two trumpets; timpani; strings. The event was held at the Pabst Theatre, the Pabst was built in 1895, and is actually the fourth oldest continually operating theatre in the United States. The Pabst Theater was previously called Das Neue Deutsche Stadt-Theater and was built by Captain Pabst, this theatre was burnt down, and Captain Pabst immediately started rebuilding the theatre, as it only took eleven months, and that is why it is called Pabst theatre today. One very prominent soloist at the concert was a woman named Leila Josefowicz who “is the chosen interpreter of several leading composers” . Some of these composers include: John Adams, Oliver Knussen, Thomas Ades, and Esa-Pekka Salonen. Josefowicz...
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...Haydn with the Vienna Philharmonic Orchestra in Bavaria in 1873, making our experience of attending a performance by the same ensemble in Carnegie Hall more than 140 years later all the more special. The program directed by Latvian Andris Nelsons also included, besides the aforesaid work, Joseph Haydn’s Symphony No.90 in C Minor, Johannes Brahm’s Symphony No. 3 in F Major, Op.90 and Johann Strauss’s waltz Seid Umschlungen, Millionen (“Be Embraced, You Millions”) –which was actually dedicated to Brahms- as a surprise encore. Also known as Saint Anthony Variations, Brahms composed his Variations during a summer stay in Lake Starnberg near Münich during a time where he had finally, after the premiere of A German Requiem in 1868, achieved recognition throughout Europe. He based his work on a theme in Chorale Saint Antoni originally attributed to Haydn, although in the nineteenth century this was questioned and the piece remains unattributed to this day. Brahms composed two versions of this work –one for two pianos, the other for orchestraboth of which consist on a theme on B-flat major, eight variations and a finale in passacaglia form. The night started with Joseph Haydn’s Symphony No.90 in C Major, a piece in sonata form composed for one flute, timpani, viola, cello, bass and two oboes, bassoons, horns, trumpets and violins. The first movement –the Adagio- introduces, the listener to the piece by a sharp contrast between forte and an eight descending notes in piano. We are then presented...
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...3-8 Romantic 1817-1827: The establishment of new forms and a personal style which was much more Romantic on paper and in feel. Symphony No. 9 7 Beethoven is known as the developer of the symphony. His extensive development of musical material, themes and motifs usually by modulation resulted in his works being very long and expressive. He also continued to expand the “development” section of his works, adding not only length but also substance.8 This essay will set out to discuss the aspects of the symphony that Beethoven developed with regards to: the programmatic aspects of his symphonies, which instruments he used/added to the symphony (instrumentation), the structure of the symphony, his use of forms and how he used his instruments (orchestration). Programmatic aspects of his symphonies Programme music is purely instrumental (without words) music which is based on an extra-musical stimulus and a programme symphony is a symphony which has a programme. The whole work usually has a subtitle and sometimes each movement has a subtitle as well.9 Programme elements can be seen in Beethoven’s 3rd Symphony (Eroica) which is associated with the concept of heroism, his 5th Symphony which can be seen as an overcoming of his fate (deafness) and the 6th Symphony (Pastoral) which has a subtitle for each movement.7 Beethoven said of his 6th that the “work can be perceived without description”, because it clearly has depictions of bird...
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...Jubilé, troisième épisode. Les célébrations organisées pour le jubilé de diamant de la reine Elizabeth II se sont poursuivies lundi soir avec un concert pop de gala devant Buckingham Palace. Dix mille billets avaient été vendus, et c'est devant une foule compacte que Robbie Williams a donné le coup d'envoi de ce concert événement en l'honneur de la souveraine qui célèbre ses soixante ans sur le trône. L'hospitalisation du prince Philip a cependant jeté une ombre lundi sur les célébrations. L'époux de la reine, qui aura 91 ans le week-end prochain, n'a pu assister à ce nouveau rendez-vous du "Diamond Jubilee": victime d'une infection urinaire, il a été admis lundi à l'hôpital "par précaution" et restera en observation pendant plusieurs jours. Qu'à cela ne tienne, la reine en revanche devait assister au concert, retransmis par la BBC qui a annoncé "l'un des shows les plus spectaculaires jamais vus au Royaume-uni". Après Robbie Williams étaient attendus sur la scène circulaire Stevie Wonder, Tom Jones, Shirley Bassey et Elton John notamment. Le groupe ska Madness devait pour sa part interpréter son tube "Our House" sur le toit du palais. L'honneur de clore le concert devait revenir à Sir Paul McCartney. A l'issue du concert, 4000 balises lumineuses réparties au Royaume-Uni et dans le Commonwealth seront allumées. Dès 17 heures, décalage horaire oblige, les premiers lampions se sont allumés sur les îles de Tonga, en Nouvelle-Zélande et en Australie. Les festivités s'achèveront...
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