...While heroes throughout these time periods are different in their on respected ways, they are fundamentally the same. What I mean by fundamental is how all the actions and plot follow a similar pattern. This pattern is recognized in the The Hero with a Thousand Faces by Joseph Campbell. One of the first thing discussed by this book is the call to adventure. This is very evident in all three of these stories such as Odysseus call to the Trojan War, Sir Gawain and his quest to find the Green Knight ,and Beowulf journey to defeat Grendel. These ordeals are meant to stimulate the protagonists and to throw the “Ordinary World off balance” and to establish “the stakes involved if the challenge is rejected” (Vogler 3). This meant that the heroes either...
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...radi An analysis of storytelling and Joseph Campbell’s universal themes and their role in animated films. Theodore Hicks Word count: 1,711 Feedback: quite broad terms. Where there is some analysis it is very short and this needs developing further. Much of this is down to Analysis, Argument There is some analysis here but it is very limited. ON the whole you are describing events and stories in animation in quite broad terms. Where there is some analysis it is very short and this needs developing further. Much of this is down to your choice of question. If you had picked a couple of Disney/Pixar films and analysed them in more detail in relation to Campbell, your essay would have been more focused. Outlining this narrowing in the question will help with this, as reading the essay, this is where the topic really lies. You need to be able to show Campbell’s theories working across more than one film for it to be a successful piece of analysis at this stage, and in doing so, it will help you reach a central argument about the use of Campbell’s theories in discussing these films – at the moment this doesn’t happen. This is the section you need to work on the most, to increase your word count and extend the overall discussion. Structure, communication, referencing/bibliography The structure is generally ok, with an introduction, and a conclusion. You need to work on some of the in between sections as the essay jumps between ideas of outlining theories, linking some...
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...Joseph Campbell, a famous author, mythologist, and most notable for his book The Hero with a Thousand Faces. During the mid 1900’s, Campbell studied the heroic ideology throughout the world and time. Campbell realized similarities of the heroic journeys between the different cultures and time periods. Even though all heroic stories are different, they all have common patterns of their journey. He wrote his discovery in the book The Hero with a Thousand Faces. To summarize the heroic journey, Campbell wrote in his book, “A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: The hero comes back from this mysterious adventure with the power...
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...While watching movies does one ever wonder why so many events the protagonist experiences reflect such dramatic similarities ? Probably not. Likewise, in literature, the books make one wonder about the consistencies in the plot. This redundancy can be most readily understood if one were to view these works through the lens of archetypal analysis, or through patterns within the “Monomyth,” as revealed in The Hero with a Thousand Faces by Joseph Campbell. In Beowulf, for instance, Beowulf is the hero; meanwhile Grendel is his nemesis until his death. In Sir Gawain and the Green Knight, Gawain is also the hero, but he is not the trickster in the story. Therefore, similarities both of these works do have, but contradictions also exist. . Certain similarities and differences, however, stem not from age-old Monomythic patterns, but rather from differences in worldviews, varied paradigms held by cultures separated by roughly 350 years of development. Thus, some values...
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...The presence of archetypes is an essential element of the quest storyline, both in American and foreign literature. Pioneers of the archetype concept include scholars Joseph Campbell, Christopher Vogler, and Carl Jung, whose notions of archetypal literature developed into what most academics accept as the characteristic blueprint for a quest story today. Though these archetypes were first described just over a hundred years ago, they have persisted throughout literary and visual art for millennia. The most important archetype that Vogler describes in his Memo That Started It All is The Hero. He describes Hero characters as the central figures of stories that often make influential accomplishments on behalf of their respective civilizations...
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...Comparative analysis Gilgamesh and Odysseus Nikki Porter Hum Cultures 111 (world cultures 1) Professor Monique Baucham Strayer University Comparative Analysis: Gilgamesh and Odysseus This is a comparative analysis between two hero’s Gilgamesh and Odysseus who are two heroes from two different time periods that were both in search of the meaning of life. The epics that the two characters are featured in Gilgamesh, was developed from early Mesopotamia and the Odyssey in early Greece. Gilgamesh was a very popular and it was very valuable to the historian of Mesopotamian culture because it reveals much about the religious world, such as their attitudes toward the gods, how a hero was defined and regarded, views about death and friendship. Comparative analysis Gilgamesh and Odysseus This comparative analysis is that of Gilgamesh and Odysseus who were both historical hero’s. Gilgamesh who lived from 2700 BC-2620 BC he died in uruk. Gilgamesh compared to Odysseus Gilgamesh, the hero from the epic Gilgamesh, was the historical king of Uruk in Babylonia, on the river Euphrates in modern Iraq: he lived about 2700B.C. Odysseus, the hero from the epic the Odysseus, was the ruler of the island kingdom of Ithaca. He was one of the most prominent Greek leaders of the Trojan War. Both of these men were equipped with certain strengths, the difference in their strengths were Gilgamesh had physical, while Odysseus had mental strengths. Gilgamesh was a very self-confident and at times...
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...summary by Christopher Vogler (originally compiled in 1985 as a Disney studio memo): 1. TheOrdinary World, 2. The Call to Adventure, 3. Refusal of the Call, 4. Meeting with the Mentor, 5. Crossing theThreshold to the "special world", 6. Tests, Allies and Enemies, 7. Approach to the Innermost Cave, 8. The Ordeal, 9. Reward, 10. The Road Back, 11. The Resurrection, 12. Return with the Elixir. In narratology and comparative mythology, the monomyth, or the hero's journey, is the common template of a broad category of tales that involve a hero who goes on anadventure, and in a decisive crisis wins a victory, and then comes home changed or transformed.[1] The concept was introduced by Joseph Campbell in The Hero with a Thousand Faces (1949), who described the basic narrative pattern as follows: A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.[2] Campbell and other scholars, such as Erich Neumann, describe narratives of Gautama Buddha, Moses, and Christ in terms of the monomyth. Critics argue that the concept is too broad or general to be of much usefulness in comparative mythology. Others say that the hero's journey is only a part of the Monomyth. The other part is a sort of different form, or color, of the hero's journey ------------------------------------------------- erminology[edit] ...
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...A Jungian analysis of the warrior woman in popular culture and a brief look at what the archetype means culturally and psychologically. The 1990s and the new millennium saw an influx of female action heroes on television from Xena to Scully, Buffy to Sidney Bristow. Countless girls and boys eagerly jumped to their television set each evening to absorb the warrior energy of their new role models. Adults, too, were intrigued by the possibility of a new gender role for women – fighters. These women were not only stereotypically beautiful characters, but, untypically, they were also highly intellectual, courageous and strong – stronger indeed than the men portrayed alongside them, if not their equals. These fighting women usually depended on themselves for rescue and did not always wait around for their men. Some women warriors had martial arts expertise (Xena, Buffy, Sidney, Nikita), some wielded weapons (Dana Scully from The X Files, Samantha Carter from Stargate SG1), while others used magic (Willow from Buffy the Vampire Slayer, the three sisters in Charmed), and then there was the cyborg (Seven of Nine from Voyager and Max from Dark Angel). All nevertheless embodied the warrior archetype: a fighting spirit evoking a new female consciousness, one that reflected a shift of values in Western society's gender norms. C. G. Jung Research Online books, journals for academic research, plus bibliography tools. www.Questia.com/C._G._Jung Jungian Philosophy Analytical psychology...
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...lunacy to Don Quixote is in sound observation. Throughout the text he repeatedly exhibits his knowledge and research of the figure thus demonstrating his ability to derive to this credible form of judgment. Don Quixote very well can be deemed “a madman” and “crazy,” but the complexity of the character and his story forbids the reader from making a declaration in haste. Quixote’s existence in the socio-economic structure of imperialist Spain is one that draws empathy. Our hero assumes the role of knight errant to assimilate himself in a nostalgic past time: that of idealized collectivity. By doing so he sets to restore old-fashioned values in contemporary society for which he believes has been curdled and immoral in practice. The noble task, a primitive one, is juxtaposed with the modern ideology of the time and it is from the linear relationship between the two that the existential struggle of Don Quixote can be understood in its proper place. An important point to bring up at conception before the analysis goes deeper is the disposition of Don Quixote de la Mancha before he became a knight errant. His name was once Alonso Quijano, a retired respected farmer who was intelligent, decent, and perfectly rational. As an avid reader of books of chivalry he “went so far as to sell acres of arable land in order to buy [these] books of chivalry to read (Chapter 1, pg. 20)” and “when his mind was completely gone […] it seemed necessary to him […], for the sake of his honor and as a...
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...else” (Carver 76). She remains mesmerized by the possibility of her husband distancing himself from the incidence, just a day after returning from the trip. Because of this, the heroin starts to relate the aloofness of her husband to their marriage. Indeed, she even starts to imagine herself drowning in a pond. Sometime later, she thinks to herself, “this is crazy…we need to lock our fingers together. We need to help one another” (Carver 77). But she never gets to articulate those impulses. Rather, she withdraws and again starts to herself drowning, drifting “even faster around and around in the pond” (Carver 77). All the thoughts, she keeps to herself, and never shares them with anyone, not even her husband. This is a display is a real hero-able to bear the pain alone. Though, the withholding of the feelings eventuate an increase in the loneliness that she suffers at the...
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...Haider Qazi ENGL 1302 Mr. Watson 01/29/2015 Rhetorical Analysis of Malala Yousazai’s Speech Shot in the head by the Taliban simply for peregrinating to school , Malala Yousafzai has not only recuperated from appalling injuries, but has gone on to become a champion for the rights of children everywhere to be edified. Today, afore the UN Full general Amassing , Malala distributed a distribution of substance, exponent , and grace. This language deserves to be auricularly discerned. This verbalization communication deserves to be read. This verbalization deserves to learn. Both for its incredible message, and for the incredible public-verbalizing adeptness of this XVI year old girl. The first challenge any verbalizer faces is to establish their...
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...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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...THE HERO WITH A THOUSAND FACES JOSEPH CAMPBELL BO I. L I N G EN SERIES XVII PRINCETON UNIVERSITY AND PRESS P R I N C E T O N OXFORD Copyright © 2004 by Princeton University Press Published by Princeton Unhxmt^Pms, U WiffiaM SUrtt, Pnnceton, New Jersey 08540; im^inii!-. •:-..• punght i 1-49 by Botiingen e d i t i o n l n ' i l h Foundation, rc't.'itii.yi •: • andpttt t*j''!' !_•"' . !.,.: b% :''ohi: •• Bough, one-volume edition, p. 386. Copyright, 1922 by The MacmiUan Company and used with their permission). Compare Sigmund Freud: "I recognized the presence of symbolism in dreams from the very beginning. But it was only by degTees and as my experience increased that I arrived at a full appreciation of its extent and significance, and I did so under the influence of . . . Wilhelm Stekel. . . . Stekel arrived at his interpretations of symbols by way of intuition, thanks to a peculiar gift for the direct understanding of them. . . . Advances in psycho-analytic experience have brought to our notice patients who have shown a direct understanding of dream-symbolism of this kind to a surprising extent. . . . This symbolism is not peculiar to dreams, hut is characteristic of unconscious ideation, in particular among the people, and it is to be found in folklore, and in popular myths, legends, linguistic idioms,, proverbial wisdom and current jokes, to a more complete extent than in dreams." {The Interpretation of Dreams, translated by...
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...Pattern in Life of Pi 95 The Heroic Pattern in Life of Pi Hui-Fen Hsu Applied English Department National Taichung University of Science and Technology Lecturer Abstract This paper examines the universal structure of a mythological hero’s adventure in Life of Pi. The theory is based on Joseph Campbell’s The Hero with a Thousand Faces, which illustrated and distilled heroic patterns from various cultures. The hero’s journey has three stages: separation, initiation, and return. Answering a call to adventure, the hero departs from his familiar world and ventures into a region of supernatural wonder. Miraculous forces are encountered there and a decisive victory is won. He then returns from this mysterious land, bringing an elixir to bene¿t his fellow men. Through this journey of trials, the hero transforms his former self and achieves spiritual growth. Such heroes range from monster slayers to spiritual leaders such as the Buddha and Christ. Life of Pi is a fantasy adventure novel about an Indian boy who survives a shipwreck by drifting on a lifeboat with a tiger. His adventure ¿ts Joseph Campbell’s hero archetype. Similar to the mythological hero, Pi departs from his familiar land of India, answering the call for adventure to a new country. Protected by the supernatural powers of Hinduism, Catholicism, and Islam, he penetrates the dangerous and mysterious realm of the Pacific Ocean. After experiencing harsh ordeals, he returns to the human world with a life-enhancing...
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...MYTHOLOGY IN MODERN SOCIETY [pic] [pic] [pic] |Mythology is everywhere! Daily you run across instances of words, city names, companies, | |literary allusions - and even planets and constellations - that take their name or borrow | |their theme from myths. Because of your many requests, I've provided a couple of thousand | |excellent examples to help you get started in your research. Remember, you're surrounded | |by mythology in today's society, whether you realize it or not! | Mythological Influence on Modern... |[pic]Companies & Groups |[pic]Planets & Constellations | |[pic] Words & Expressions |[pic]Literary & Pop Culture | [pic]American Cities Named From Mythology [pic] COMPANIES & GROUPS |Mythology is everywhere! There are hundreds of companies, groups and corporations that take their name, logo or theme from ancient mythology. | |I've provided a variety of examples to help you in starting your research. Some are well-known international companies, others are of a more | |local nature. | |Aegis - Zeus and Athena's protective shield; modern group of insurance companies (The Aegis Group). | |Ajax - Greek warrior in the Trojan War, who "cleaned up" in...
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