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The Reality Of A False Image Analysis

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Now a day is so simple to manipulate an image even from a cellphone. It’s possible to add lights, crop images and so on. Nevertheless, image manipulation and the creation of new Images, is becoming a problem for Photojournalism and Media. In some situations this software is misused, mainly when it comes to Photographs that involved controversial situations. In spite of the fact that Photoshop is questioning Photojournalism, there are some cases when this tool really helps to understand the context of the Image and it helps to complement it. Furthermore media is totally subjective. Photoshop is really helpful but it should be used carefully. Within, both of this texts “ Distorted Picture” by Sherry Ricchiardi and “ The Reality of a Fake Image” …show more content…
The author expresses her opinion by using four or fives examples of Image manipulation cases, where Photographers have been fired. Although, Ricchiardi’s text doesn't have a concrete conclusion, her opinion, is clearly exposed in this article. It is a pretty convincing text, with good arguments and examples demonstrating the authors point of view about Photoshop and Photojournalism ethics. Nevertheless, the article only analyzes one point of view of a polemical topic. Discussing other points of view would make stronger her position.
Meanwhile, Professor Carlson introduces the topic by addressing Brian Walski’s Fabricated Photograph anecdote. He analyzes it by compare and contrast some press discourses with similar and completely different point of view. This is an excellent technique to convince the reader as we can compare both points of view, analyze it and comprehend the author’s conclusion. The type of analysis that Carlson uses is an excellent way to demonstrate the reader that he's considering both sides of the situation. This makes a stronger argument and proofs his …show more content…
Photoshop is a useful tool, but it has become a problem for Photojournalism. Photographers make use of it and usually images are starting to become unreal. Magazine covers are a good example of image distortion. Models bodies and faces have become unreal. Now a day is impossible to find magazines that don't use Photoshop or other similar application. There are some Photoshop tools that are acceptable to use, like contrast, lighting, and shadows. But there’s a point where Photographers start transforming Images and convert them in something fictitious. Walski’s case is one example of this. Where he combines two war Photos and the context of the situation is completely changed. That’s why image manipulation should be used carefully and with criteria.
Furthermore, there are some situations where Photojournalism shouldn't be using Photoshop at all. Allan Dietrich, Brian Walski and Adnan Hajj are some of the talented Photographers, whom were fired because Photo manipulation. I t wasn't only Photo manipulation; they completely distorted Pictures, that were taken in controversial situations as war, accidents and so on. There are people involved in this situation, who don't want to be part of a lie, and want the world to know the

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