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The Renaissance and Classical Style

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Music Appreciation
The Renaissance and Classical Style
The Renaissance artist was attracted by knowledge and began studying the models of the classic antiquity while researching new techniques are developed and the natural world view with loyalty especially interested in human anatomy and architectural construction techniques. The paradigm of this new attitude is Leonardo da Vinci, Renaissance essentially personality, who dominated various divisions of knowledge, but just as Michelangelo Buonarroti, Raphael Sanzio, Sandro Botticelli and Bramante artists were touched by the image of antiquity and concerned about developing new techniques of sculpture, painting and architecture, as well as music, poetry and the new humanistic sensibility. All this was part of the renaissance in the arts in Italy.
Renaissance music is characterized by a gentle sound that comes from the acceptance of the third as consonant harmony interval and the progressive increase in the number of voices, all equally important and governed by the rules of counterpoint, independence of voices, preparation and resolution of the dissonances, using parallel thirds and sixths, excluding parallel fifths and octaves, and others. The prototype is a musical renaissance that is a piece of vocals polyphonic texture, often imitative, written for three to six sing able character voices, each melodic line or voice could be interpreted either with real voices or instruments.
The genres and forms of music in these times was the religious music during this period the religious music had a growing spread. The most important liturgical forms during the Renaissance were the Misa and the Motet.
Misa of cantus firmus: the author takes a preexisting melody, either from the plainsong or some secular song, or even popular, and places it in one of the voices, usually called Tenor. Cantus firmus Misa is typical of the

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