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The Threshold of Revelation

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Submitted By Caj7982
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Threshold Of Revelation
By
Christopher A. Johnson

Scene 1
FADE IN on a long shot of New York City, approaching from the south. It is dusk, and the lights of the city are beginning to twinkle against the backdrop of the vibrant city. Quick cuts to street level scenes of well-known locales between title cards naming the cast. These scenes and title cards are cut with a moving shot of the George Washington Bridge (span, cables, deck, towers, etc.) from different angles and perspectives. . The credits end on one continuous shot as we approach a figure standing on the south side of the bridge, staring out over the Hudson River and the lights of Manhattan to the south. This is DECKER JONAS. He is tall and striking, wearing jeans, a t-shirt, and a hoodie. The camera then circles behind Decker going from left to right, catching Deckers view of the city at sunset. As the camera completes its half circle to the right and comes to a complete stop at DECKER’S ¾ profile we see he is holding a piece of paper, it is folded, he unfolds the paper and begins to read, a voice over begins. It is Decker’s voice.
DECKER: Mom. Dad. I feel as though I’m losing myself again. [ 1. PAN to OS Right showing the letter] I know I am. I can feel life spinning away from me, and this time I have nothing to hold on to. Its as though I’m on one of those tacky carnival rides that Dad would take me on at Edgewater Days when I was a kid, although now he’s not there to hold me in. I can feel it, I’m losing control. [ 2. Rotate to the right and pull back to the previous position] I know that, this time, there is no going back. And I also know that I can’t put anyone else through another one of these trying times. So I am doing the only sensible option I have left. [ 3. Slow PAN left so DECKER is almost out of frame. In the distance, we see a figure walking

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