...find out what is it based on fact or fiction. When doing research I found a lot of people say the answer to the question in complex of the events in the film. Truth: The beginning of the movie starts out with a bit of truth. Aurelius was a philosopher and man of peace and he did spend most of his life fighting Germans in one way or another (Ward, Heichelheim, and Yeo 347).Fiction: The depiction of Aurelius children is somewhat false. Aurelius, in the Gladiator, is presented as having only two children. Truth: Aurelius however did not choose to carry on this tradition of senatorial succession. Instead, when it came to succession instead of picking a senator to replace him he picked his son Commodu. Fiction: The movie shows Aurelius wanted to pass down his position to Maximus, who never historically existed. Fiction: In the Gladiator Aurelius, while talking to Maximus, voices his concerns about Commodus taking over the position of emperor. He calls his son an immoral man and says that he should never be allowed to rule Rome. Fiction: There is no historically fact that Aurelius thought this of Commodus: this is quite evident in his gesture of making Commodus his co emperor. Truth: when it came to succession instead of picking a senator to replace him he picked his son Commodus (Ward et al., 351). Truth: Commodus portrayal as a disturbed, immoral, hateful and unstable man. Fiction: In Gladiator Aurelius was suffocated by his own son Commodus. Truth: Commodus did not kill his own father...
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...genres crime, fantasy and mystery fiction. In 1954 US Marshal Teddy Daniels has come to Shutter Island, home of Ashecliffe hospital for the criminally insane to find an escape murderer named Rachel Solando. As a killer hurricane bears down on the island, the investigation deepens and the questions mount. How has a barefoot woman escaped from a locked room? Who is leaving them clues in the form of cryptic codes? And what really goes on in Ward C? The closer Teddy gets to the truth, the more elusive it becomes. And the more he begins to believe that he may never leave Shutter Island. Because someone is trying to drive him insane… Shutter Island is written by Dennis Lehane. Lehane mainly write books in the genres crime, fantasy and mystery fiction. In 1954 US Marshal Teddy Daniels has come to Shutter Island, home of Ashecliffe hospital for the criminally insane to find an escape murderer named Rachel Solando. As a killer hurricane bears down on the island, the investigation deepens and the questions mount. How has a barefoot woman escaped from a locked room? Who is leaving them clues in the form of cryptic codes? And what really goes on in Ward C? The closer Teddy gets to the truth, the more elusive it becomes. And the more he begins to believe that he may never leave Shutter Island. Because someone is trying to drive him insane… Shutter Island is written by Dennis Lehane. Lehane mainly write books in the genres crime, fantasy and mystery fiction. In 1954 US Marshal Teddy Daniels...
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...Fiction and Non-Fiction Documentary Films Name Institutional Affiliation Introduction Non-fiction documentaries often face tight budgets that force them to rely on actors to produce the plot that was intended. Fiction and nonfiction documentaries are anything but just academic and sensational arguments of the differences, for instance filming of a pack of lion over a year is obviously non-fictional as the main characters are unable to act. However, there are events such as for the movie mentioned below that involves that actually took place, but must be reacted to given a storyline of the actual events that took place. Nonetheless, it is always important to know that the fiction and nonfiction documentaries can be understood in relative terms, and that both the two categories of documentaries always aspire to tell a truth about the real world, but fiction is not constrained by the real world. Fiction develops a world for its story to take, and yet a documentary finds its story in the world we live in, and yet a fictional documentary becomes a marriage of these two concepts in films. The Naook of the North is the typical documentary that was built around the nonfictional story line with acting set in into the film. The story is a documentary about Eskimos, and it was the first documentary in the period, a first feature-length documentary and it was preserved by U.S. Library of Congress as a culturally, historically, or aesthetically significant” movies in a National Film...
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...Bailey Krumwiede AP Literature Hr. 5 Ms. Hand 4 October 2013 Reality or Fiction Reality is the actual person, entity, or event. Fiction is not necessarily based on fact; it is produced by the imagination. By giving the narrator his own name and naming the rest of his characters after the men he actually fought alongside in the Vietnam War, O’Brien blurs the distinction between fact and fiction. The reality is that Tim O’Brien is a real person and he is the author of The Things They Carried. O’ Brien did actually serve in the Vietnam War as a soldier. Unfortunately, it is impossible to know whether or not any given event in the stories truly happened to O’Brien. Through writing about his experiences in Vietnam, O’Brien’s character is able to sort through his emotions, since “by telling stories, you objectify your own experience. You separate it from yourself. You pin down the certain truths” (152). He doesn’t look upon his stories as a type of therapy; he recounts his stories since they are a part of his past, and who he is now is the direct result of them. O’Brien tries to explain the distinction of truth through “How to Tell a True War Story.” The narrator will introduce a character and undercut what he has previously lead the reader to believe, like in Norman Bowker’s suicide. A true war story is distinguishable “by the way it never seems to end. Not then, not ever” (72). In the case of O’Brien, his comments remind the reader that his stories are created. For example...
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...Through the exploration of a pair of texts composed in different contexts one can observe the significance of the ability of texts with varied form and context to still present and reflect similar values. A Room of One’s Own (hereafter AROO), a polemic, by Virginia Woolf and the play Who’s Afraid of Virginia Woolf (hereafter WAVW) by Edward Albee both address gender inequality and truth and illusion even though their contexts and form starkly contrast. An analysis of similar themes will provide a greater understanding of meanings and perceptions of the texts. AROO, written in the post-war period of the late 1920s, was composed in a time of great social change due to the destruction and turmoil of the War. Modernist writing highlights the absence of, and search for, meaning and features experiments with new forms. Loss and absence lie at the heart of Woolf’s art, resulting from the experience of loss as an adolescent – her half sister, father, brother and mother. Her refusal to give one single view of anything, offering instead multiple, often conflicting views which the reader has to balance and bring together is another modernist trait. In contrast, WAVW was written in a far more conservative context, and although Albee does challenge societal roles, he does it in a more blatant way. Written during a time of Cold War tension, where fear and instability was disguised beneath the facade of the Great American Dream, Albee is still able to paint a dystopian image of the stereotyped...
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...The Penultimate Truth and 1984: Not Science Fiction Science fiction genre is a literary genre that has a wide range of styles and themes. Probably that the most popular and interesting style in science fiction novels is the one that deals with future events, where the writer tries to anticipate futuristic changes. The accuracy of an author is of course found out retroactively, when the reader realizes that the author, years before, was able to predict and depict the future. However, The Penultimate Truth (Philip K. Dick, 1964) and 1984 (George Orwell, 1949), even though classified as science fiction novels, should not be considered so because the descriptions of the future they painted has never append. Indeed, they appear to...
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...in this novel “links” between his art and his life. The New York Times selected the book The Things They Caried as one of the best works of war fiction for the year, and Chicago Tribute awarded the novel its Heartland Prize. According to O'Brien, in using these interrelated sections of facts, story, confession, commentary, and narration of other people's experiences, he forced himself to invent a new form that blurs the boundaries between fact and fiction, short story and novel, memory and imagination. Tim O’Brien, who describes himself as “strict realist”, who dismisses critics labels of “surrealist” or “magical realist”, but admit, that he is “war writer”. Tim O’Brien uses a mixture of facts and fictions (truth and reality) to reveal the complexities of war. Tim O’Brien mixes truth and fiction in his stories. O’Brien explores the way stories are told throughout his work . In his stories he demonstrate the way truth always seems to be around the next story. Tim O’Brien himself revised his stories. In his novel are revision, after revision of what could happened, what might have happened, what did happened and what did not happened. The things they carried as a complete work is different from reading the stories. O’Brien calls the book simply “A Work of Fiction” One of the main characters Rat Kiley, often tells stories, and it is hard to know whether they happened or...
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...Postmodernism * Postmodernism: 1945-? * “Postmodernism named a shift in art, architecture,and literature away from the austere formalism and the sometimes sanctified tenor of modernism, often employing pastiche and transgressing the boundary between high and low art.” * “It also described a turn in literary theory and philosophy toward a focus on language itself, exposing the constructed news of what we had assumed were natural categories. In a word, postmodernism was meta.” * “Like ideas of the modern and the postmodern, the contemporary brings up the question of whether it simply designates a new style or more deeply captures the state of society and the feeling of our era. Key elements seem to run throughout discussions, especially the speed up of time and the reveling effects of globalization. If postmodernism was self-conscious about language, the contemporary is hyperconscious of time.” * Also referred to as contemporary literature, which is perceived as being “hyperconscious of time.” (The Sound and the Fury) * “Globalization is why many theorists set the starting date of the contemporary at 1989, because the fall of the Berlin Wall signaled the end of dividing the world between the capitalist West and the communist East. That is why postmodernism is no longer adequate.” * “That is a chief difference from previous eras, even the postmodern. Postmodernism might have responded to media like TV, but the contemporary arose with the advent of personal...
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...Before the United States became militarily involved in defending the sovereignty of South Vietnam, it had to, as one historian recently put it, "invent" the country and the political issues at stake there. The Vietnam War was in many ways a wild and terrible work of fiction written by some dangerous and frightening story tellers. First the United States decided what constituted good and evil, right and wrong, civilized and uncivilized, freedom and oppression for Vietnam, according to American standards; then it traveled the long physical distance to Vietnam and attempted to make its own notions about these things clear to the Vietnamese people—ultimately by brute, technological force. For the U.S. military and government, the Vietnam that they had in effect invented became fact. For the soldiers that the government then sent there, however, the facts that their government had created about who was the enemy, what were the issues, and how the war was to be won were quickly overshadowed by a world of uncertainty. Ultimately, trying to stay alive long enough to return home in one piece was the only thing that made any sense to them. As David Halberstam puts it in his novel, One Very Hot Day, the only fact of which an American soldier in Vietnam could be certain was that "yes was no longer yes, no was no longer no, maybe was more certainly maybe." Almost all of the literature on the war, both fictional and nonfictional, makes clear that the only certain thing during the Vietnam War...
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...Secular Study for Christians Discussion Board Forum 1 ENGL 102-D14 The presentations presented in this week’s module have a lot of truth as to why secular literature is used in modern day Christianity. I do agree that electronic media is not a tool that is valuable in learning literature. Lesson 2 clearly talks about how the thinking is done for you and may not even have the plot or main points in order and only access the emotional side of your thinking. As human beings, we are constantly growing and stretching ourselves as each individual person. Life is constantly moving forward and secular materials help each person mature. Non-secular literature also helps a person grow with faith and help each individual find their own truth in this world. I don’t agree with the early church’s view on fiction. I do, however, believe that fiction in some forms can be bad. Fiction that represents evil, such as murder, is the kind of fiction that should not be read. This can inhibit the way a Christian grows and put Satan ideas in a person’s head. There is one book in particular I want to comment about. It is a book by C. S. Lewis, The Lion, Witch, and Wardrobe. This novel has been around for a long time. I read this growing up and loved what it represents. A group of children enter into another realm becoming the kings and queens of this realm and fight evil with a lion who sacrifices himself against evil and betrayal of one of these kings. He is resurrected due to the fact that he...
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...Truman Capote’s non-fiction novel, In Cold Blood, was a breakthrough in literacy in that it was accredited as the first non-fiction novel. There was a lot of controversy when the book was first published because of the incredibility of the work. This could be expected in that time, because people where not familiar with the concept of non-fiction novels yet, but this is where the beauty of this style of writing lies, the recreation of the truth. It would have been impossible for Capote to have documented the occurrence fully, because he only read about the murder after it had happen, after all, this was not what he wanted to do. Capote got a lot of criticism for the book, because of him bending the truth, putting in scenes that never happened and his ways of gathering information, but people still saw the talent that went into creating the non-fiction novel. Truman Capote will forever be recognized for this novel and the contribution he made to literacy. In this essay we will be discussing the strengths and weaknesses of In Cold Blood when it delivers facts and the credibility of the work. We will also be discussing the strengths and weaknesses of the novel when Capote bends reality and ad some parts of fiction. Capote never intended for In Cold Blood to be a documentary of the multiple murder that happened in the small town of Holcomb. When Capote published his novel, people where not familiar with non-fiction novels. People knew of the murders that had happened and started...
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...Definition: What is literature? Why do we read it? Why is literature important? Literature is a term used to describe written or spoken material. Broadly speaking, "literature" is used to describe anything from creative writing to more technical or scientific works, but the term is most commonly used to refer to works of the creative imagination, including works of poetry, drama, fiction, and nonfiction. Generally, most people have their own ideas of what literature is. When enrolling in a literary course at university, you expect that everything on the reading list will be “literature”. Similarly, you might expect everything by a known author to be literature, even though the quality of that author's work may vary from publication to publication. Perhaps you get an idea just from looking at the cover design on a book whether it is “literary” or “pulp”. Literature then, is a form of demarcation, however fuzzy, based on the premise that all texts are not created equal. Some have or are given more value than others. Most forays into the question of “what is literature” go into how literature works with the reader, rather than how the author set about writing it. It is the reception, rather than the writing, which is the object of enquiry. Largely, what we call “literature” is often a subjective value judgment, and naturally, value judgments, like literary tastes, will change. Etymologically, literature has to do with letters, the written as opposed to the spoken word...
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...movies. America-based films are more insightful, clever, and charismatic to the audience, for it is being distributed across the world. The universal motion-picture industry of America is called Hollywood (Wikipedia.org). And having been able to reach a wide array of audiences, it has an immense power to influence them. There are a lot of film categories that are being specialized by Hollywood. One of the most popular is fiction. According to Wikipedia.org, “Fiction is a form of any narrative or informative work that deals, in part or in whole, with information or events that are not factual, but rather imaginary”. People have embraced fiction films maybe because it seems like a new taste to the tongues of the audiences from different parts of the world. As time went by, Hollywood film makers tried incorporating fiction with science, and have clearly succeeded. Today, Science-Fiction films have become a massive hit to cinemagoers. Commonly known as “Sci-Fi”, this type of movie genre deals with depictions of phenomena that are not really accepted as truths, such as sorcery, alien worlds and extraterrestrial forms of life, extrasensory perception, and time travel. It also features spacecrafts, space travels, robots, and other forms of technology with a more futuristic element. One...
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...understanding of the events. Tim O’Brien explores the necessity of ambiguity between fact and fiction in order to create a visceral response to war in his short story “How To Tell A True War Story” which is a chapter in the novel The Things They Carried. O’Brien is able to examine this more thoroughly through the use of irony in title, the narrator’s internal conflict with truth and fiction, juxtaposition of writing styles and the nature motif. Margaret Atwood also investigates how real stories are portrayed in her poem “It Is Dangerous To Read Newspapers” by utilizing juxtaposition. Internal conflict is the basis of this entire story; O’Brien is struggling with how to tell his story and whether the things he experienced really are true to others. The style of this piece is similar to that of a debate with the evidence, or war story, being presented and then explained as to why it is correct. The critical essay “Metafiction in The Things They Carried” also references this writing style: “By defining a war story so broadly, O'Brien writes more stories, interspersing the definitions with examples from the war to illustrate them” (Calloway 4). Calloway says that this effective in emphasizing the lack of definitive truth throughout the chapter. The narrator seems to be trying to convince himself that he is telling his stories properly and not ruining them. The attempt to find balance between truth and fiction in order...
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...theatrical performance, where conflicts and emotion are expressed through dialogue and action * Fable – narration demonstrating a useful truth, especially in which animals speak as humans; legendary, supernatural tale * Fairy tale – story about fairies or other magical creatures, usually for children * Fantasy – fiction with strange or other worldly settings or characters; fiction which invites suspension of reality * Fiction narrative – literary works whose content is produced by the imagination and is not necessarily based on fact * Fiction in verse – full-length novels with plot, subplot(s), theme(s), major and minor characters, in which the narrative is presented in (usually blank) verse form * Folklore – the songs, stories, myths, and proverbs of a people or "folk" as handed down by word of mouth * Historical fiction – story with fictional characters and events in a historical setting * Horror – fiction in which events evoke a feeling of dread and sometimes fear in both the characters and the reader * Humor – Usually a fiction full of fun, fancy, and excitement, meant to entertain and sometimes cause intended laughter; but can be contained in all genres * Legend – story, sometimes of a national or folk hero, that has a basis in fact but also includes imaginative material * Mystery – fiction dealing with the solution of a crime or the unraveling of secrets * Mythology – legend or traditional narrative, often based in part on historical...
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