...The Tragic Hero Creon A tragedy is an imitation of a serious action which will arouse pity and fear in the viewer and a tragic hero is a character that meets their downfall because of a weakness or error in judgment. Greek drama always includes a tragic hero or heroine who has a tragic or fatal flaw. This is meant to create compassion for the character from the audience, but also make the audience fear the character and their decisions. For example, in Sophocles’ Antigone there are two characters who might be considered a tragic hero. Creon is the tragic hero in Antigone because of his arrogance, his willingness to accept his faults, and what his faults teach the audience. Creon’s hubris is what makes him the perfect tragic hero of Antigone....
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...When ever watching superhero movie It always seems that the main character is always a tragic hero.A tragic hero is someone who has high status a tragic flaw and a downfall. As with superman everything seems to go well for him but because of kryptonite (supermans weakness) things seem to go down hill. In the book othello the main character, othello, is the perfect example of a tragic hero he has a very high status and well respected man. Othello was the general of the army and iago stated that othello is the best for cyprus and no one could take his place.”Another of his fathom they have none to lead their business.” Another example of othello having a high status is that he also married the senator's daughter. He married a high status woman...
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...certain sense of audience fulfillment. The roots of the tragedy are related to ancient Greece. A Greek tragedy is a sad story, which represents a character with a tragic flaw leading to his downfall. In addition, in traditional tragedy, the main character falls from high authority and often it is predetermined by fate, while the audience experiences catharsis (Bloom 2). Arthur Miller’s play Death of a Salesman is considered to be a tragedy because this literary work has some of the main characteristics of the tragedy genre. In this play, the main character Willy Loman possesses such traits and behaviors that lead to his downfall, and the audience experiences catharsis. Willy Loman as a real tragic hero comes to the decision to commit suicide because of serious financial problems of his family (Phelps 79). This play has already been criticized by a number of literary critics who represented different opinions on the plot of the book. The major goal of this paper is to critically evaluate the play Death of a Salesman written by the well-known American writer Arthur Miller, paying special attention to the play’s characteristics of a tragedy. In the play Death of a Salesman, the author investigates human nature and represents his main character as a person whose dissatisfaction with his own life leads to his tragic end. The plot of this literary work is rather simple. The play consists of two acts. In the first act, Willy Loman, the main character of Miller’s play returns home...
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...What is the definition of a tragic hero. To many they would describe it as a person or character's basic goodness and superiority that are marred by a tragic flaw, that brings about or contributes to their downfall. The flaw may be poor judgement, pride, weakness, or an excess of an admirable quality. They recognize their own faults and its consequences ,only after it is too late(definition from book). In the crucible by Arthur Miller, it recognizes John Proctor as a tragic hero for the following reasons; he recognized his own faults ,was honorable, and died doing the right things. In The Crucible, John Proctor is a male in his early 30’s with three sons and a wife. He is a farmer and a holy man. Unfortunately, he is killed in the last act of the story. He was accused of witchery, by hateful...
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...Poetics A tragic hero according Aristotle’s Poetics, is an ideal noble man with a flaw. Oedipus fits into the context of a flawed man, a man with given stature, and catharsis that propel him into a tragic hero. Oedipus as a tragic hero is caring concerned king whom the people trusted and loved. However, his impulsive temper caused him to make mistakes. On, the other, hand, Willie Lowman was a tragic hero as he was ready to lay down his love for the love of his family. Miller gives the flawed sense of a tragic hero in the sense of personal dignity that Lowman is willing to fulfill even in his death. The characteristics that Miller offers in terms catharsis and stature fits Lowman, he involved himself in a car accident so that his son Biff could use the insurance money to start a business and become a successful person in the society. This paper will discuss Willie Lowman, and Oedipus, as tragic heroes based on the stature, tragic flaw, and catharsis in their respective stories. A tragic hero according to Miller is a common person as opposed to the belief that a tragic hero must be a form of a king. He says, “we are often held to be below tragedy or tragedy below us……… that tragedy fits only for the highly placed… where this admission is not made in so many words it is often implied.” A tragic hero, therefore, is a common and both a highly placed person in the society. The belief that tragedy does not affect a common forces Miller to use a common, in his, novel as the tragic hero. Willie...
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...Aristotle's Ideal Tragic Hero. Oedipus follows all of the rules, with a hamartia, an anagnorisis, and a peripeteia. The audience is introduced to the hamartia, or tragic flaw, of Oedipus early in the play. Oedipus believes he can dodge the oracle given to him at Delphi that he will kill his father and marry his mother. By leaving the city of Corinth and heading to Thebes, Oedipus thinks that he can outsmart the will that the gods have for him. However, the audience knows that one cannot run away from an oracle. The oracle will come true no matter what is done. Therefore, the hamartia of Oedipus is his belief that he can evade his oracle. Oedipus' anagnorisis, recognition, later comes when he is told that it was he who killed the former King Lauis and that he is, in fact, now married to his own mother. The city of Thebes had been searching for King Lauis' murderer in order to drive him out of Thebes to save the city from the plague. With this anagnorisis Oedipus is finally led to his peripeteia, or downfall. First of all, Oedipus is put to shame in front of his entire city because of his incestuous act of marrying his mother. But, more importantly, he realizes that he had not successfully avoided the oracle. In order to try to save himself he blinds himself. If he is not able to see the truth with his own eyes, he should not be able to enjoy the gift of sight. http://personal.monm.edu/ysample/aristotle.htm Oedipus follows ten of the points of Lord Raglan's Hero Pattern: Sophocles'...
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...or before 441 BC. I will focus in on tragic hero’s. A tragic flaw is an error or defect in the tragic hero that leads to his downfall, such as greed, pride, or ambition. This flaw may be a result of bad character, bad judgment, an inherited weakness, or any other defect of character. Examples of a tragic hero are Antigone four main characters Antigone, Ismene, Creon, and Haemon. Using the text as proof each and everyone one of those four characters are written with a tragic flaw that is their undoing. The major literary elements I will be concentrating on are characterization, tone, and theme. These elements are most important in determining and explaining what makes a character a tragic hero. Without characterization I can’t describe what traits make our hero before a tragic one. Tone will also help with reading in between the lines because as we know sometimes our characters say one thing, but mean something else entirely. The overall theme of Antigone is tragedy so without the characters having the tragic flaws the theme would change. Literally elements are crucial in accurately explaining my topic....
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...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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...The Crucible Critical Analysis Shakespeare believes that a tragic hero has potential for greatness, but is ultimately destined to fail. The character falls from greatness because of their ‘tragic flaw’. In Arthur Miller’s play The Crucible, the protagonist John Proctor is portrayed as the tragic hero. He fits this description for a number of reasons. His tragic flaw or Achilles heel, like many other tragic heroes is his pride. Compounded with conflicts with circumstances, this tragic flaw leads to Proctor’s loss of life and arguably the loss of his eternal life as well. One of the major requirements to being a Shakespearean tragic hero includes having a tragic flaw. Proctor places a great deal of importance on his pride or what he considers dignity and self-respect. He lets pride overshadow his life and actions. He would rather maintain his pride or die. As the play nears its end in Act Four, it shows that he would rather give up his life, rather than post his fake confession on the church doors for the public to see. He states, “Because it is my name! Because I cannot have another in my life... How may I live without my name? I have given my soul; Leave me my name!” (Miller, 133). John is too prideful and unwilling to stain his reputation. He prefers to die rather than have his name stained because of a fake confession. He wants to leave his name intact for his family. Another example of this is illustrated in Act Two, where Elizabeth urges Proctor to go...
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...No matter where a person comes from, the wrongful doings they have done to the people, or the financial background should deny a person their own unique way of learning to recover from the suffering of the loss of a loved one. Gilgamesh, Achilles, and Oedipus are all tragic heroes who throughout their stories, show their companions. Throughout the epic poems/play, each person suffers tremendously with the grief of their loved ones. This is extremely important to today’s society and the past that people have empathy and sympathy for others, especially the ones we truly care about. To be a hero, a person must have a heart, if not then they would be considered abnormal or self-centered. A true hero will have these specific characteristics. Gilgamesh’s story is super important and interesting because he relates to society so much by the trauma he has been through. He lost his companion, whom was at first his enemy. Enkidu was a strong man; he was Gilgamesh’s equal. One hero was lost, so the other had to step up to the plate. Like many people, after losing a loved one,...
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...Introduction/Thesis II. The Tragic Hero’s Nobility III. Tragic Flaws A. Arrogance and Pride B. Arrogance and Paranoia C. Pride D. Pig-headedness IV. Downfall V. Conclusion Dramatic Research Paper “Oedipus Rex” by Sophocles “Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the thought, the spectacle, the diction, and the music. He believed that “[t]he plot, then, is the first principle, and, as it were, the soul of a tragedy; character holds the second place” (Aristotle 1999). The character (tragic hero) being the second most important element of the tragedy, he must be of nobility, he is not infallible and his downfall is due to an error in judgment, and is capable of making his own choices and, most important, accepting the consequences for those choices. “Oedipus Rex” is not only a classic example of Aristotle’s definition of a tragic plot; Oedipus (the protagonist)...
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...Adeola Mike-Irabor English 1302: Composition 2 David Glen Smith, Instructor November 29, 2012 Research Paper Miss Emily Grierson and Eveline The family and society’s expectation of a woman has led to some women becoming tragic heroes and anti-heroes who battled consistently with their true identity. Literary works of William Faulkner in the short story, "A Rose for Emily", and James Joyce’s "Eveline", reflects the negative impact of these expectations. Based on information, culled from Dr David Smith’s notes, tragic heroes are driven and obsessed with past deeds or by fate, they are neither entirely good nor entirely bad and are fated to cause grief to individuals or to the community, they are often leaders in the community or head of family (2). Faulkner shows these common traits of tragic hero in Miss Emily Grierson; a protagonist in self-exile from the modern world, locked away in her decaying mansion (3). In James Joyce’s Eveline, a protagonist is revealed as tragic hero who endures a dramatic and tragic life full of conflicts, but Smith thinks otherwise, he refers to her as an anti-hero and is of the opinion that antihero should not be confused with tragic hero because, “existentialist believed modern life does not allow the existence of a true hero. Modern life dehumanizes everyone”(3), short of this, Eveline is a classic example of a tragic hero. William Faulkner’s Miss Emily and James Joyce’s Eveline are women who in the quest of fulfilling the roles assigned...
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...Brock Bilger ENGL 102 Research Paper October 14, 2011 Outline: I. The introduction and brief statement about the drama II. Discuses the theme of the paper and how it relates to the drama III. The Tragic hero definition and how that applies to the play IV. The big revaltion in the play that Oedipus sees V. Talk about Apollos power and the meaning of that and conclude to paper with that. The first criterion of a Greek tragedy is that the protagonist be a good person; doubly blessed with a good heart and noble intention. Sophocles reveals immediately at the start of the play that Oedipus is such a man. As is common in the Greek tragedy Oedipus is also an aristocrat. Born of the King and Queen of Thebes he is of true nobility. Oedipus on the other-hand believes his parents are the King and Queen of Corinth. Oedipus was abandoned as a baby and adopted by them. Because that information is known to the audience and not to Oedipus prior to the start of the play, it is a perfect example of tragic irony because when he declares that he will find the murderer he is the man that he pursues. Here he is told by Tiresias,” I say you are the murderer you hunt” (1235). The theme of Oedipus the King is not clear-cut. The theme in this tragic play seems to be you can‘t escape your fate. Contentment leads to ignorance as Oedipus lends fate a hand in his bitter end. This trait is touched-on in these lines spoken by Creon. “Look at you, sullen in yielding, brutal in...
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...Brutus is portrayed as a tragic hero in the play “Julius Caesar.” We see this through his personal character flaws, mistakes that led to his death and that he did everything for the good of Rome. Brutus had a lot of flaws. One of Brutus’ flaws is that he was too good. An example of this was when he let Mark Antony speak at Caesar's funeral. This goodness was a fatal flaw because Mark Antony turned the people against him and started...
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...The story opens in ancient Britain, where the elderly King Lear is deciding to give up his power and divide his realm amongst his three daughters, Cordelia, Regan, and Goneril. Lear's plan is to give the largest piece of his kingdom to the child who professes to love him the most, certain that his favorite daughter, Cordelia, will win the challenge. Goneril and Regan, corrupt and deceitful, lie to their father with sappy and excessive declarations of affection. Cordelia, however, refuses to engage in Lear's game, and replies simply that she loves him as a daughter should. Her lackluster retort, despite its sincerity, enrages Lear, and he disowns Cordelia completely. When Lear's dear friend, the Earl of Kent, tries to speak on Cordelia's behalf, Lear banishes him from the kingdom. Meanwhile, the King of France, present at court and overwhelmed by Cordelia's honesty and virtue, asks for her hand in marriage, despite her loss of a sizable dowry. Cordelia accepts the King of France's proposal, and reluctantly leaves Lear with her two cunning sisters. Kent, although banished by Lear, remains to try to protect the unwitting King from the evils of his two remaining children. He disguises himself and takes a job as Lear's servant. Now that Lear has turned over all his wealth and land to Regan and Goneril, their true natures surface at once. Lear and his few companions, including some knights, a fool, and the disguised Kent, go to live with Goneril, but she reveals that she plans...
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