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Troubadour

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Troubadour poets were mostly of men and a few were women. These poets usually accompanied themselves on a lute or lyre. A lute and lyre were both instruments, the difference between them is that a lute had a guitar-like sound and was shaped in a pear like form. A lyre, was mostly made from turtle shell with two curved arms at the tip. Both of these instruments were used to accompany singing and recitation. The Troubadours lauded love, especially the sweet pain of unattainable love, as embodied by an idealized Lady. They were the poets of the courtly love (Troubadours, 2013). Trobairitz were the female counterpart of the troubadours. The trobairitz did the same thing the troubadours did, they composed songs, wrote verse and even performed in the court.
Romantic love is a deep emotional, sexual and spiritual recognition and regard for the value of another person and relationship (About Love and Romantic Love, 2013). In troubadour poetry, it was all about forbidden love. These poets are married and madly in love with someone else but cannot be with them because they’re married. This here tells you that in medieval times, marriages were arranged even when the two people did not love each other.
After reading the work of Contessa de Dia, I realized that it was all about adultery. One would think that thee poem is about a woman and her husband but it wasn’t. The poem is talking about a woman who is in love with another man who is not her husband. The poem clearly shows that she is longing for this man and wants to let her love be known but can’t. It was really hard for women back in the medieval times to marry or be with the person that they love. They had no choice or say so on marriage, it was all arranged. The reason why women ended committing adultery was because back then, they weren’t allowed to divorce their husbands. The saying, “this is a man’s world,” was real in medieval times. Women had to follow the laws that man made. They had limited freedom while men were able to pretty much do as they please.

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