...The Yellow Wallpaper: Narrator’s Perception Of Reality "The color is hideous enough and unreliable enough and infuriating enough, but the pattern is torturing. You think you have mastered it, but just as you get well underway in following, it turns a back-somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you." (Gildman, p. 71) The story of the Yellow Wallpaper tells us about the madness of the “nameless” main character as she is suffering from a nervous depression. Her husband john, a physician, takes her to a leased summer home to try to relieve her with rest-cure. Rather than curing his wife from her disorder, John worsens the effects sending her into a severe depression. The role of the yellow wallpaper plays a dominant role in the story reviling her insanity through her writings, her husband’s treatments that worsen her health; and the lady behind the wallpaper. The narration in the Yellow Wallpaper is written in a unique first person point of view. Because of this we are able to see the deterioration of her state throughout the whole story. The narrator of the story is isolated from the outside world only exposed through a barred window to look out. She has no contact with the outside world, except john and their housekeeper Jennie, which leads her to writing. John does not want his wife to write because he thinks it will diminish her treatment, but she does anyway, which is exhausting for her to do it in secret. As the narrators...
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...The Yellow Wallpaper The narrator starts off the story by talking about a large old house. She and her husband John are on a summer vacation for three months at this house. The house is a large estate that has been empty for many years, she describes it as haunted. She goes on and says she is sick with temporary nervous depression, one of the reasons they are staying at this house is to help her feel better by getting her fresh air. The house is standing alone far back from the road and three miles from the village. There are gardens, small houses for grounds keepers, and old greenhouses surrounding the house they are staying in. The narrator’s treatment requires her not to do any physical activity including writing. The narrator feels that activity, freedom, and writing would help her condition and says that she has been writing her secret journal in order to relieve her mind. She continues to describe the house, but more specifically the room she is staying in. There are bars over the windows, “rings and things” on the walls, an old mattress that has been through the wars, and a horrid yellow wall paper that has been ripped in spots. Her husband John is very controlling of the narrator and what she does because of her illness. He is a doctor and is limiting things that his wife wants to do. The narrator likes using her imagination but her husband discourages it. She continues describing the bedroom; she thinks it was a nursery for young children. She describes...
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...The Yellow Wallpaper Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper”, highlights the repressed position of most married women during the 19th century. The narrator struggles both at the hands of her family members and internally. Her husband John, a physician, makes an effort to alleviate his wife’s mental state by moving their family into an old style home located in a remote area and isolating her as much as possible. He determines that it is unhealthy for her to entertain, interact with their baby, even to write which she seems to enjoy a great deal. When approaching “The Yellow Wallpaper” one has to keep in mind the importance of the title itself. John decides on their bedroom in the new home and it is covered in yellow wallpaper that the narrator takes great issue with. Using reader response, it is evident that Gilman uses imagery and symbolism to merge the protagonist’s life with that of the “woman” behind the yellow wallpaper. Before an analysis is presented the reader must first understand the marital expectations and male to female dynamic during the time period to which Gilman is writing. Married women faced oppression at the hands of society as well as their husbands. The 1800’s were a time when the wife was to be seen and not heard. It was a general societal expectation that wives if financially secure could have no real issues of their own. This was also because they were not expected to think on their own. They were expected to only reflect the...
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...Kimberly Powers Analysis and Theory on “The Yellow Wallpaper” March 25, 2014 Professor Langston The Yellow Wallpaper was published in 1892 by Charlotte Perkins is a short story of one woman’s decline into madness. It can also be viewed as an accusation of shrewdness over creativity or the horrifying inequality in marriage back in the 1890’s, it depicts that back in the 1890’s the societal pressures were placed on women. Charlotte writes this short story so that the reader can see the dangers of rest as a form of cure. She is trying to prove that the method does damage to a person. A woman suffering from post-partum depression is driven mad by her over baring husband who allows her to do nothing more than to merrily exist. Her husband treats her like a child and confines her to a house in the country. Her husband doesn’t think there is anything wrong with her and that it’s all in her mind, she tries to write but it exhausts her to hide it from everyone, she is forbidden to “work”.( pg 1 The Yellow Wallpaper) Her husband is a physician and leaves her alone so often to “work difficult cases in town”. They chose a bedroom that is at the top of the stairs and takes up most of the floor and the wallpaper that was hideous. She keeps starring at it day in and day out until it looks as if there is someone was moving behind it, the wallpaper drives her insane and she finally tears it down. Unfortunately her husband does not give her any support. Also she isn’t allowed to go visit...
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...The Baby Yellows “The Yellow Wallpaper”, a short story by Charlotte Perkins Gilman is an unnerving tale about a woman and her spiral into psychosis. Mirroring the author’s actual experiences with depression and the “resting cure”, the story criticizes medical care that ignores patient concerns and deprives them of emotional outlets that could have been beneficiary towards a healthy mind. Set in the late nineteenth century, “The Yellow Wallpaper” illustrates the psychological effects of the popular “resting cure” and how the narrator is influcenced by it. While the illness the narrator has is never actually said, it is very heavily implied that she is suffering from postpartum depression. Eventually, her husband’s reliance on the “resting cure” and denying her healthy mental activities is what causes her depression to grow into postpartum psychosis. Postpartum depression is a form of depression typically affecting women after childbirth. Symptoms of postpartum depression include hallucinations and delusions, extreme agitation or anxiety, overwhelming fatigue, bizarre behavior, mood swings, inability or refusal to eat or sleep, and over worrying about the infant. The narrator showcases all of these symptoms, leading to the heavy assumption that she is suffering from postpartum depression. The narrator regularly experiences hallucinations, seeing a woman trapped behind bars in the pattern of the wallpaper. Gilman writes, “The front pattern does move- and no wonder! The woman...
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...The Yellow Wallpaper: A Woman's Struggle Pregnancy and childbirth are very emotional times in a woman's life and many women suffer from the "baby blues." The innocent nickname for postpartum depression is deceptive because it down plays the severity of this condition. Although she was not formally diagnosed with postpartum depression, Charlotte Perkins Gilman (1860-1935) developed a severe depression after the birth of her only child (Kennedy et. al. 424). Unfortunately, she was treated by Dr. S. Weir Mitchell, who forbade her to write and prescribed only bed rest and quiet for recovery (Kennedy et al. 424). Her condition only worsened and ultimately resulted in divorce (Kennedy and Gioia 424). Gilman's literary indictment of Dr. Mitchell's ineffective treatment came to life in the story "The Yellow Wallpaper." On the surface, this gothic tale seems only to relate one woman's struggle with mental illness, but because Guilman was a prominent feminist and social thinker she incorporated themes of women's rights and the poor relationships between husbands and wives (Kennedy and Gioia 424). Guilman cleverly manipulates the setting to support her themes and set the eerie mood. Upon first reading "The Yellow Wallpaper," the reader may see the relationship between the narrator and her husband John as caring, but with examination one will find that the narrator is repeatedly belittled and demeaned by her husband. On first arriving at the vacation home John chooses...
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...1. What are the major issues and problems facing Chabot? Chabot faces a variety of issues and problems in the wallpaper industry. First off, as the number of wallpaper manufacturers decreases over each year, remaining company’s market share is increasing, this in turn is creating more competition among these companies. Depending on the market share, some of these companies may be exerting more power and control over retailers than others are able to. Wall coverings outside of wallpaper are also eating at the profits of wallpaper manufacturers as these manufacturers must not only produce a good that is highly valued but is also offered at a reasonable cost. When wallpaper pattern designs become obsolete, markdowns are necessary to help get rid of this old inventory. These markdowns are a key factor in the recent trend of decreasing net income. Since Chabot has made the decision to reimburse retailers for markdowns, Chabot’s total profit margin is reduced relative to the markdown reimbursement costs. Markdown costs have nearly tripled since 2006 and show no sign of slowing down because every four months a new pattern is introduced which creates less demand for the older patterns. The markdowns can be traced back to poor forecasting. Chabot’s forecasting is causing them to build up a very undesirable level of obsolete inventory. This increasing number of obsolete inventory also has a negative effect on inventory turnover. Retailers are very concerned with this turnover rate because...
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...The Yellow Wallpaper The attitudes towards women’s mental and physical health in the 19thcentury vary greatly from today’s views on practicing medicine. During that time, there was prevalence for the oppression of women and the general treatment for mental illness was a popular method known as resting cures. The short story “The Yellow Wallpaper”, serves as a critique of this popular treatment as it is an account of an unnamed narrator who descends into madness when receiving this type of treatment for her illness. The author, Charlotte Gilman addresses themes of madness and insanity through the narrator’s collection of journal entries, which comprise the story. In the beginning of the story, the narrator is confined to bed rest in a rented house with her physician husband, John, who believes that total rest is in her best interest for her condition. Gilman’s disapproving views over rest cures and doctor/patient relationships are initially revealed through the narrator’s description of her husband. The narrator describes him as a man who “scoffs openly at any talk of things not to be felt and seen and put down in figure”(355) and refuses to see his wife’s illness as a true condition. Through the narrator’s description, Gilman begins to point out the flaws in medicine’s understanding of mental illness and its shortcomings in treatment. The narrator writes in her journal as a way of escape from the monotony and solidarity of her treatment. While she loves and trusts her husband...
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...The Yellow Wallpaper When reading “The Yellow Wallpaper” by Charlotte Perkins Gilman, one may notice the true complexity of this short story. It is told in an odd, but very intriguing way. The story is told in a strict first person point of view, which includes a lot of personal thoughts from the narrator. The narrator Jane, who is also the main character, is suffering from nervous depression. As her cure, John, her husband physician, prescribed rest and solitude in a bedroom of a summer house. While confined to a yellow papered bedroom, the narrator takes us through her declining mental journey. Left all alone, Jane’s innocent mental state becomes an obsessive delusional survival situation for freedom, which leads to her mental demise. The narrator starts her writing by describing the beauty of the house her husband has taken her for their summer vacation. Her description is in romantic terms as an aristocratic estate or even a haunted house and wonders how they were able to afford it, and why the house had been empty for so long. This description of the house, initiates an uneasy feeling with the reader. She is lead into a discussion about her illness from a feeling she expresses that there is “something queer” about the situation (315). Jane suspects something is wrong with her, but she does not recognize what it is. She is diagnosed with “nervous condition.(316) She expresses that her doctor husband ignores the magnitude of her illness and any of her concerns in...
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...Them All? Has darkness ever covered everything in your room before? How difficult was it to find the path to the door with just a sliver of light coming from underneath the door? Being completely engulfed by darkness can have a negative effect on some individuals after a period of time. As a result of this darkness, the feeling of helplessness begins to be released from one’s body in the shape of a noose as it slowly smothers its prey. Charlotte Perkins Gilman, author of “The Yellow Wallpaper,” is known for her feminist approach in her writings. In the story, husband and physician, John, questions the nameless narrator’s mental state, for he takes her to an isolated house and has prescribed his wife to several months of “the rest cure”. Being kept away from society with only her thoughts and the room she lays in day after day, the narrator slowly begins to question herself and tries to discover her identity within the wallpaper. Gilman uses setting, symbolism, and irony in “The Yellow Wallpaper” to illustrate that the lack of autonomy can negatively affect a person’s mental instability. Because the story takes place in a feminist era, Gilman shows how the husband has complete dominance within the setting of the story. In the beginning, the narrator, whose name is never stated, is brought to a house on the countryside by her husband, John, who happens to be her physician as well. The narrator expresses in her journal, “[The house] is quite alone, standing well back from the...
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...Charlotte Gilman’s short story, “The Yellow Wallpaper” is a feminist’s tale of a woman who is spoken to like a child, ignored like a piece of furniture, and treated medically in a way that is horrible to most sensibilities. The horror she tolerates starring at the dreadful wallpaper day after day is really just a side effect of her abuse, and her frustrating lack of fulfillment, which was forbidden by a fool-hardy psychologist and enforced by the patriarchy of her husband. The short story was published in a New England magazine in 1892 and was received with mixed reviews. “Such a story ought not to be written” said one Boston physician. “Another physician, in Kansas, I think, wrote to say that it was the best description of incipient insanity he had ever seen” Crazy, or not, Gilman’s work was quickly recognized for its feminist message. “Gilman's story quickly evolved from a relatively obscure and subversive magazine piece of the late nineteenth century to a formative feminist classic” (St. Jean, 2002,). There are several examples of Gilman being spoken to by her husband the way a parent would speak to an anxious four year-old. “What is it little girl?” he said, “Don’t go walking about like that – you’ll get cold” (Gilman, in Kirszner, 2010, p. 465). “Bless her little heart!” said he with a big hug, “she shall be as sick as she pleases…[go] to sleep, and talk about it in the morning” (p. 466). Thrailkill confirms that The Yellow Wallpaper is indeed a feminist manifesto by writing:...
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...The Yellow Wallpaper The Yellow Wallpaper Determining Abnormality In The Yellow Wallpaper the woman in question is clearly suffering. She does not get to see her own child, she cries easily, and gets little to no sleep at night because of the wallpaper in the room. “…and I did not make a very good case for myself, for I was crying before I had finished.” (Gilman) This fulfills one of the seven criteria for determining abnormality. The second criteria is Maladaptiveness which is fulfilled throughout the story as she starts to withdraw from her husband and his sister, keeping secrets from them as well as, toward the end of the story, being suspicious of them. “…but it exhausts me a good deal – having to be sly about it,” (Gilman) In the end the woman in the story believes that she ‘escaped’ from the wallpaper this fulfills the third criteria Statistical Deviance. “’I’ve got out at last,’ said I, ‘in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back!’”(Gilman) The fourth criteria, Violations of the Standards of Society, is fulfilled when she tears down the wallpaper although this in and of itself isn’t all that abnormal her reasoning was. “’I’ve got out at last,’ said I, ‘in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back!’”(Gilman) Another way she fulfills this is when she crawls around on the floor at the end of the story which causes her husband to faint. “I kept on creeping just the same,”...
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...What a Woman Desires, She Must Fight For The Yellow Wallpaper, by Charlotte Gilman in 1891, was written as a result of the author’s experience after seeking treatment for chronic nervous breakdowns. Her treating physician, Dr. Silas Weir Mitchell, who was the specialist mentioned by name in the story, prescribed a “rest cure”, which consisted of little to no physical activity, and only two hours of mental activity each day. The “rest cure” was typically prescribed to women, perhaps as a means to keep them in their proper place in society. Gilman, who may have been considered to be a feminist in the late 1800s, used the patterned wallpaper as a symbol of the entrapment and repression of women in society. Fredrick Douglass, former slave and famous advocate for human rights in the late 1800s, said of women: [A] woman should have every honorable motive to exertion which is enjoyed by man, to the full extent of her capacities and endowments. The case is too plain for argument. Nature has given woman the same powers, and subjected her to the same earth, breathes the same air, subsists on the same food, physical, moral, mental and spiritual. She has, therefore, an equal right with man, in all efforts to obtain and maintain a perfect existence (Douglass) Women’s rights in society have grown by leaps and bounds throughout the twentieth century and into the twenty first century, however, the traditional attitude of male superiority and the mold of the woman’s role still lingers in...
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...Justin Weber Professor Stover English 1302 Paper A/ 3:00 05/03/2014 “The Yellow Wall-Paper” “The Yellow Wall-Paper” by Charlotte Perkins Gilman is a story about a woman who moves to a house with her physician husband, John, who orders her to rest to help with her “nervousness.” After a while of being alone, she begins to see a woman coming out of the mysterious wallpaper and becomes obsessive. Near the end of their rental, she locks herself in the room to pull down the wallpaper and free the woman trapped inside. As John arrives and unlocks the door, he faints upon seeing his wife. The story concludes with the woman circling the room, stepping over her husband. The central idea is to show how when one is oppressed and denied the opportunity to be free, it can often have dangerous side effects. "The Story of an Hour" "The Story of an Hour" by Kate Chopin is the story of Mrs. Louise Mallard, a woman with a heart condition, whose sister has arrived at her house to inform her of the death of her husband, Brently. Mrs. Mallard immediately bursts into tears crying into her sister's arms before retreating by herself to a vacant room. Once inside the room, Mrs. Mallard becomes overwhelmed with joy at the thought of the freedom she will now have. As Mrs. Mallard leaves the room, the front door is opened and Mr. Mallard unexpectedly walks in, unaware that he was thought to be dead. Mrs. Mallard, at the sight of her husband, is overcome by her heart condition and dies...
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...swollen eyes and swolle as there. What did it mean? Why was this st uffed up, red, with woman at the fire turned round. Her face, pu en lips, looked terrible. She seemed as th hough she couldn't understand why Laura wa What was it all about? And the poor face puc tranger standing in the kitchen with a basket? "All right, my dear," said tthe other. "I'll thenk the young lady." And again she began, "Yo an oily smile. ckered up again. ou'll excuse her, miss, I'm sure," and her face Laura only wanted to get o e, swollen too, tried out, to get away. She was back in the passage s lying. She walked straight throug e. The door opened. gh into the bedroom, where the dead man was "You'd like a look at 'im, e afraid, my lass,"—and now her voice soun over to the bed. "Don't be , wouldn't you?" said Em's sister, and she b nded fond and sly, and fondly she drew down brushed past Laura n the sheet—"'e looks a picture. There's nothi along, my dear." Laura came. There lay a young man, fa hing to show. Come away from them both. Oh, ast asleep—sleeping so soundly, so deeply, t ere blind under the that he was far, far h, so remote, so peaceful. He was dreaming. N Never wake him up again. His head was sunk iven up to his dream. What did garden-partie k in the pillow, his eyes were closed; they we es and baskets...
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