...Consider the scenario where you have been a witness to a physical hit-and-run assault that occurred across from your home. The police immediately arrive on the scene and begin to ask questions about the details of the unlawful attack. Once at court, you observe this case where the defendant is on trial for the assault. A friend of the defendant is called to the witness stand to provide his version of what happened. The friend commits perjury, or intentionally lying under oath to mislead the court, and assures the defendant did not commit the crime accused. Thus, without enough evidence, the real criminal is set free while an innocent man, with prior criminal conviction, goes to jail for somebody else’s felony. His sentence is sent to be punishable...
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...A Study of the Allusions in Bradbury's Fahrenheit 451 Author(s): Peter Sisario[->0] [(essay date February 1970) In the following essay, Sisario examines the source and significance of literary allusions in Fahrenheit 451 and considers their didactic potential for the beginning student of literature.] Ray Bradbury's Fahrenheit 451 is more than just a readable and teachable short novel that generates much classroom discussion about the dangers of a mass culture, as Charles Hamblen points out in his article "Bradbury's Fahrenheit 451 in the Classroom." It is an excellent source for showing students the value of studying an author's use of specific allusions in a work of fiction. While writing excellent social criticism, Bradbury uses several direct quotations from works of literature, including the Bible; a careful analysis of the patterning of these allusions shows their function of adding subtle depth to the ideas of the novel. Fahrenheit 451 is set five centuries from now in an anti-intellectual world where firemen serve the reverse role of setting fires, in this case to books that people have been illegally hoarding and reading. Literature is banned because it might potentially incite people to think or to question the status quo of happiness and freedom from worry through the elimination of controversy. "Intellectual" entertainment is provided by tapioca-bland television that broadcasts sentimental mush on all four walls. The novel, first written in a shorter version...
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...acting by themselves and it is as if there are two personalities clashing inside of him, one of the personalities being someone who follows orders and be an obedient member of society, and the other personality being someone who knows that burning books is wrong and someone needs to put a stop to it. What are the protagonist’s strengths? What are his/her weaknesses?...
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...firemen to go there and begin the burning. There are so many suicide attempts that traveling orderlies are always on hand to pump stomachs or stitch self-inflicted wounds. In the craziness of this futuristic world, it is comforting to find that beds still have to be made and breakfast still has to be eaten. In short, Bradbury has created a world alien enough to be exotic and threatening, but familiar enough to seem real. LIST OF CHARACTERS Major Characters Guy Montag A fireman in the 24th century who burns books and the homes of the people that own them. He begins to question his life when he meets an extraordinary and fresh young girl. His new sense of purpose propels him headlong into life-threatening danger. Mildred "Millie" Montag Montag's wife....
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
Words: 43588 - Pages: 175
