...Reading Tuvera’s The Virgin and The Sounds of Sunday is a satisfying experience. The reader sees the characters not just as names in the text, but as human beings breathing with life---laughing, crying, thinking, talking, shouting, lying in bed, walking in the streets and doing their daily chores---as if the scenes of their lives are revealed across the pages. What makes Tuvera distinct as a writer, as what the analysis of this study proves, is her simple, naturally flowing descriptive style of writing. It has also been seen in this study how Tuvera manipulates different linguistic elements as strategic devices in emphasizing a certain quality, idea, or issue. As a social realist, Tuvera parades through her masterful craft as a writer what one may fail to closely see in the lives of other people in the society. Reading them in her stories is like seeing them and listening to their experiences. Tuvera’s style as a writer is undeniably superb. The style of other writers are unquestionably masterful but perhaps what will International Peer Reviewed Journal 67 make readers stick with Tuvera is the simplicity and the beauty of her language which can make the reader relate to her immediately. The naturalness of her language is pure beauty. Her descriptions are exquisite. Other stories may carry you away but at times will get you distracted by the writer’s untimely use of high-falluting expressions which instead of adding more finesse...
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...the University of the Philippines, graduating with a Bachelor of Arts degree in 1912. Two years after graduation, she married UP College of Education Dean Francisco Benítez, with whom she had four children. Márquez-Benítez later became a teacher at the University of the Philippines, who taught short-story writing and had become an influential figure to many Filipino writers in the English language, such as Loreto Paras-Sulit, Paz M. Latorena, Arturo Belleza Rotor, Bienvenido N. Santos and Francisco Arcellana. The annually held Paz Marquez-Benitez Lectures in the Philippines honors her memory by focusing on the contribution of Filipino women writers to Philippine Literature in the English language.[1][2] Though she only had one more published short story after “Dead Stars” entitled "A Night In The Hills", she made her mark in Philippine literature because her work is considered the first modern Philippine short story.[1][2] For Marquez-Benitez, writing was a life-long occupation. In 1919 she founded "Woman's Home Journal", the first women's magazine in the country. Also in the same year, she and other six women who were prominent members of Manila's social elites, namely Clara Aragon, Concepcion Aragon, Francisca Tirona Benitez, Carolina Ocampo Palma, Mercedes...
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...The Trap Kerima Polotan Tuvera I was fourteen when we moved to Cabuyao. We reached the town at night and though it was notquite seven, the streets were empty. I had hoped we would get to it before dark, while there waslight enough for people to see us come. We knew no one, of course ² ´We·ll make friends,µ myfather had said ² and expected no welcome, but having left Tayug with reluctance, I had urgedmy father during the trip to drive faster so that we might arrive in Cabuyao early enough forsomeone to see us drive in.That was important to me.´Why, Elisa?µ my mother asked, and I could not tell her why, except that I had left behind inTayug one friend very dear to me. When the day came for us to go, we could not leave soonenough. I wanted the pain of missing Salud to start quickly. She said goodbye to me that morningby the plaza, asking, ´Are you taking everything, Elisa? You·re sure?µ When Mother frowned, Ihated Salud for betraying me.Several times that past year I had told Salud I felt that something was happening to me. I felt Iwas growing to be another person entirely. ´Something·s wrong, Salud,µ I said one day ² ´I·mgoing crazy.µ She had laughed and looked pointedly at my breasts and said. ´They·re growinglike mine, Elisa.µ She had a way of saying things like that, that angered and also disarmed me;she was 18 and the four years between us yawned like an abyss. During all that time I hadwatched her turn into a lovely, graceful girl, unfazed by adolescence, leaving me far behind...
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...Prevailing Philosophies and Psychosocial Dimensions of Philippine Contemporary Novels in English Chapter I – Introduction Philippine contemporary novels or literature in general is an offshoot of the Philippine-American War or what is coined as the Philippine War of Independence which transpired from 1899 to 1902. As early as 1863, the Spanish colonizers have introduced the public elementary school system to the Philippines. During the American colonization, U.S. soldiers have started layering down the bricks as foundation of the public school system in the Philippines when they opened the first public school in the Philippines at Corregidor Island. On January 21, 1901, the Taft Commission headed by William Howard Taft, passed the Education Act No. 34 that incepted the Department of Public Instruction. William Howard Taft was also given the responsibility of expanding the public school system in and around the Philippines. On August 21, 1901; around 600 American educators or “Thomasites” were sent to the Philippines by the U.S Government aboard the USAT Thomas whose main purpose is to integrate a new and expanded public school system, to train and hone Filipino teachers with the use of English as the primary medium of instruction, and to inculcate basic education to Filipinos. The American educators taught an extensive curriculum which cover subjects on English, Grammar, Reading, Mathematics, Agriculture, Housekeeping and Related Arts (cooking, sewing, and crocheting),...
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...humiliates them by asking them questions with regards to their standing in the society. Moreover, her life was effusively based on caring for her ailing mother and putting to school her niece thus, her realization to herself when it comes to her own personal life such as love and marriage was eluded. Miss Mijares is a thirty-four-year-old woman who works at a job placement agency wherein her perspective in life has put her into a situation of helping first her family before herself. The major problems that Miss Mijares encountered in the story was the death of her mother wherein she mourned on that very day kneeding her mother’s flesh and struggling to keep herself strong which also changed her ideals in life which made her superiority as a women more resilient. Another problem that she encountered was confronting her emotions especially with her feelings to the new man at the carpentry shop wherein during the interview and application for the job, Miss Mijares shows a bossy or arrogant kind of personality towards the guy, furthermore she was unwittingly drawn to the man especially during the time that both of them were stranded on an unknown street because of heavy rain and Miss Mijares driven by her feeling and emotions to the guy allowed herself to the invitation of the man. Both of Rizal's novels had a profound effect on Philippine society in terms of views about national identity, the Catholic faith and its influence on Filipino's choice, and the government's issues of corruption...
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...DEN POETISKE DOKUMENTARFILM - HVERDAGENS POESI I en poetisk dokumentarfilm er det vigtigere at understrege de sanselige og poetiske sider ved virkeligheden end at fortælle en konkret historie eller informere om et emne eller et problem. En poetisk dokumentarfilm kan handle om noget, men det er måden, filmen fortæller historie på, der er den vigtige del af selve filmoplevelsen. Den poetiske fortællemåde kan karakteriseres ved, at den fokuserer på filmens form eller æstetik. Det kan være, at instruktøren hæfter sig ved billedsymmetri, -rytme eller -forskellighed i modsætning til lighed. Musikken har ofte en central funktion, f.eks. i forhold til at skabe en dynamisk klipperytme. En poetisk dokumentarfilm kan benytte et observerende kamera, men det overordnede mål er at give et poetisk blik på verden. En poetisk dokumentarfilm tager sig ofte tid til at dvæle ved det smukke eller ved sider af virkeligheden, man ikke normalt lægger mærke til, eller som man bare tager for givet. Typisk for de dokumentariske poeter er, at de bruger filmen til at videregive deres individuelle betragtninger over livet, og de udforsker samtidig de muligheder, der ligger i at fortælle historier gennem levende billeder. Filmen: http://www.youtube.com/watch?v=-pA33mf6ouw Filmen handler om brugen af tyngdekraft i vores hverdag. I klippet bruger instruktøren tyngdekraften til at komme ind til vores indre med hjælpen fra musikkens harmoniske...
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...Textual Analysis Read each of the following texts carefully, according to the following schedule. Read actively -- noting, highlighting, as appropriate. Be prepared to comment on each author’s main point / motive / message. What techniques or strategies does each author use? ...
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...Search Results a Character Analysis On Kerima Polotan-Tuvera's The Virgin www.termpaperwarehouse.com › English and Literature Feb 15, 2014 - Read this essay on A Character Analysis on Kerima Polotan-Tuvera's the Virgin . Come browse our large digital warehouse of free sample ... Kerima Polotan Tuvera's The Virgin: The Feminist Approach ... ezinearticles.com › Book Reviews › Short Stories Mar 31, 2014 - Kerima Polotan Tuvera was a renowned Filipino author. ... and discovery of the story or any kind of literary piece using character analysis. lit102: philippine literature: The Virgin by Kerima Polotan lit102.blogspot.com/2007/08/virgin-by-kerima-polotan.html The title of Kerima Polotan's "The Virgin" gives us the subject-virginity, female virginity, a cherished value of Filipino Male culture. By presenting its protagonist as ... The Virgin By Kerima Polotan Tuvera Story Analysis Free ... www.studymode.com/.../the-virgin-by-kerima-polotan-tuvera-story-anal... The Virgin by Kerima Polotan-Tuvera Kerima Polotan-Tuvera's “The Virgin” is a short story that is centered on two characters namely Miss Mijares and The ... Analysis Of The Short Story Th Virgin By Kerima Polotan ... www.studymode.com/.../analysis-of-the-short-story-th-virgin-by-kerima-... The Virgin by Kerima Polotan-Tuvera Kerima Polotan-Tuvera's “The Virgin” is a short story that is centered on two characters namely Miss Mijares and The ... ...
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...During the 1890s, many women were limited to what they were allowed to do. They could not go to school, have a job, or even vote. Men viewed women as though they were only meant to bear children and be a housewife. However, a writer by the name of Kate Chopin was a voice for women all the over the world. Two of her most famous writings are “The Storm”, and “Story of an Hour”. Within these two writings, she discussed issues that many other women writers would have avoided. Another writer who was famous for his portrayal of gritty topics was Ernest Hemingway. One of his most memorable writding is titled “Hills like White Elephants”. These writers were able to write about challenging realistic new ideas such as freedom after the death of a love one, abortion, and adultery. Although some of these stories are deemed gritty, Hemingway’s “Hills like White Elephants” deals with realistic issues couples often face. These writings also have ironic undertones such as, when Mrs. Mallards dies from seeing from dead husband and the girl who thinks about abortion, but notices greener fields on the other side of the track. Furthermore realism is when an author intends to tell real life events to his/her audience. Realism can appear in many different aspects of society. When it comes to writing, realism focuses on the average individual, and can be heard as a voice for the ordinary human being. There is a focus on realistic people and events. For example in “Hills like White Elephants”...
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...Have you ever thought about how a writer carry out their purpose to an audience? Writers use rhetorical strategies for audiences to understand their purpose. Throughout history many writers have demonstrated this skill to send a message to their audiences. Writers such as Martin Luther King Jr, and Sojourner Truth use pathos and repetition to express their person to an audience. Martin Luther King Jr and Sojourner Truth use emotions to persuade their audience to support their cause. In Sojourner Truth’s speech entitled “Ain’t I A Woman” she expresses her misery when she talks about motherhood as a slave. Sojourner Truth says “ I borne thirteen children, and when I cried out with my mother’s grief, none but Jesus heard me!” (Truth). This reveals...
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...PROFESSIONS FOR WOMEN by Virginia Woolf “Professions for Women” is an abbreviated version of the speech Virginia Woolf delivered before a branch of the National Society for Women’s Service on January 21, 1931; it was published posthumously in The Death of the Moth and Other Essays. On the day before the speech, she wrote in her diary: “I have this moment, while having my bath, conceived an entire new book—a sequel to a Room of One’s Own—about the sexual life of women: to be called Professions for Women perhaps—Lord how exciting!” More than a year and a half later, on October 11, 1932, Virginia Woolf began to write her new book: “THE PARGITERS: An Essay based upon a paper read to the London/National Society for women’s service.” “The Pargiters” evolved into The Years and was published in 1937. The book that eventually did become the sequel to A Room of One’s Own was Three Guineas (1938), and its first working title was “Professions for Women.” The essay printed here concentrates on that Victorian phantom known as the Angel in the House (borrowed from Coventry Patmore’s poem celebrating domestic bliss)—that selfless, sacrificial woman in the nineteenth century whose sole purpose in life was to soothe, to flatter, and to comfort the male half of the world’s population. “Killing the Angel in the House,” wrote Virginia Woolf, “was part of the occupation of a woman writer.” That has proved to be a prophetic statement, for today, not only in the domain of letters, but in the entire...
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...example, women of the 19th century were primarily expected to marry and serve their husbands’ wishes, not receive an education, go out with friends, or find new forms of amusement. Instead, women were required to be at home and loyally obey their husbands. But how long can one go without exploring the inner intricacies of oneself? In her critical essay “Laugh of the Medusa”, Hélène Cixous looks upon the woman who “allows herself to be threatened by the big dick” (347) with contempt and scorn. Still, this intimidation that men have instilled in women is not easily overcome. Colette (1873-1954) and Jean Stubbs (1926- ) expose the risks that come with the discovery of a woman’s true desires in their short stories, “The Secret Woman” and “Cousin Lewis”. When the false woman is revealed, she suffers and is tormented by ridicule or shame even more than when she was in hiding. Cixous wants women to stand out and be who they are by embracing their bodies and being proud of their femininity. Women need to stop being reduced to “the servant of the militant male, his shadow” (338). “Laugh of the Medusa”, is a proclamation to women writers to “write about women and bring women to writing” (334) and to stop hating themselves and hating other women for being women- celebrate each other’s femininity and set free the body! Cixous wants women to make the world fear them though their identity and femininity; not fear the world because they are insignificant servants of the male. Women should not...
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...their worlds, I became so engrossed in their writing that I tried to imagine myself a writer. The books are spread across different timelines, so it was easy for me to reach into the social, political and economic conditions that existed during the writing of the books. Mary Wollstonecraft struck me as a very perceptive writer. Writing in an era that was male centered, she brings out some of the cultural politics that existed at the time. Her writing style, only rivaled by the stream of consciousness technique adopted by Virginia Woolf, is very clear and precise. From this, I gather that a writer should be clear in both prose and verse to communicate the message clearly to the audience. Other writers in the reading list also affected my writing and reading skills. For one, the numerous texts forced me to be keen and fast while reading the books. I think my skimming techniques have improved. I was quick to discern the central focus of the texts and go through the books as fast as I could. Reading all these literature enhanced my ability to understand different documents about women issues in society. They provided a multicultural approach to the study of critical feminine theory. The course content has proven very challenging but clear. For instance, I am now able to understand women issues from a multi-cultural perspective. Additionally, I have appreciated the fact that we need to empower women more if we are to achieve equality between the sexes. It is not just about equality...
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...Furthermore, this discussion on how writers draw gender tiered anxieties confounds with the initial definition of original. To create an original work, you can’t copy or imitate a previous work. Conveniently, the anxiety of authorship is a phenomenon that describes the inability to create due to the lack of a source of inspiration or rather imitation. However, that argument is for women of the 19th century. The modern day has a plethora of writing in many different styles from both men and women, so the situation of anxiety of authorship doesn’t have equal weight in this argument. However, its existence indicates the underlying truth about how social factors like gender influence the very creation of writing. By implying that we write with gendered base forms, it can be concluded that new works possibly can be original. If we apply a perspective that gender provides a point of origin for creation and that point of origin directly belongs to the subject, then a...
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...Stand-Alone Summary of “Professions for Women” In “Professions of Women” Virginia Woolf is addressing a group of women seeking employment in a workforce predominant by men. Woolf explains the struggle all women writers face, and that is to break out of the conventions society has for women: being pure, and graceful, and without a mind of their own. Woolf claims that in order for a woman to be a writer one must overcome a few obstacles that are inflicted upon women writers. One obstacle in her success is “The Angel in the House.” This angel represents the ideal woman. Thus, the angel is the woman writer’s subconscious, which is brought on by generations of an oppressive Victorian society. It was the angel intruding on her when writing her reviews, and was the angel that wasted her time waiting for her to fail. The angel is a set back to the woman writer. Woolf describes the angel as: sympathetic, charming, unselfish, pure, beautiful, and graceful. All examples of the attributes stereotypical woman should consist of. Ultimately, the only way for a woman to write a successful review is to kill the angel. Woolf did just that. The angel now killed, she had overpowered her first hurdle. Woolf had her mind set on bigger, better things. She had enough of writing reviews about famous novels that were most likely written by men, so she became a novelist. A novelist, Woolf explains, is to have the state of mind of one who is “unconscious.” When that state is reached, Woolf claims...
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