...Wonder Woman Today’s Feminist Icon Mariano Pinho World Mythology HUM/105 September 20, 2010 Megge Fitz Randolph Wonder Woman: Today’s Feminist Icon Wonder Woman was more than a lasso slinging, bullet dodging super hero; she is an American feminist’s icon. Wonder Woman was introduced to Americans during World War II, by William Moulton Marston, a Harvard trained psychologist and lawyer. She represented nationhood at a time when our nation was at war. She was the daughter of Queen Hippolyte ruler of an all-woman race of Amazons living on Paradise Island, somewhere located in the Bermuda Triangle. She was named Princess Diana, after the Romanized version of the Greek Goddess Artemis (Emad, 2006). Since the inception of Wonder Woman, her origin has changed twice. Originally she earned her power and title she embodied for decades when she won a power competition amongst the other Amazonian women. In the second version of her origin she did not win her powers but instead was given them to her by the Gods themselves. Wonder Woman was much more than a comic book super hero. According to historian Lori Landay, “Wonder Woman operated in wartime popular culture as a metaphor for the movement in femininity out of the garden and into the war” (p. 11). She contained her super human powers from the public and lived a dual life, nurse and super hero. This reinforced the perception that women need to hide the power and strength allowing men to remain the dominate...
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...Golden Age Wonder Woman began in 1941 with the Amazon Princess Diana nursing American intelligence officer Steve Trevor back to health after he crashed on Themyscira Island. The Amazons decided that someone should go back to America with Steve to help with the battle in the outside world that was WWII. Wonder Woman won a contest which permitted her to leave Themyscira Island and head off to America with Steve Trevor. In America, Diana adopted the name "Diana Prince" and joined the army to help fight the Nazi's. Steve Trevor never knew that Diana Prince was also Princess Diana of Themyscira (kind of how Lois Lane never knew that Clark Kent was Superman). Soon after, she became secretary of the Justice Society of America reporting to Colonel Darnell of U.S. Military Intelligence. William Mouton Marston (creator of Wonder Woman) died in 1947 and Robert Kanigher became the new writer. He stayed pretty faithful to the original Wonder Woman scripts although there was considerably less attention given to Diana's Amazon background and the Greek Gods less frequently and more focus on her crime-fighting. The end of the Golden Age Wonder Woman came with the Comics Code Authority in 1954. From that point on (and for quite a while following), Wonder Woman’s character was no longer written as a strong, independent feminist. Instead they seemed to focus more on her love interests which included Merman and Birdman in addition to Steve Trevor. The Silver Age (which by some accounts began when...
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...Wonder woman has been around for over seventy years. The only other super heroes that are even comparable are super man and batman through the years she has thrilled and inspired many young girls. “She is constantly pulled in two directions; her stories must be entertaining and non threatening to the male status quo, while simultaneously furthering her as the original symbol of 'Girl Power’” (Introduction). She is an icon of strength to women everywhere, but she can also be chastised for wearing a skimpy costume. Wonder Woman represents the entire female gender, at a time of important social flux. Wonder Woman has evolved into an important symbol of the feminist movement; even though she was created by a man to influence a male audience (Introduction). In February of 1941 William Moulton Marston Wrote ‘Suprema: The Wonder Woman.’ This was the first sight of Wonder Woman....
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...Wonder Woman is a character initially created for comic book in 1941, the medium in which she is still most prominently found to this day. As befitting an icon of her status, she has made appearances in other forms of media and has been referenced and meta-referenced beyond the scope of traditional superhero entertainment. For several years in the 1950s, the only three superheroes to have their own comic book were Superman, Batman, and Wonder Woman. The cultural impact of the character, once derided by psychologists and anti-comic book crusaders as an anti-male lesbian, has steadily increased over the years, having served as an iconic exemplar of the feminist movement and a continuing symbol of female empowerment. As such, she appears in numerous media, from cereal box covers and popular magazines to being referenced both directly and indirectly in film, animation and television programming. As a cultural icon, she is the subject of several homages and parodies in many forms of media. In art Wonder Woman is the subject of a 1978 - 1979 video art piece Technology/Transformation: Wonder Woman. In this work she uses appropriated images of Wonder Woman to subvert the ideology and meaning embedded in the television series. Author T.J. Demos writes, "(the) opening with a prolonged salvo of fiery explosions accompanied by the warning cry of a siren, Technology/Transformation: Wonder Woman is supercharged, action-packed, and visually riveting... throughout its nearly six minutes...
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... Wonder Woman William Moulton Marston created comic books about Wonder Woman. The creator of Wonder Woman is William Moulton Marston. He was born on May 9, 1893 in Cliftondale, Massachusetts, United States. William Moulton Marston died May 2, 1947 in Rye, New York, United States. In 1913 his name Marston was know in his lifetime. He was a professor at universities until he went to Hollywood. Marston was interested in the lie Detector test and he quite practicing law. Wonder Woman was the first female superhero that was created (William Moulton Marston.” Encyclopedia of world Biography). In the 1940s the United States entered World War II. The aspect of life that was...
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...shadows in 1939. Wonder Woman landed in her invisible plane in 1941.” Wonder Woman was created in 1941 by American Psychologist William Moulton Marston making her first appearance on Star Comic’s #8. Wonder Woman is an Amazonian princess with a range of superpowers and battle skills. Her weapons include the lasso of truth, her tiara, and indestructible bracelets. Much of Marston’s inspiration for Wonder Woman’s character came from the women in his polyamorous relationship. She was the first female A-list character and later became a feminist icon. This is evident when your discover her one weakness that renders her completely powerless, which is having her bracelets bound together with chains by a man. This weakness can be applied to society and reflects women’s rights and men’s power over them. Her first appearance in the comics, was around the time of WWII when women were asked to join the workforce. Women were brought in to work which, they had never done in their life. When the soldiers returned, women were asked to return to attend to the home. Women have always been sought out to be inferior to men, and being deemed as powerless and unable to mount up to them. The reason Wonder Woman was created by Dr. Marston was to empower young girls and women to achieve what has been monopolized by men. Wonder Woman is what bridged 1910s and 1970s feminism together from the 1940s. As she has emerged throughout the years women today have found themselves relating to Wonder Woman in different...
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...Wonder Woman was more than a lasso slinging, bullet dodging super hero; she is an American feminist’s icon. Wonder Woman was introduced to Americans during World War II, by William Moulton Marston, a Harvard trained psychologist and lawyer. She represented nationhood at a time when our nation was at war. She was the daughter of Queen Hippolyte ruler of an all-woman race of Amazons living on Paradise Island, somewhere located in the Bermuda Triangle. She was named Princess Diana, after the Romanized version of the Greek Goddess Artemis (Emad, 2006). Since the inception of Wonder Woman, her origin has changed twice. Originally she earned her power and title she embodied for decades when she won a power competition amongst the other Amazonian women. In the second version of her origin she did not win her powers but instead was given them to her by the Gods themselves. Wonder Woman was much more than a comic book super hero. According to historian Lori Landay, “Wonder Woman operated in wartime popular culture as a metaphor for the movement in femininity out of the garden and into the war” (p. 11). She contained her super human powers from the public and lived a dual life, nurse and super hero. This reinforced the perception that women need to hide the power and strength allowing men to remain the dominate species. By the late 1990’s, Wonder Woman’s image changed and began to align with the times. She bared a more determined look, her body was toned and she donned a more “ready...
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...In Kingdom Come, Wonder Woman confronts Superman about his ideals, and says “Kal, whether you like it or not, you’re a world leader, and the league is getting tired of you adjusting to that role. As far as I’m concerned, if the situation with the Gulag prisoners gets 1 Micron worse, the league will be forced to make a final decisive action.” (pg. 136, Chapter 3) Wonder Woman and Rorschach were both characters that were written to symbolize the definition of retributivist, meaning that the policy of the justice system vindicates the criminals (Internet Encyclopedia of Philosophy, Web. 13 Dec. 2016). Wonder Woman’s tone appears to be aggressive because she had failed her mission to demonstrate peace through a violent world. Wonder Woman, like Superman, has lost faith in society. This same concept is paralleled in Watchmen, where Rorschach’s Ink Blotch mask is symbolic to how he views the world as black and white, which branches from his own tragic past with his mother, and his father’s willingness to pursue a better life. Wonder Woman and Rorschach were both characters that had setbacks that had inspired them to take their anger out on characters who commit the greater atrocities, which were reflected upon how big of the crime was committed ("Deontology - By Branch...
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..."A hero is a man who does what he can" - Romain Rolland Have you wondered what a true hero is like? When people say hero, they usually think of cartoon characters like Superman, Spiderman, or Wonder woman. A hero can wear anything and they can be as simple as we are. Everyone can be a hero, not necessarily save lives but we can be heroes on our own way. But did you know that heroes are hard to find? I found my hero and she is a teacher. A hero is someone who cares for my well-being. In life, people may come in go, some will be remembered and some are forgotten. One thing is for sure, I’ll never the person who is known to me as my second parent. My teacher my hero is Ma’am Evelyn B. Plaza, my Second year High School teacher. I am very proud to describe my favorite teacher to all of you and will share what I have learned from her because she is my teacher and my hero. She has the most beautiful personality I ever encountered. I am proud to say that she is beautiful inside and out. She has two small brown sympathetic eyes that showing his tender loving care to us, a pointed nose, and a red rosy lip. She has a short black shiny hair and brown Filipina complexion. My teacher is a very good example in her young age. She is supportive and very sincere. She is very nice and fun to be with. Sometimes she is like my mom because she is someone who can understand me. She is like a star in the night guiding my way not to be lost and became a better person. She always teaches...
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...Oral Roberts University SUPERIORITY AND BLURRED LINES: An observation of the themes communicated in major DC Comics storylines Joshua Gallego Philosophy of Science HONR 102 Dr. Ken Weed/Dr. Samuel Thorpe March 13, 2014 Introduction Superheroes are part of an American upbringing. Stories of persons with capabilities that far exceed that of the human race are popular and appealing to our youth and even to many adults. Entertainment in general pervades the American culture, and this specific type of entertainment dealing with superheroes is of considerable size and has been a constant for several decades. Images of Superman, Captain America and many others are immediately recognized when seen. The entertainment value of these fictitious tales has caused the companies that own them to expand into creating computer games and producing movies, which has made them even more visible. It is considered weird if a person does not even know the basic story of these costumed figures. The adventures, stories, and even lives of these fictions have become a part of the American Psyche. Throughout the course of this semester, discussion in the Philosophy of Science class has led to topics such as the paradigms and presuppositions that we approach our world from and the metaphors that we use to communicate ideas and concepts. Such discussion has led to the asking of questions concerning things that we encounter in everyday circumstances. Questions like “What are the presuppositions...
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...First it was in the comic shop, then it was on the Internet and most recently, it’s on the big screen (Lussier).” says Tsujihara. DC characters are better because their status is more realistic and attainable, they are more popular among the children, and DC characters work hard for their strengths and powers and use them for good. There are two categories within DC: the gods, such as Wonder Woman and Superman, and the iconic underdogs, such as Batman and Green Lantern. The gods are from another planet or universe and are normally the ruler’s child. They use their powers to protect their land. The underdogs are the favorite in any story and work the hardest. They are not born with any powers, but they want to help so they make a way. The underdogs are the people we look up to and admire the most. They are good men and/or women whom we strive to be like. Everyone looks up to Bruce Wayne because he is a good guy who wants to turns the bad events in his life into profit for others. Marvel literally has no characters that work for their superhero status. People love Marvel and support it and they wonder why their children do not want to work for what they get. Children start acting like the atmosphere around them and Marvel gives off a “you do not have to work hard” vibe. DC has this vibe surrounding it that draws kids to their characters. They are slightly older than Marvel which gives them an innocence which most children are attracted to. Marvel has more scenes you have to...
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...various species of flora and fauna confined in our oblique spheroid world, the humanity is rich in beautiful heritages and diverse cultures. Dynamic as it is, the world remains persistent in its quest for fashion to upgrade the human condition. With all pursuits bound by the ultimate desire of happiness, what is the best way forward for the human race? Putting figures into perspective, how can ONE in a seven billion make any difference? Along with the modern advancements in the global society are the many dilemmas which endure as destructive forces in the universe – environmental devastation, overpopulation, poverty, high crime rates, drug addiction, poor educational system, dirty politics, and rampant corruption. One cannot help but wonder, can we combat these deeply-rooted social ills? Is there still a trace of hope for the mankind? What kind of future is awaiting for us and the generation yet unborn? It is but a sad reality that prevails to vex us deep to our very core. With the existing state of the world today, some, if not most of the people, remain deaf to respond to the reverberating call for action. Many would rather stay in the dark and refuse to find the light. Only a few would opt to speak and take a step while others choose to remain in silence. While everyone can sense the need for change, only some would react to the force one feels within. Indeed, the world cries for change. The world calls for responsible and proactive youth who would actively participate...
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...impossible to enunciate. On their journey, they meet many other inadequate super heroes’. To put it simply, The Tick is a show that parodies popular comic book characters and character types. In the ‘The Tick vs. The Idea Men’ episode, multiple satirical super heroes are introduced. These characters are all a parody from previous super hero movies or shows. Characters such as Die Fledermaus, American Maid and Big Shot. Die Fledermaus is a parody of Batman. He seems to be an arrogant bat-like super hero. His costume has a big black cape and has bat characteristics such as oversized ears, and a realistic bat nose with huge nostrils. American Maid has stars and stripes down her French maid outfit. She is a mix between Captain America and wonder woman. She also seems to have had a bad romantic relationship with Die Fledermaus because when they both met in the first episode she called him ‘a jerk, a rabid goon, incredibly immature, and told him to go stink up a cave.’ Big Shot is a spoof of a character called The Punisher. Big Shot is a gun maniac, has a skull as a belt buckle, shoots everything in sight and has family issues. The Punisher is also a violent character. Because of the deaths of his family, he becomes an assassin who also wears the same skull as Big Shot. ‘The Tick’ has many goofy super heroes and villains. All of which are spoofs from other super hero figures. This show is suitable for any type of audience, but because of all the subtle...
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...Traci Onwuegbuchu English II Mrs. Thompson 1A The Infamous Catwoman The fearless lady in leather black, Catwoman (Selina Kyle), was introduced in January of 1940 by Bill Finger & Bob Kane when she made her display in Batman’s The Dark Knight Rises. During the day she was an independant, everyday woman, but at night she transformed into an all black shadow of the night. It was around this time Catwoman was known as comic’s ultimate vixen because she wasn’t mutated by a radioactive spider or a mad scientist, so she had no superpowers of any kind. Despite the fact that Kyle played as both the hero and the villain, many viewed her as psychological because of her attraction for both the male and female genders. The infamous Catwoman in her nine...
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...in the end of the day and becomes a whole other person when they take their masks of. Often, when they get home, the superheroes turn into the opposite of a superhero- someone that you would never expect to save the world. And someone you could identify yourself with. And that is one of the most important parts in a superhero movie, because the hero stays anonymous and that creates an exiting story and a different view on the heroes. These superheroes are also different, because they take care of business by them selves. They do not get help from the police and doesn’t care a great deal about the law. Actually they usually don’t follow it. You could call them a lawless. If you take a closer look at the word superhero, you can start to wonder where “super” comes from. It’s a big word and a little bit odd. Rambo for instance would never call himself “super” -it’s like he has too much discipline to use such a big word...
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