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2001 A Space Odyssey Analysis

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The eerie red dot for an eye of HAL 9000, the smartest computer ever created, looks out across the pod bay of Discovery One. Through the silence, Dave Bowman’s voice bursts through succinctly: “Open the pod bay doors, please, HAL.” We realize that his voice comes from inside the command pod, waiting out in the vacuum of space outside Discovery One. When no reply comes, he repeats his command, but again hears silence. “Hello HAL, do you read me?” Still no reply. He doesn’t have his helmet, and if he can’t enter the spaceship, he’ll be stranded in space. He’s screwed. Frantically switching to different voice channels, he repeats over and over, “HAL, do you read me? Hello HAL? HAL? Do you read me?”
“Affirmative, Dave.”

I don’t understand this movie. I don’t think anyone does. Director Stanley Kubrick and writer Arthur C. Clarke don’t. In fact, there is no one right or wrong answer to the questions posed in the film. Near the end of the film, it is seen in its most powerful as the visual aspects of 2001: A Space Odyssey quietly urge the …show more content…
Even today, with the world’s connection through the internet allowing us to access nearly everything that exists in the world and beyond, 2001 still manages to both provide images of landscapes familiar to us in a different light and explosions of colors that provoke awe and mesmerization.
After all I’ve said to describe the movie, you might assume that it’s a piece of psychological bore, and I guess you wouldn’t be exactly wrong. The lack of a main singular plot that resolves with what you’ve grown accustomed to with climaxes and satisfying resolutions—the traditional form of storytelling. However, what little plot and conflict it has, it once again serves for the larger picture: Kubrick’s plead for an emotional

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