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A Doll's House Symbolism

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A Doll's House's Symbolism
A Doll’s House by Henrik Ibsen was written in the late 1800’s and uses symbolism to get the writer’s ideas and descriptions across to the reader in greater detail. We will examine four of the writer’s uses of symbolism. The first is actually the title of the play and sets the stage for everything that transpires in the play. The second symbol is the Christmas tree that is brought into the first scene by Nora. The third use of symbolism that Ibsen uses is the macaroons that are only introduced in the first scene. Finally, the Tarantella can be interpreted as one of the most symbolic parts of the whole play.
The title of Henrik Ibsen’s play, “A Doll’s House,” is symbolic in itself. The doll in the play would be Nora. Nora is in a mindless role of a plaything that first belongs to her father and then to Torvald. Nora play’s her part in the life but secretly wants more and is constantly reminded of how little control over her own life she has. An example of this is that after 8 years of marriage and three children, Torvald Helmer wags his finger at Nora and asks “Hasn’t Miss Sweet-Tooth been breaking the rules in town today ?” (Ibsen, 1897, p.)_Torvald speaks to Nora as a parent would speak to child in a condescending tone throughout the play.
The title “A Doll’s House” is an ironic metaphor for what could be considered as more of a prison than a home for Nora who is really not expected to ever make decisions for herself or think for herself. In the last act Nora says that if perhaps your doll is taken away from you, indicating that he might learn to treat her with respect if she left him.
In public Nora is a doll and a plaything that is discounted for not having an original thought. If one considers the fact that she financed the trip to Italy to save her husband’s life with the loan she took then her jail becomes more unbearable for...

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