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African Movie History

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question no.3
The film focuses on the lives of three women of different social classes who get publicly harassed. It starts with Fayza (Bushra), a low income government employee who gets harassed in a taxi and a bus (numbered 678) on the way to work. When she arrives home she resists her husband's attempts in sleeping with her and doesn't explain why she can't sleep with him.
It then moves to Seba a middle class jewelry designer who gets harassed in a stadium by a group of men while her husband is unable to reach her to stop what is happening to her. Following that, her husband was unable to live with what happened and she was left with no one to take care of her emotionally. She separated from her husband and started a harassment class in al Sawi cultural wheel.
Finally the movie focuses on Nelly, a standup comedian and call center employee who gets harassed verbally on a call with a customer as well as physically while walking home when a truck driver grabs her and pulls her through the street. When he finally leaves her she runs behind the truck and doesn't let it go until she and the crowds were able to pull the driver out and hand him over to the police. She tries to file a report for harassment but the police officer resists and send her to another precinct. She appears after that in a TV show as she was the first Egyptian to file a report for harassment.
Cast[edit]
question no.3 Egyptian flim...cairo 6,7,8
২০১০ সালে মোহাম্মাদ দিয়াব ছবিতি বানায় মিশরীয় মহিলাদের যৌন হয়রানির উপর।
চলচ্চিত্র বিভিন্ন সামাজিক শ্রেণীর তিন নারীর জীবন এর উপর গুরুত্ত্ব দেয়.যারা প্রকাশ্যে নিপীড়নের শিকার হয়। এটা ফাইজা (বুশরা)দিয়ে শুরু হয়., যে স্বল্প আয়ের সরকারি কর্মচারী এবং সে কাজ করতে জাওওার সময় একটি ট্যাক্সি এবং একটি বাসে (সংখ্যাযুক্ত 678) হয়রানির স্বীকার হয়। যখন সে বাড়িতে আসে সে তার স্বামীর সঙ্গে ঘুমাতে পারেনা এবং ব্যাখ্যা করতে পারেনা কেন সে তার সাথে ঘুমাতে পারছেনা.
এটা তারপর সেবা র ক্ষেত্রে ঘটে যে একজন মধ্যবিত্ত গয়না ডিজাইনার, যে স্টেডিয়ামে পুরুষদের একটি গ্রুপ দ্বারা হয়রানির শিকার হয়, যখন সেই অবস্থায় তার স্বামী তার জন্য কিছুই করতে পারেনা। তার স্বামী সেই সময়ের অবস্থা নিওন্ত্রন করতে পারেনি তাই তার স্বামীর কাছ থেকে আলাদা হয়ে যান এবং আল সাওই সাংস্কৃতিক হুইল এ হয়রানির ক্লাস শুরু করে।
অবশেষে সিনেমায় নেলি কে গুরুত্ত্ব দেয়া হয়. যে একজন স্ট্যান্ডআপ কমেডিয়ান এবং কল সেন্টার কর্মী যার একটি কাস্তমার এর সঙ্গে ফোনকল আ হয়রানির স্বীকার হয় এবং সেইসাথে শারীরিকভাবে ও হয়রানির স্বীকার হয় যখন বাড়িতে জাবার সময় একটি ট্রাক চালক তাকে জোর করে তেনে গাড়িতে তুলতে চায়। যখন সে নেলি কে ছেরে দেয় তখন নেলি দউরে ট্রাক এর পিছনে গিয়ে দারায় এবং ততখন পর্যন্ত দ্রিচের কে ছারেনা জতখন পর্যন্ত সে এবং জনতা ড্রাইভার কে গারি থেকে টেনে বের করে পুলিশ এর কাছে তিনি হয়রানির একটি রিপোর্ট করেন কিন্তু পুলিশ অফিসার সেই কেস নিতে চায় না এবং অন্ন জনের কাছে কেস করতে বলে। পরে তাকে একটি টিভি শোতে দেখানো হয় সেই হচ্ছে প্রথম মিশরীয় যে হয়রানির একটি রিপোর্ট দায়ের করতে পেরেছিল।

Question no. 02 aljerian movie days of glory.
In World War II, the Muslims from French colonies enlist to fight for their motherland France. In the 7th battalion commanded by the tough Sergeant Roger Martinez, the soldier Abdelkader has leadership with the troop and seeks promotion and recognition from the command; Said Otmari is a servile and illiterate private, happy in serving his sergeant; Messaoud Souni is the sniper of the group and has fallen in a corresponded love with the French Irène; and Yassir is fighting together with his brother to raise some money. Along the campaign in Italy, France and Alsace, they realize that French soldiers are promoted, has better food and have leaves to visit their families, while the Arab soldiers are shamefully discriminated and treated like 2nd ranking soldiers.
এটি একটি ফ্রেঞ্চ মুভি ২০০৬ সালে করা।
দ্বিতীয় বিশ্বযুদ্ধের সময়, ফরাসি উপনিবেশ থেকে মুসলমানরা তাদের মাতৃভূমির ফ্রান্স এর জন্য সংগ্রাম করতে নাম লেখায়।
শক্ত সার্জেন্ট রজার মার্টিনেজ দ্বারা আদিষ্ট 7th ব্যাটালিয়নের সৈনিক আব্দেলকাদের সেনাদল সঙ্গে নেতৃত্ব দেন এবং কমান্ড থেকে প্রচার এবং স্বীকৃতি কামনা করেন; সাঈদ অত-মারি তার সার্জেন্ট দের জনা একটি পরিশ্রমি এবং অশিক্ষিত খুশি একজন ব্যক্তি; Messaoud Souni মেসাওউন্দ সাওনি একজন গ্রুপ এর স্পেশালিষ্ট স্নাইপার এবং ফরাসি আইরিনের সঙ্গে একটি অনুরূপ প্রেমে পড়ে; এবং Yassir ইয়াসির কিছু টাকা জোগাড় করতে তার ভাইয়ের সাথে একসাথে যুদ্ধে থাকে।

ইতালি, ফ্রান্স এবং আলসাক প্রচারণা বরাবর, তারা বুঝতে পারে যে, ফরাসি সৈন্যদের প্রমোশন করা হচ্ছে , ভাল খাবার এবং তাদের পরিবারের সদস্যদের সঙ্গে সাক্ষাৎ করতে পারছে এবং যেখানে আরব সৈন্য লজ্জাজনকভাবে বৈষম্য এবং 2nd রাঙ্কিন এর সৈনিকদের মত মূল্যায়ন করা হচ্ছে.

Question 01
African cinema focuses on social and political themes rather than any commercial interests, and is an exploration of the conflicts between the traditional past and modern times. The political approach of African filmmakers is clearly evident in the Charte du cinéaste africain (Charter of the African cinéaste), which the union of African filmmakers FEPACI adopted in Algiers in 1975.
The filmmakers start by recalling the neocolonial condition of African societies. "The situation contemporary African societies live in is one in which they are dominated on several levels: politically, economically and culturally."[citation needed] African filmmakers stressed their solidarity with progressive filmmakers in other parts of the world. African cinema is often seen a part of Third Cinema.
Some African filmmakers, for example Ousmane Sembène, try to give back African history to African people by remembering the resistance to European and Islamic domination.
The role of the African filmmaker is often compared to traditional griots. Like them, the filmmakers' task is to express and reflect communal experiences. Patterns of African oral literature often recur in African films. African film has also been influenced by traditions from other continents, such as Italian neorealism, Brazilian Cinema Novo and the theatre of Bertolt Brecht.

আফ্রিকান মভিএর উদ্ভব ও বিকাশ
আফ্রিকান সিনেমা কোনো বাণিজ্যিক স্বার্থ নয় বরং সামাজিক ও রাজনৈতিক থিম উপর গুরুত্ত্ব দেয়, এবং ঐতিহ্যগত অতীত ও আধুনিক সময়ের দ্বন্দ্বের উপরগুরুত্ত দেয়।
আফ্রিকান চলচ্চিত্র নির্মাতাদের রাজনৈতিক পদ্ধতি পুরো পরিষ্কার (আফ্রিকান সিনিঅ্যাস্ট চার্টার), যা আফ্রিকান চলচ্চিত্র নির্মাতাদের ইউনিয়ন 1975 সালে আলজিয়ার্সে গৃহীত FEPACI স্পষ্টভাবে প্রতীয়মান.
চলচ্চিত্র নির্মাতাদের আফ্রিকান সমাজের নব্য ঔপনিবেশিক শর্ত দ্বারা শুরু হয়। "পরিস্থিতি সমসাময়িকভাবে আফ্রিকান সমাজেযারা বসবাস করত তারা বেশ কয়েকটি স্তরে ভাগ করা হয়:., অর্থনৈতিক ও সাংস্কৃতিকভাবে রাজনৈতিকভাবে"
আফ্রিকান চলচ্চিত্র নির্মাতাদের বিশ্বের অন্যান্য অংশে প্রগতিশীল চলচ্চিত্রকারদের সাথে তাদের একাত্মতা জোর দিয়ে মুভি বানায়. আফ্রিকান সিনেমা প্রায়ই তৃতীয় চলচ্চিত্রের একটি অংশ হিসেবে দেখা যায়.
কিছু আফ্রিকান চলচ্চিত্র নির্মাতাদের, উদাহরণস্বরূপ Ousmane Sembène জন্য, ইউরোপীয় ও ইসলামী আধিপত্য প্রতিরোধের স্মরণ দ্বারা আফ্রিকান মানুষকে আফ্রিকান ইতিহাস দিতে চেষ্টা করে মুভি তে।.
আফ্রিকান চলচ্চিত্রকারদের ভূমিকা প্রায়ই ঐতিহ্যবাহী griots গ্রিওট এর সাথে তুলনা করা হয়. তাদের মতএ , চলচ্চিত্র নির্মাতাদের 'টাস্ক প্রকাশ এবং সাম্প্রদায়িক অভিজ্ঞতা প্রতিফলিত হয়. আফ্রিকান মৌখিক সাহিত্যের নিদর্শন প্রায়ই আফ্রিকান চলচ্চিত্রে দেখা জায়। আফ্রিকান চলচ্চিত্র অন্য মহাদেশ এর ঐতিহ্য দ্বারা প্রভাবিত হয়েছে.যেমন ইতালীয় সংখ্যাযুক্ত, ব্রাজিলিয়ান সিনেমা নভ ইত্তাদি।

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...I am writing my paper on African Americans writing a letter to a friend that is not African American. Dear Anthony, I am writing this letter because I would like to share with you what it is like to be African American and the what we have experienced throughout history. Sometimes people think that because times have passed and things are better that we should be happy but that is not the case. So I just want to give you some insight on African American’s history in the Unites States. Black history has tremendously shaped the African American experience in the United States. For most of U.S history the African American experience developed outside the American culture. Black history’s impact on the African American experience resulted from influences of slavery and racial discrimination in the U.S. For most of U.S history, legal and social discrimination has denied African Americans access to education, literacy, and work. The Harlem Renaissance was one of the first and most important movements in black history. It was the first recognition of African American for their music, literature, arts, and poetry. The Harlem Renaissance was an important period of increased political involvement in black history. Another important movement for African Americans was the Black Arts movement. The Black Arts movement saw the rise of music and literature that embraced a pronounced political and racial consciousness. The Harlem Renaissance and the Black Arts movements are only two of...

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Adfsdf

...was the use of smooth, rounded texture of the wood emphasizing a difficult climb. Lastly the artwork uses the value from actual light to make the ladder recede into a bright light. The main principles of design I see are the use of movement and balance. First he uses curving lines and repetition to show movement. The way Puryear repeats the curves of the steps make your eyes move up. Secondly he uses asymmetrical balance making one side of the ladder different than the other, which is different from a normal symmetrical ladder. Booker T. Washington was an African-American teacher, author, advisor to presidents, and leader in the African-American community between 1890 and 1915. Washington had long term goals of building the African-American communities economic strength, focusing on self-help and schooling. However, Washington was set in developing domestic and vocational skills which was opposed by other African-American leaders in the community. To me the ladder represents his climb towards education...

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Civil Rights

...an effort to establish gender and racial equality for all African Americans worldwide. The aim of this movement was to remove racial discrimination, restore economic and to gain back freedom as being an African American. This movement produces many great leaders, and social changes that resulted as organized within the civil rights takin place. Helped the African American people also urge them to pursue their American dreams. The Civil Rights Act was a congressional act that prohibited discrimination in employment or the use of public places on the basis of race, sex religion, or national origin (Schaller G-4). This was the most massive issue in which the Black Americans struggle to end the segregation to be able to get all the rights deserved as citizens. Over the years passed by many was practicing in nonviolent protestation between all the Americans was being discriminated against. This may have included local government businesses, and at times even the whole communities got involved mobilized for a massive expansion of the movement in the coming decades (Schaller, 993). After the Cold War the African Americans needed to have alliances with the whites, legal resources, and leadership. This than put into Action the National Association for the Advancement of Colored People (NAACP). Civil Rights organization founded in 1910 that was innovative in establishing legal action as a powerful basis in the fight for African American right is also defined as NAACP (Schaller G-14)...

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1.2.3 Practice: the Unia and the Naacp

...role of a young African American living in the 1920s who has joined one of the organizations and explain your reasons for joining in a brief paragraph. Before you get started, look over the NAACP's mission statement, the Explanation of the Objects of the Universal Negro Improvement Association, and what you have previously learned about the two groups. Use this information to compare the goals and tactics of the NAACP and the UNIA. 1. Complete the chart below to compare and contrast the NAACP's and the UNIA's goals and strategies. (6 points) NAACP UNIA Objective Views on segregation Views on American society 2. The NAACP and the UNIA focused on African American communities in different places, even other countries. How did the focus of the NAACP's efforts differ from the focus of the UNIA's? (2 points) 3. Imagine that you are a young African American living in a northern city in the 1920s. From that perspective, answer the following questions. (6 points) a. In your opinion, which organization speaks to your needs most, the UNIA or the NAACP? Why? b. In your opinion, which organization has the greatest potential for bringing about positive change? Why? c. Which organization's views on American society most closely match your own? Why? 4. Now, you are ready to write. Imagine that you are a young African American living...

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...Theaders have evolved from countries all over the world. “From the African roots of Greek tragedy to contemporary Shakespearean plays, the diverse enviorment is what created the power behind stage production. During the start up of American Theater, it reflected the lives of namely white, property-owning, Christian men”(Kertin p5). As time pasted, the popular dramas came from Europe. In the 1820's Black artists were creating, staging and performing for both black and white audiences, performing both existing and original work. “The first theater company to attempt the performing arts production from an African American perspective was, The African Grove Theater in New York”(Abel p1). In 1820, an African American man named, William Brown and a West Indian man named, James Hewlett created the African Grove Theater. “Both of these men traveled by ship throughout the Caribbean, where story telling, performance, dance and music were essential to the culture and survival of the slaves working on sugar cane and tobacco plantations, salt flats and mines. The company performed tragedies and comedies from Shakespeare to American playwrights”(Welsher p2).The African Grove Theater was the first African American theater in the United States. Full playrights were presented on this stage which included, Shakespeare and eventually the first plays by African American. Although the intension was to solely have an audience of African Americans, it also attracted white audience members. “Typically...

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...the book. After watching the film Amistad and read the book of this story, I feel like they are both valuable to study the history of America in 1840s. Meanwhile, from my point of view, the book is more academical than the movie while the movie can give you a quick idea about what is really going on in the story and you can feel the story more directly than the book. Now, let’s compare them in different aspects. 1.What can the student more readily learn from the film as opposed to the book? After watching the movie, the first thing that I feel different from the book is the mood that those actors behaved were really shocking. From the movie, we can directly feel the eager of those black people whom lead by Cinque want to regain...

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Film Analysis: Hidden Figures

...Hidden Figures displays three African American women who defied the odds by aiding in the launch of John Glenn into orbit. Katherine Johnson, Dorothy Vaughan, and Mary Jackson are all women who worked for NACA and NASA and played a vital role in his launch by providing the calculations necessary for both his launch and landing. The film takes place Hampton, Virginia during the 1960s, a prominent time of segregation amongst the community despite Brown v. Board of Education. The women face various challenges regarding their race and gender throughout the movie, however, they manage to achieve “the impossible” of the time. Katherine continued to work for NASA as a key person for space launch, Dorothy Vaughan became a supervisor at NACA and a manager at NASA which makes her the first African American to do so, and Mary Jackson became the first African American female engineer of NASA. Throughout the movie, it is made apparent that without these women, America would have had an even harder time trying to reach for the stars....

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Glory

...events that Robert Shaw went through during his time in the Civil War. This film follows the life of five men during this time, Robert Shaw (Matthew Broderick) who commands the 54th Mass, Private Trip (Denzel Washington), Private Jupiter Sharts, Corporal Thomas Searles (Andre Braugher), and Sergeant Major John Rawlins (Morgan Freeman). Glory follows the personal letters of Robert Shaw and in his letters they begin to tell the story of how African Americans in his unit are undisciplined and are eventually turned into a fighting force. Sergeant Major Mulcahy is brought into the unit to teach the men discipline and makes them train for hours on end. COL. Shaw sees the amount of work that these men have done and convinces his commanders with blackmail that his men should be transferred to a combat unit to be given the chance to prove themselves. When their transfer was finally approved, they are tested with their first major battle to go through, at James Island in Charleston, South Carolina. Since Shaw was in command of mostly African American’s, his soldiers were heavily mocked and tormented by the white Union Soldiers; however after the battle of James Island, the white Union soldiers gave them the respect that any other soldier would receive. As the 54th Mass marched to Fort Wagner Shaw and most of his men were killed during the battle. The film Glory followed the life of Robert Shaw and Fredrick Douglass as they were the only two characters, based on real people...

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