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Amelie

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The culture and history of France have been highly influential among filmmakers and have affected the construction of a variety of films. One such film is, Jean Pierre Jeunet’s highly successful film Amelie (2001). The French believe that the success of a film isn’t measured by the money it makes, but by the number of people who watch it. They believe that everything cultural must be protected from the domination of the markets, a concept known as L’exception Culturelle (The French Cultural Exception) (Wikipedia, 2011). Amelie, is the picture perfect example of this concept, as it perfectly exhibits the epitome of French culture; portraying France as ‘The City of Love’, full of wonder, where dreams come true. Amelie is a beautiful film that appeals to the senses and depicts a French wonderland. “It’s a world that’s purely (and slightly perversely) fantasy, a fairy tale for adults” (Parks, M. 2002). The cultural context, textual features and major audiences have affected the construction of the film, creating a whimsical and beautiful impression of France.

Amelie is a romantic comedy, about 23 year old Amelie Poulain (Audrey Tautou), who is a waitress living a secluded life in France, and appreciates the small things in life, who discovers a desire to help people. The film is set in a Montmartre, where Amelie’s vibrant imagination comes to life. Just after hearing the death of Lady Di, Amelie discovers a box hidden in her apartment, from a man’s childhood 50 years ago. She returns the box to the man, whose life is altered. After seeing the result of her good deed, Amelie decides to make an effort to change the lives of many others by assisting them, while remaining anonymous. During the course of the film, Amelie notices a man, Nino Quincampoix (Matthieu Kassovitz), who loses his treasured photo album. Amelie finds it, and comes up with a strategy to return it

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