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The life of the American Expatriates in Paris in the 1920’s according to Hemingway’s Memoir “A Moveable Feast”
“If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast,”- with these words Hemingway starts his memoir. The writer himself was “lucky enough” to spend seven years of his youth in the European center of culture and entertainment of the Jazz Age. Throughout the literary works of Hemingway it can be observed that Paris had a special place in his heart. He adopts Paris as a setting not only in “A Moveable Feast” but also in “The Sun Also Rises” and “Midnight in Paris.” But what makes “A Moveable Feast” stand out from many other works written by Hemingway is that it is a memoir, thus, the characters are real people and the events are actual as well. However, “various critics have pointed out that “A Moveable Feast” contains serious factual errors." Though, the most of the factual errors are about the workplaces of the characters, for instance the one of Walsh, and do not significantly influence the understanding of life flows of the memoir’s main characters.
Hemingway along with other expatriates viewed Paris as a place where he could find a market for his literary works. “Many Americans who settled in Paris [believed] their native land was a cultural sink.” Those who caught the drama of the World War I and the time of the after-war letdown are referred to as “lost generation.” This generation characterized by lost hopes, lost values and a general mood of futility and despair. Young people of the after-wartime could have spent their entire days drinking in cafes or bars around Paris and, thus, for many of the American expatriates Paris was indeed a moveable feast. Besides that they traveled around the world and attained tranquility only through nature, going out on the binge or gambling on horse races with other writers, painters and poets who were equally disappointed and hopeless.
“A Moveable Feast” acquaints its reader with life and emotions Hemingway had been experiencing for seven years while living in French capital. For this not long period of time he met talented writers-expatriates as Gertrude Stein and Scott Fitzgerald along with other important American expats as Sylvia Beach and Ezra Pound. All of the memoir’s characters are representatives of the “lost generation”, including Hemingway himself. The characters of “lost generation” are introduced to a reader in the first chapter. They are not called so yet, but their despair and hopelessness can be observed through the setting and their life style. These people spent their time in the Café des Amateurs – the cesspool of the Mouffetard. Visitors of this place suffered alcoholic mania and constantly drank until they run out of money. Cheap wine was the most popular drink as people were coming to this place with “empty” pockets. The lack of money was explainable as most of the people just returned from the war and tried to find any kind of job just to be able to survive.
The meeting of Hemingway and Stein had the symbolic meaning. Gertrude Stein was the first to pronounce the phrase: “That’s what you are. That’s what you all are. All of you young people who served in the war. You are a lost generation.” Even though the phrase was referred to a particular person – mechanic who could not repair Miss Stein’s car, this phrase was constantly bothering Hemingway as he was trying to figure out who “lost generation” actually was. He concluded that all generations were “lost” to some extent as they all suffered poverty and hardship from time to time and eventually were left tet-a-tet with their lives. Miss Stein herself was an American expatriate who settled down in Paris and who was trying to find market for her “poorly written” novels. She certainly did not consider herself belonging to the “lost generation” rather she considered herself surrounded by vicious and criminal people of such generation. Though, the emptiness and moral loss of her were easily observed as she tried to compensate them through a not well-disciplined life. Untypically to generation of twenties she was homosexual and, moreover, did not try to hide it anyhow. In the opinion of Hemingway, she was a nice person but “lazy writer”, and later on her dissolute life style brought the end to their friendship. Probably the most prominent literary leader of the “lost generation” was Ezra Pound. Same as Hemingway he was an American expatriate but he left America for Europe much earlier. Hemingway met him when Ezra was already a well known writer, journalist and editor, who was inspiring other young talents to develop. For this purpose he even founded “Bel Espirit” where he was helping young writers financially or by editing and analyzing their works. Hemingway describes Pound as the kindest person who “would help anyone whether he believed in them or not if they were in trouble.” Though it might seem that Hemingway did not understand why Ezra was helping such people as Walsh each reference to his personality was full of respect and gratitude. Possibly Ezra had struggled himself a lot when he just came to Europe. Thus, knowing how hard it was to settle down in a foreign country for a young writer, especially after the war, he felt responsible to help his compatriots.
Besides Hemingway himself Scott Fitzgerald can be considered as the main character of the memoir. The longest chapter of the book is dedicated to this writer. Fitzgerald was important to Hemingway not only as a talented writer but also as a soul mate. Hemingway adored his talent and thought that he could have written even better books than “The Great Gatsby” if not alcohol… Scott Fitzgerald would be a good example of an American expatriate of “lost generation” who did not go to war but was severely morally broken. “Critics generally agree that Fitzgerald's early success damaged his personal life and marred his literary production <…> led to his physical and spiritual collapse…” While being in Paris Scott, as a typical figure of the “lost generation,” was living a bacchanalian lifestyle where his main drinking companion was his wife Zelda. He and Zelda could be usually found loafing around streets of Paris expressing their lavish and loose lifestyle. Hemingway felt sorry seeing how Fitzgerald’s talent was wasted because of harsh drinking but he could not do anything though he tried.
A reader can find more characters – American expatriates described in the memoir. Though, the memoir is an autobiographic book and its main character is Hemingway himself. He came to Paris having nothing but himself and Helda. Together with her he lived in a small flat at the 74 rue Cardinal Lemoine: “the address <…> could not have been a poorer one.” It was a modestly looking flat with no sign of luxury: standard apartment of a typical Paris man of those days - typical representative of the “lost generation.” He describes his apartment as follows: “Home in the rue Cardinal Lemoine was a two-room flat that had no hot water and no inside toilet facilities except an antiseptic container, not uncomfortable to anyone who was used to a Michigan outhouse. With a fine view and a good mattress…” They lived poor but they were happy.
During his life in Paris Hemingway gave up his job of journalist and decided to follow his passion – to write stories. He did what he loved to do. Even though he and Helda were poor and lived in a small miserable flat having no money often even for food they still were happy. Unlike their home country in Paris they had freedom to express themselves and not being judge as immoral. Following his “Iceberg theory” Hemingway wrote about what he knew the best and, thus, himself he was the main representative of the “lost generation.” He observed the life of Paris and its citizens from the journalist’s point of view. It helped him to see all the moral emptiness of people who attempted to be cheerful. All those poets, writers and painters were the same as Hemingway himself. All were poor, drinking their lives away but, most importantly, they were happy being who they were. He describes Paris of the “lost generation” being saturated with hopelessness and moral loss. Nevertheless, the city is full of joy and brightness as Paris is a moveable feast. "This is how Paris was in the early days when we were very poor and very happy."

Works Cited
Cich, Gary. "What Was the Lost Generation." The Lost Generation. Blogger, n. d. Web. 13 Apr. 2014. <http://cichlostgeneration.blogspot.com/>.

Hemingway, Ernest. A Moveable Feast. London: Arrow Books, 2004. Print.

Tavernier-Courbin, Jacqueline. "Fact And Fiction In "A Moveable Feast.." Hemingway Review 4.1 (1984): 44-51. Academic Search Complete. Web. 13 Apr. 2014.

Toll, Seymour. “A Sunday Afternoon with Virgil Thomson”. American Scholar. Fall 1990

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[ 1 ]. Hemingway
[ 2 ]. Tavernier-Courbin
[ 3 ]. Toll
[ 4 ]. Hemingway
[ 5 ]. Cich
[ 6 ]. Hemingway
[ 7 ]. Hemingway
[ 8 ]. Hemingway

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