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Analysis of Hitchcock's Psycho and Birds

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Submitted By jpolengtorres
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There are several respectable film directors around the globe. A film director is one of the most important members of the team because he or she is the one who is involved in every basic steps of film production. Being a director needs the skill to envision how a script will be acted out, and the diligence to see a long-lasting project through to the end. One of the most reputable directors in the world is the late Alfred Hitchcock. He is well known in every part of the world because of his impressive directing skills. He is also one of those directors who have a trademark when it comes to their works. Alfred Hitchcock is a very phenomenal director who has a unique and remarkable style when it comes to his film creations. Alfred Hitchcock has his own unique trademarks that can be grasped on his films. These trademarks can be seen by viewers in many ways; for instance, theme, place, and selection of characters. Alfred Hitchcock showed a lot of these unique trademarks on his films particularly in Psycho, released in 1960 and the Birds, released in 1963. Although they are two different films with two different plots, these films have a lot of similarities when it comes to the usage of technique of Alfred Hitchcock. First, Psycho started by centering the viewers’ attention on a blonde woman, Marion Crane. She is on the bed only wearing her bra. The hotel room is dim and her underclothes are white, making a contrast that carries the focus on her. Just like Psycho, the Birds emphases the viewers’ attention on its blonde female lead, Melanie Daniels. This is actually the very first visible stamp of Alfred Hitchcock on both his films. Both movies portray strong blonde haired women lead characters. Alfred Hitchcock has also few more films that have blonde main characters. Another noticeable signature of directing skills of Hitchcock is the bird. There are images of

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