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Analysis Of Jonathan Larson's Rent

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Love is the most important thing in this world and Jonathan Larson’s Rent shows us why. Set in the East Village, New York in 1989, Rent is an emotional and inspirational experience that is important for everyone to see. What makes this show so powerful, is how relatable the story is. The script is so close to real life, which may have to do with the fact that the creator, Jonathan Larson, had AIDS while writing the show’s score. It is an extremely hard show to pull off, but the La Mirada Theatre and McCoy and Rigby Entertainment have done a wonderful job both theatrically and technically with this brilliant masterpiece.
Richard Israel, the director of the production, has done the show justice. It was staged masterfully and the story was presented …show more content…
There were a few performers that really stood out to me. Mark Cohen, played by Mark Whitten, is in a way the narrator for the show. Mark is making a documentary while the story is taking place and because of this, the audience is able to hear the exposition naturally as Mark narrates his documentary. Mr. Whitten did a phenomenal job in this role, with his convincing and powerful acting and his clear, strong voice. I really felt his sadness when Angel died and I saw how genuine he was when he finally discovered who he was and what he wanted to be. Mark’s roommate, Roger, played by Devin Archer, is a guitarist with AIDS. His girlfriend died from the disease recently and he is struggling to write a song before he dies. This character is one of the hardest to portray in the entire production and Devin did a great job. His voice was gorgeous, a clear, strong tenor sound and he had one of the greatest voices. However, there were some moments in his acting that weren’t as strong, like during “Light My Candle” a love duet with his love interest Mimi and the numerous times he sings “I Should Tell You” referring to the fact he has AIDS. In both songs, he seems disconnected from his …show more content…
This set was massive, as tall as the ceiling could reach and as detailed as the Mona Lisa. The only downside to a set so impressive is the inevitability of an actor being lost in the set. At some points in the play, there were so many things happening that if an actor was not well lite or pronounced enough, they would be lost to the audience. It was very impressive, and it even helped project the video feed from Mark’s camera. This affect hindered the show’s success because there wasn’t a single time the actions onstage matched the projected image. This flaw made the whole production look unprofessional and sloppy. On the other hand, the show’s lighting was superb with spots precisely on the actor and the use of colored gels to really drive the mood home. One lighting effect I especially liked was during a solo of Maureen’s, Angel and Tom are on a raised platform, bathed in a white light, while Maureen was in a normal spotlight. This contrast made it clear Angel was dying and the white light only exaggerated that fact. The lighting and the set created a very nice balance for the show and it kept the audience engaged and

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