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Art Critique- Denver Museum

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Art Museum Critique- Denver

A few weekends ago I decided that out of all of the museums and galleries I could choose to visit I really wanted to go to the Denver Art Museum. I wanted to go there because of a few different reasons. One of the reasons is that my husband and I live very close to the neighborhood so we could walk and enjoy the weather and gorgeous scenery that Denver has to offer. Another reason being that my best girlfriend, Lindsey, lives nearby and she could tag along with us for the day. Finally, the last time I had been to the DAM was back in middle school when I really didn’t appreciate what great artwork was offered there and some teenagers don’t really value the meaning of beautiful art and what the museum has to offer. There was so much to view throughout the museum that it really was hard to decide what artwork I could pick to write about. The very first piece that really caught my eye was on the 4th floor and the first piece through the doors of the exhibit. Displayed ahead was El Anatsui’s exhibition of international contemporary pieces called When I Last Wrote to You about Africa. Oasis, was one of the few “curtain-like” sculptures that I spent the most time looking at. Created in 2008, El Anatsui is a Ghanaian sculptor who is widely known for his sculptures that relate to African history and colonial experiences.
From far away I feel like the artist wanted viewers to see the soft, subtle look of a woven, rippled quilt. Once I stood in front of it I saw what the piece represented. It was made of thousands of beer and liquor bottle labels. The texture seemed somewhat rough and bumpy due to all of the different variety of labels portrayed in the piece The sparkle of all the bright colors of red, yellow, gold and specks of white and silver intertwined was immaculate and the lighting that is was displayed above really helped to

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