...Kayla Demel Art Appreciation 103 Online 04/1915 Comparison of Wendell Castle’s Cavalcade and Harry Bertoia’s Sounding Sculpture Comparison of Wendell Castle’s Cavalcade and Harry Bertoia’s Sounding Sculpture The artwork Cavalcade by Wendell Castle compared with Harry Bertoia’s sounding sculpture were designed for different purposes but both use elements of art to emphasis the meanings of each. I found these sculptures at the Wichita Art Museum. I selected these two because I found sculptures very interesting. The Cavalcade was made by grouping different shapes together to defy gravity and it grabbed my attention because it did not look correct because the ball was off certain and shouldn’t have been stable. The Sounding sculpture grabbed my attention because it was made to make music by many different bars hitting each other. The Cavalcade sculpture made by Wendell Castle is mahogany, lacewood, poplar, cooper, and gold leaf. The dimensions are 53 ½ by 21 ¼ by 17 1/2. This was made in 1989. There are many different shapes that has it owns color and identity. It wasn’t supposed to be symmetric because it makes a unique attack on gravity. The base of this piece is a blue green color and then a black longer piece that looks like it could be a vase is on top of that. The long black piece is not straight up it is slightly leaning to the left. Then there is a gold platter looking shape that is holding a ball off-center. I think that the artist is trying to make...
Words: 668 - Pages: 3
...Name Instructor Date Compare and contrast pieces of fine art Fine art has been considered as the major source of history, which has articulated several formatives that depict on the essence of humanity. Based on different sources, fine art has navigated some comparatives that portray the nature of history that equally aligns some prospects that site on the major differences on art. To start with, the major goal of the fine art is mainly to promote a unique active and thoughtful approach towards analyzing some specification of art history. Therefore the process requires taking into consideration by comparing and contrasting some essentials of the two pieces of art that attempt to approach the critical thinking analysis. This assumption invites availing the simple analysis of the information that ideally addresses the craft of an effective subtlety that is undertaken on the process. Every step that is articulated on the preparation of the early course on the fine art is depicted as an informative exhibit that is consolidated in organizing the discrete bits in a larger notion. This is well crafted on the practice of the fine art that distinguishes the level of thinking in the history of art. Based on that note, the major exercise that reviews on fine history has added the benefit of the emerging success on the concepts of well-crafted images of fine art. This equally announces the expected comparison that focuses on this practice. The completion of the moral abstract by the major...
Words: 614 - Pages: 3
...Japan's oldest art forms, when the earliest soft earthenware was coil-made, decorated by hand-impressed rope patterns, and baked in the open. Terracotta Warriors Fine art earthenware of Chinese clay warriors. Minoan Pottery A useful tool for dating the mute Minoan civilization. Its restless sequence of rapidly-maturing artistic styles reveal something of Minoan patrons' pleasure in novelty while they assist archaeologists assign relative dates to the strata of their sites. Pots that contained oils and ointments, exported from 18th century BC Crete, have been found at sites through the Aegean islands and mainland Greece, onCyprus, along the coastal Syria and in Egypt, showing the wide trading contacts of the Minoans. The extremely fine palace pottery called Kamares ware, and the Late Minoan all-over patterned "Marine style" are the high points of the Minoan pottery tradition. Greek Vase Painting There are two main styles in Greek vase painting – black figure and red figure. Mostly before about 530 BC people painted in black figure, and after that time people gradually began to paint in red figure. Mayan Vase Painting, Mexico Mayan vase paintings are more akin to the art of the modern period than the art of any other pre-modern people. The principal valuation seems to have been on artistic quality rather than adherence to standardized forms. Mimbres Pottery, American Southwest Contemporary research on the Mimbres culture relies heavily on comparisons with more modern...
Words: 1176 - Pages: 5
...effects on art which can be broken down and seen from Southern (Italian) and Northern paintings. With the renaissance, came disinterest in dogma, and more of a focus on naturalism and humanism. However, the strong influence of religion never left either the Northern or Southern art works, due to the commission by the church. Giuliano Bugiardini’s, Madonna and Child with St. John the Baptist, 1510, is a pristine depiction of what Southern European art during the renaissance contained, element by element. Northern artists kept most their roots, focusing heavily on religion while enhancing on the details and adding few aspects of naturalism; while Southern artists took more of a maniera greca and humanistic type approach, where religion and abstraction was in a conflicting battle with what was reality. The color, light, and shadow of Bugiardini’s, Madonna and Child with St. John the Baptist, emits a naturalistic feel that is seen throughout the whole painting. The painting’s main colors of brown and green are abundantly found in nature, usually representing trees, grass, dirt, etc. Mary’s red and blue gown contrasts with the rest of the scenery, making her stand out while emitting a calm (blue) but emotional (red) tone. The colors in the painting also seem to tell a story with a dull, dark brown in most of the foreground, and more vivid greens in the background. This could represent current dark times, followed by a future containing bright, happier times. Many Southern arts contained...
Words: 1362 - Pages: 6
...Comparison 1 The image on the left is of ‘The Parthenon, Acropolis’, a Pantelic marble structure, dating between 447 and 432 BCE, Ancient Greece. The original building on the site was built as an offering in honor of the Greek goddess Athena built in 490 BCE but destroyed in the Persian invasion of 480BCE. However in 447 BCE, Perikles commissioned a much grander and larger temple to be built over the existing foundation. The image to the right is of the ‘Hagia Sophia’, dated between 532-537, Byzantine Period. In a similar way to the Parthenon the Hagia Sophia was built over an existing fourth-century church that had been destroyed during the Nika Revolt in 532. An apparent similarity between both the places of prayer is that they were both aesthetically magnificent and groundbreaking works of art at the time, and are respectively one of the greatest examples of Greek and Byzantine architecture at it’s best. The building of the Parthenon required extraordinary skills of all forms -mathematical, mechanical, architectural, sculptural, and the culmination of this skill resulted in a beautifully harmonious monument. The Hagia Sophia was also planned and developed by the best scholar-theoreticians of the time who managed to...
Words: 1800 - Pages: 8
...ART 2 • MUSEUM – BASED ESSAY • DUE: MAY 4/5 Suggested Locations* L.A. Country Museum of Art (LACMA) • lacma.org for info. The Getty Center (Santa Monica) or Getty Villa (Malibu) • getty.edu for info. The assignment is to write an expository essay that focuses on an interpretation of one artwork using a specific symbol or theme (see examples below). Your interpretation must include an analysis of the subject & style of artwork in relation to the function of the object, as we do in class. (Remember the 4 Steps of Interpretation). Also, you should identify the style characteristics of the period-culture to which it belongs. In the paper you will provide “proof” for identifying style and/or meaning by comparing it to objects in your textbook. This assignment is NOT a “report.” That is, you will not find much information about the artwork at the museum. The point of this paper is to interpret the object based on similarities to other objects that are more “known.” Your interpretation should be made primarily of your own observations in relation to the information provided by the textbook and research you conduct about the artworks’ style, symbolism, cultural context, etc. You must support your observations with facts. Also you must properly cite your sources of information in a works cited list. Consult the articles on writing available on our MyECC teamsite in the Writing Resources folder. Examples of Symbols: sun, moon, star, flower, halo, cross, tree, horn, offering...
Words: 1165 - Pages: 5
...For this essay I have chosen two sculptures, each from a different culture that I am very fond of, to compare and contrast. The first piece that I chose is an Egyptian sculpture of royalty (picture on the left). This statue represents an eternal existence reflected in its emotionless calm and enduring serenity. In this statue Menkure and His Chief Queen from the Old Kingdom’s 4th Dynasty are depicted; it is thought to have originally stood on the processional causeway leading to Menkure’s pyramid at Giza. However, the statue was discovered buried with him inside his tomb. “It is believed to have been the first double statue of its kind made.”This sculpture shares all of the conventional qualities common to most Egyptian sculptures of human figures. This type of statue is best viewed from the front or squarely from each side due to its monumentally frozen quality. “Symbolizing the absolute control of the god-ruler, this immobility serves as a visual counterpart of Egyptian belief in immutable laws that govern humans and nature.” This magnificent ancient sculpture can be found in the Museum of Fine Arts in Boston. Egyptian art is truly one of a kind, with its sophisticated beauty and uniqueness. So many cultures have learned and revised the art of the Egyptians; therefore leading me to my next choice; a glorious Greek masterpiece. The next piece I have chosen is of the Greek culture. It is a glorious statue called “Laocoon” also referred to as the “Laocoon Group” shown on the right...
Words: 769 - Pages: 4
...Top Ten Assignment The Enlightenment and Romanic Ages produced numerous masterpieces in art, music, architecture, and literature which people still enjoy today. These opus magnums along with the philosophies during the two periods are reflections of the developments in world events and cultural patterns. This paper will present two pieces of art, music, architecture, literature, and philosophy from the Enlightenment and Romanic Ages that best represents the developments patterns from that time. Philosophy in the Enlightenment Age focused on an individual’s right to life and liberty. One example of a philosopher from this age is Thomas Jefferson. He famously wrote the Declaration of Independence (1776) that the Continental Congress signed declaring the United States free from the oppression of England. The document begins with, “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty, and the pursuit of Happiness” (us history, 2013). Another such example of philosophy during the Enlightenment Age are the works of Thomas Paine. He wrote two of the most highly influential pamphlets at the start of the American Revolution. One such pamphlet is Common Sense (1776) (us history, 2011) the all-time bestselling book that advocates America’s independence from Great Britain. Thomas Jefferson and Thomas Paine were chosen as examples because we believe the Declaration...
Words: 1558 - Pages: 7
...Cubism & Surrealism: A Break from Tradition Cubism & Surrealism: A Break from Tradition Since the introduction of perspective during the Renaissance, artists painted in a way that imitated the natural world. Some artists, such as the Impressionists, painted the world as seen through his own eyes. Others, such as the Realists, aimed to paint the world as it actually was by using precise detail and realistic subjects. It wasn’t until 1907 that artists began to look beyond nature and reality and into the creative corners of their minds to depict art that wasn’t based in the natural world. Cubism pioneered the way for this break from tradition with its unique take on perspective while Surrealism deviated even further through exploration of the subconscious mind. Cubism developed in a time of technological advances. Photography had become common and was threatening painting as a way of documenting the natural world. Art needed to evolve its purpose. (Bewley, 2013) Cubists changed the way they approached painting by rejecting the tradition of painting the world as our eyes see it and, instead, they painted subjects broken up and reassembled in abstract form from different perspectives and viewpoints. Influenced by African mask carvings, Picasso created Les Demoiselles d’Avignon, the first painting which exhibited cubism elements. (FozzyFozz, 2012) Although not considered a Cubist painting, Picasso’s Les Demoiselles d’Avignon is regarded by many as a pre-Cubist painting...
Words: 1074 - Pages: 5
...Art from the past can depict and influence culture in a variety of ways, and can still be seen in our own culture today. At times, we might often wonder how a tradition or ritual had originally started, but never actually retrieve many answers. Fortunately, art from centuries ago could help us trace the clues to how things began. The things that we see and use nowadays could have easily be connected to the past as a sacred relic or a powerful symbol. Though we may not know it, we could very well be using some of the same customs that many have used in the past, but in our own modern way. Regardless of when it was made or where it was originated, art can take on different forms, but still hold some of the same meaning it had had from many years...
Words: 1470 - Pages: 6
...The piece of work I'm examining is the Bouray God, by an unknown artist from Bouray-sur-Juine, France. This is a Celtic work that dates from between the 1st century B.C.E. and 1st C.E, and depicts a naked, beardless man with hooves for legs and wearing a torque around his neck. The statue is fairly small, at 41.5 cm tall and is made of bronze, brass, and glass. It's missing both of its arms, one of its eyes, and has deteriorated significantly around the "knees" and arm stubs but is otherwise in fairly stable condition. The Bouray God is an excellent example of some of the motifs and features of this period of Celtic art. The piece was made out of two bronze casts that were molded together and shaped by hammering to smooth out the surface....
Words: 528 - Pages: 3
...HUMA205– Art Appreciation May 24, 2013 Introduction The baroque period for art was a very important time. The period contributed a lot to art as we know it now, and it introduced both new techniques as well as new artists. The period lasted roughly from the 16th century, and in some places lasted until the 1750’s. Three important pieces of art from that time are Descent from the cross painted by Rembrandt, Conversion of Saint Paul by Caravaggio and Raising of the cross by Peter Paul Rubens. The three artworks will be described, along with a summary of the artist’s personal views of art. The personal views of the artists are often times influenced by the trends and schools of thought during the time period. Along with being described, the pieces will be analyzed, and how they fit into the time period with be explained. The three paintings will also be compared and contrasted, explaining their similarities and their differences. Description of Works The first painting is Rembrandt’s, The Descent from the Cross. This along with all the other paintings featured is a very moving piece. For religious people, this was a very moving and emotional scene. The painting features Jesus, whom had previously been hanging on the cross. Jesus is being removed from the cross by his followers, the main focus point being Jesus himself and the man who is holding his body while others climb the cross to continue trying to remove him from it. Rembrandt was commissioned to do this piece as a...
Words: 1225 - Pages: 5
...Philadelphia Art Museum on March 15, 2013. The museum is Located in Philadelphia, PA and the exhibition that caught my attention was Journeys to New Worlds it explores the artistic exchanges between Spain and Portugal and their colonies in the Americas and Asia during the seventeenth and eighteenth centuries. (The Philadelphia Museum of Art, p. Philadelphia Art Museum). A journey to New Worlds originates The exhibition is magnificent and two pieces that I enjoyed were Our Lady of Mount Carmel with Bishop Saints, and Our Lady of Pomata, a coquera. It is extremely quite as people stop in different areas to look around at so much art. I personally found some place to sit and absorb as much information as I could. My fiancé came along with me only because it is a long drive from where I live and I do not like driving far by myself. He enjoyed it as much as I did; we both sat there and studied different pieces for quite a while. Although Our Lady of Mount Carmel with Bishop Saints interested me you seem to understand the comparison while looking at it after being there, I feel that this picture focuses on the child because he is the center of this image, and the mother's love and caring that is expressed in her face and in the way that she is holding the kid. Looking for some reference about the painting I found that it is Roberta and Richard Huber’s collection reflects the arts at continuing to promote Latin America. It amused me since I am from Latin origin, that those pieces drew...
Words: 657 - Pages: 3
...Art 101A, World Art History August 4, 2011 Kleobis and Biton in Comparison with The Venus of Arles Polymedes’ Kleobis and Biton and The Venus of Arles, a marble copy of a sculpture attributed to Praxiteles are both fine representations of their respective time periods in ancient Greek art. Kleobis and Biton are a pair of marble kouroi, c. 590 BCE, 6.15 meters in height, and were sculpted in the Archaic Period of Greek History (700-500 BCE). The kouroi were sculpted in Argos, found in Delphi and are now located in the Delphi Archeological Museum in Greece. Kleobis and Biton tell a story of a heroic act, as relayed by the Greek historian Herodotus. The Venus of Arles, c. 1st Century BCE, is probably a marble copy of a bronze original created by Praxiteles, c. 375 – 340 BCE. It measures 1.9 meters in height. The sculpture is an example of the late Classical Period in Greek history (510-323 BCE). It was found in 1651 CE, in pieces, and was restored by François Giradon. It is now located in the Musée du Louvre, Paris. A comparison of the Kleobis and Biton with The Venus of Arles serves as a visual timeline of one period of ancient Greek art (the Archaic Period) directly following another (the Classical Period). Kleobis and Biton Kleobis and Biton, c. 590 BCE, are based on a heroic story as given by Herodotus. In the legend, Kleobis and Biton were sons of Cydippe, a priestess of Hera. They volunteered to pull a cart of goods meant for a sacrifice up a hill to a temple of Hera...
Words: 1434 - Pages: 6
...Gothic Art: Architectural Art Comparison Christopher Hampton Art Appreciation: HUMA205-1303B-11 September 15, 2013 Sarah Saczynski American Intercontinental University Abstract The purpose of this paper is to evaluate pieces of architectural art. Both are Gothic in nature from two different centuries. Contrasts and similarities will be discussed. The historical nature as well as how it may or may not have changed will be covered as well. The buildings chosen were the S. Maria Novella and the Segovia Cathedral. The first cathedral S. Maria Novella was created in Florence, Italy from 1456 to 1470 C.E. It is Gothic with an Italian Renaissance facade. (Artifice, 2013) As it is a building of course it is three-dimensional. Green and white marble was used in the construction. Load bearing masonry technique was used in order to use marble in such a way, as it would support the weight of construction. The artist made two different styles combine to look as one. Originally Romanesque in style, Alberti “used large curved triangular to bridge the gaps from high and low roofs”. (Bramblett, 2013) As a house of worship at that time it had to represent the Lord on earth and in the Middle Ages this meant it had to be almost regal in splendor. The way Alberti combined the two styles was an attempt to pay homage to the Roman Pantheon. The interior completely Gothic in style had scrolls of religious stories as everyone was unable to hear the sermons in a building of...
Words: 625 - Pages: 3