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Arturo Sadoval

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Arturo Sandoval
Arturo Alonzo Sandoval is a Cuban-American jazz and classical trumpeter born on November 6, 1949. Granted political asylum in July 1990 and became a US citizen in 1999, Sandoval and his family Miami, Florida home. A protégé of the legendary jazz master Dizzy Gillespie, Sandoval was born in Artemisa, a small town in the outskirts of Havana, Cuba, on November 6, 1949, just two years after Gillespie became the first musician to bring Latin influences into American Jazz.
Sandoval began studying classical trumpet at the age of twelve, but it didn’t take him long to catch the excitement of the jazz world. He has since evolved into one of the World’s most acknowledged guardians of jazz trumpet and flugelhorn, as well as a renowned classical artist, pianist and composer.
Sandoval is the founding member of the Grammy Award-winning group Irakere, whose explosive mixture of jazz, classical, rock and traditional Cuban music caused a sensation throughout the entertainment world. In 1981, he left Irakere to form his own band, which garnered enthusiastic praise from critics and audiences all over the world. Sandoval was voted Cuba’s Best Instrumentalist from 1982-1990.
Arturo Sandoval has been awarded 4 Grammy Awards, 6 Billboard Awards and an Emmy Award. The latter was for his composing work on the entire underscore of the HBO movie based on his life, For Love or Country starring Andy Garcia. He is one of the most dynamic and vivacious performers of our time, and has been seen by millions in the Grammy Awards performing with pop-phenomenon Justin Timberlake as well as on the Latin Billboard Awards with the gifted Alicia Keys, where he was awarded his 6th Billboard Award for “Best Latin Jazz Album”.
Not only is Arturo a tenured professor at Florida International University, but he works nationally and abroad with innumerable institutions and their music departments offering several scholarships, exercise books, clinics, and seminars. He has rendered a considerable amount of time working with the NARAS educational program. Furthermore, Hal Leonard Publishing has not only released additional educations book with recorded CD’s that include original exercises by Sandoval, but has published various big band, combo and marching band charts from his award winning albums. Arturo Sandoval maintains one of the most extensive educational programs in the industry.
Arturo Sandoval is fluent in at least four musical languages. He can burn through an Afro-Cuban groove, tear up a bebop tune, and soar over a Mozart concerto and sooth you with a luscious ballad; with equal power and grace. Sandoval is also a renowned classical musician, performing regularly with the leading symphony orchestras form around the world. Arturo has composed his own “Concerto for Trumpet and Orchestra”, which can be heard on “Arturo Sandoval: The Classical Album”.
Arturo Sandoval has been chosen to perform with the foremost orchestras on primetime television, and was asked by John Williams to record on Williams’ original Trumpet Concerto with the London Symphony Orchestra. His classical artistry has earned him the respect and admiration from the most prestigious conductors, composers and symphony orchestras world-wide.
Arturo Sandoval’s versatility can be heard on recordings with everyone from Dizzy Gillespie, Woody Herman, Woody Shaw, Michel Legrand, Bill Conti, and Stan Getz to Jonny Mathis, Frank Sinatra, Paul Anka, Rod Stewart and Alicia Keys amongst many others. He has performed with Celine Dione at the Oscars, John Williams with the Boston Pops, and in the Super bowl with Tony Bennet and Patti LaBella.
His playing can also be heard on Dave Grusin’s soundtrack for “Havana”, in the “Mambo Kings”, in the soundtrack with his Grammy nominated composition “Mambo Caliente”, in the soundtrack of “The Perez Family”, was commissioned by the Kennedy Center to compose the music for the ballet of “Pepito’s Story” choreographed by Debbie Allen, an, as mentioned above, he was awarded an Emmy for his composing work on the entire underscore of the HBO movie based on his life, “For Love or Country” starring Andy Garcia.
Arturo Sandoval has been labeled as a instrumentalist, capable of extracting sounds from his instrument, or the man can stand on a stage and keep the audience practically breathless for hours, switching from trumpet to piano to percussion and even scatting or magically improvising in a ballad.
However, that is not the entire scope of his talents. One of his most overlooked talents is his composing. Sandoval, for more than two decades has composed and enjoyed the beautiful world of creation. His written composition that range from a lush ballad, to straight-ahead jazz piece, as son montuno (typically Cuban music), Samba, Latin Jazz and a classical concert (recorded with the London Symphony).
Arturo Sandoval reaches beyond the scope of mere effort. His struggles while in Cuba and since his defection have given him more energy and strength, urging him to accomplish and surpass his childhood dreams. Filled with virtuoso capability, he desires nothing more than to share his gift with other who feels the same intense adoration for music as he does. One frequently speaks of Arturo Sandoval’s virtuoso technical ability and his specialty in his notes, but he who has seen him on the piano, lyrically improvising a ballad, or has had the opportunity to enjoy the diversity of his music, through his compositions from the most straight ahead jazz, Latin jazz or classical, knows Arturo Sandoval is a prominent musician, and one recognizes the Arturo is one of the most brilliant and proliferous musicians of our time.
Listened to Arturo Sandoval’s 2003 album “Trumpet Evolutions, The Essential Trumpet Collection” song “Manteca” composed by Chano Pozo. Although this is a remake from Dizzy Gillespie’s original “Manteca”, it still had the upbeat Latin sound that was popular in late 1940’s. You can hear the smooth yet energetic sound of Arturo’s trumpet. The swing feeling I got from the urge to tap my foot and snap my fingers.
Listened to Arturo Sandoval’s 2005 album “Journey to Chateau la Fuente” song “Cigar, Brandy, & Jazz”. This song is very southing and soft. The piano and drums keep a constant riff while you can hear Arturo’s trumpet playing with a smooth soft tone. This song actually had me envisioning sitting in a lounge listening to his jazz band with a cigar and a glass of brandy enjoying the evening. Each instrument in the band had the opportunity to improvise in this song as well, which was carried out flawlessly.
Listened to Arturo Sandoval’s 1996 album “Swingin’” song “Woody”. This was a swing song that was very energetic and upbeat, yet smooth and casual. You can definitely hear Arturo’s trumpet as he improvises with the band coming in and playing small pieces. Then the entire band begins to come together towards the middle of the song and makes a nice low-swing feeling.
Listened to Arturo Sandoval’s 2002 album “My Passion for the Piano” song “Blue in F”. This was a more bluesy sound, with Arturo playing the piano with the drums and bass in the background. Although I did not feel this was necessarily a sad song, it was bluesy in the respects that it was played to be a blues song. It did have an upbeat sound to it as Arturo played the piano in that type of motion to end the song in an expressive manner.
Listened to Arturo Sandoval’s 2004 album “The Very Best of Arturo Sandoval” song “Be-Bop” composed by Dizzy Gillespie. As the song title states, it’s a Be-Bop style of a song. Very fast paced, upbeat, and energetic. It had a definite Latin Jazz feeling to it as the Piano was improvising, as well as throughout the entire song. The song ended with the band coming together for a very energetic closing. This song made me wants to get up and move.

Works Cited
Arturo Sandoval. (2011). Biography. Retrieved from
Jazz Summer Fest. (2011). Arturo Sandoval. Retrieved from (2011). Arturo Sadvoval. Retrieved from
The Vervemusicgroup. (2011). Arturo Sandoval. Retrieved from
Yoshis San Francisco. (2011). Arturo Sandoval. Retrieved from

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