Free Essay

As U Like It

In: English and Literature

Submitted By Jibu
Words 1984
Pages 8
SCENE III. The forest.

How say you now? Is it not past two o'clock? and here much Orlando!

I warrant you, with pure love and troubled brain, he hath ta'en his bow and arrows and is gone forth to sleep. Look, who comes here.


My errand is to you, fair youth;
My gentle Phebe bid me give you this:
I know not the contents; but, as I guess
By the stern brow and waspish action
Which she did use as she was writing of it,
It bears an angry tenor: pardon me:
I am but as a guiltless messenger.

Patience herself would startle at this letter
And play the swaggerer; bear this, bear all:
She says I am not fair, that I lack manners;
She calls me proud, and that she could not love me,
Were man as rare as phoenix. 'Od's my will!
Her love is not the hare that I do hunt:
Why writes she so to me? Well, shepherd, well,
This is a letter of your own device.

No, I protest, I know not the contents:
Phebe did write it.

Come, come, you are a fool
And turn'd into the extremity of love.
I saw her hand: she has a leathern hand.
A freestone-colour'd hand; I verily did think
That her old gloves were on, but 'twas her hands:
She has a huswife's hand; but that's no matter:
I say she never did invent this letter;
This is a man's invention and his hand.

Sure, it is hers.

Why, 'tis a boisterous and a cruel style.
A style for-challengers; why, she defies me,
Like Turk to Christian: women's gentle brain
Could not drop forth such giant-rude invention
Such Ethiope words, blacker in their effect
Than in their countenance. Will you hear the letter?

So please you, for I never heard it yet;
Yet heard too much of Phebe's cruelty.

She Phebes me: mark how the tyrant writes.


Art thou god to shepherd turn'd,
That a maiden's heart hath burn'd?
Can a woman rail thus?

Call you this railing?

Why, thy godhead laid apart,
Warr'st thou with a woman's heart?
Did you ever hear such railing?
Whiles the eye of man did woo me,
That could do no vengeance to me.
Meaning me a beast.
If the scorn of your bright eyne
Have power to raise such love in mine,
Alack, in me what strange effect
Would they work in mild aspect!
Whiles you chid me, I did love;
How then might your prayers move!
He that brings this love to thee
Little knows this love in me:
And by him seal up thy mind;
Whether that thy youth and kind
Will the faithful offer take
Of me and all that I can make;
Or else by him my love deny,
And then I'll study how to die.

Call you this chiding?

Alas, poor shepherd!

Do you pity him? no, he deserves no pity. Wilt thou love such a woman? What, to make thee an instrument and play false strains upon thee! not to be endured! Well, go your way to her, for I see love hath made thee a tame snake, and say this to her: that if she love me, I charge her to love thee; if she will not, I will never have her unless thou entreat for her. If you be a true lover, hence, and not a word; for here comes more company.



Good morrow, fair ones: pray you, if you know,
Where in the purlieus of this forest stands
A sheep-cote fenced about with olive trees?

West of this place, down in the neighbour bottom:
The rank of osiers by the murmuring stream
Left on your right hand brings you to the place.
But at this hour the house doth keep itself;
There's none within.

If that an eye may profit by a tongue,
Then should I know you by description;
Such garments and such years: 'The boy is fair,
Of female favour, and bestows himself
Like a ripe sister: the woman low
And browner than her brother.' Are not you
The owner of the house I did inquire for?

It is no boast, being ask'd, to say we are.

Orlando doth commend him to you both,
And to that youth he calls his Rosalind
He sends this bloody napkin. Are you he?

I am: what must we understand by this?

Some of my shame; if you will know of me
What man I am, and how, and why, and where
This handkercher was stain'd.

I pray you, tell it.

When last the young Orlando parted from you
He left a promise to return again
Within an hour, and pacing through the forest,
Chewing the food of sweet and bitter fancy,
Lo, what befell! he threw his eye aside,
And mark what object did present itself:
Under an oak, whose boughs were moss'd with age
And high top bald with dry antiquity,
A wretched ragged man, o'ergrown with hair,
Lay sleeping on his back: about his neck
A green and gilded snake had wreathed itself,
Who with her head nimble in threats approach'd
The opening of his mouth; but suddenly,
Seeing Orlando, it unlink'd itself,
And with indented glides did slip away
Into a bush: under which bush's shade
A lioness, with udders all drawn dry,
Lay couching, head on ground, with catlike watch,
When that the sleeping man should stir; for 'tis
The royal disposition of that beast
To prey on nothing that doth seem as dead:
This seen, Orlando did approach the man
And found it was his brother, his elder brother.

O, I have heard him speak of that same brother;
And he did render him the most unnatural
That lived amongst men.

And well he might so do,
For well I know he was unnatural.

But, to Orlando: did he leave him there,
Food to the suck'd and hungry lioness?

Twice did he turn his back and purposed so;
But kindness, nobler ever than revenge,
And nature, stronger than his just occasion,
Made him give battle to the lioness,
Who quickly fell before him: in which hurtling
From miserable slumber I awaked.

Are you his brother?

Wast you he rescued?

Was't you that did so oft contrive to kill him?

'Twas I; but 'tis not I I do not shame
To tell you what I was, since my conversion
So sweetly tastes, being the thing I am.

But, for the bloody napkin?

By and by.
When from the first to last betwixt us two
Tears our recountments had most kindly bathed,
As how I came into that desert place:--
In brief, he led me to the gentle duke,
Who gave me fresh array and entertainment,
Committing me unto my brother's love;
Who led me instantly unto his cave,
There stripp'd himself, and here upon his arm
The lioness had torn some flesh away,
Which all this while had bled; and now he fainted
And cried, in fainting, upon Rosalind.
Brief, I recover'd him, bound up his wound;
And, after some small space, being strong at heart,
He sent me hither, stranger as I am,
To tell this story, that you might excuse
His broken promise, and to give this napkin
Dyed in his blood unto the shepherd youth
That he in sport doth call his Rosalind.


Why, how now, Ganymede! sweet Ganymede!

Many will swoon when they do look on blood.

There is more in it. Cousin Ganymede!

Look, he recovers.

I would I were at home.

We'll lead you thither.
I pray you, will you take him by the arm?

Be of good cheer, youth: you a man! you lack a man's heart.

I do so, I confess it. Ah, sirrah, a body would think this was well counterfeited! I pray you, tell your brother how well I counterfeited. Heigh-ho!

This was not counterfeit: there is too great testimony in your complexion that it was a passion of earnest.

Counterfeit, I assure you.

Well then, take a good heart and counterfeit to be a man.

So I do: but, i' faith, I should have been a woman by right.

Come, you look paler and paler: pray you, draw homewards. Good sir, go with us.

That will I, for I must bear answer back
How you excuse my brother, Rosalind.

I shall devise something: but, I pray you, commend my counterfeiting to him. Will you go?


Rosalind and Celia, still in disguise, briefly discuss Orlando’s tardiness. Two hours have passed, and he has not returned, as promised, to resume his love lessons. Silvius interrupts in order to deliver a letter to Ganymede. It is from Phoebe and, after he turns it over, Silvius warns the disguised Rosalind that its tone is harsh. Phoebe, he admits, looked very angry when she penned it. Rosalind scans the letter and reports that Phoebe judges Ganymede to be a young man without looks or manners. She then accuses Silvius of writing the letter himself, which he vehemently denies. Rosalind asserts that no woman could have written such a rude and defiant letter. To prove herself, she reads the letter aloud, but it turns out to be full of unabashedly romantic declarations, comparing Ganymede to a god who has destroyed Phoebe’s heart. Baffled, Silvius asks if this language is what Ganymede calls chiding. Celia offers her pity to the shepherd, but Rosalind says he deserves none for loving such a woman as Phoebe. She sends Silvius back to Phoebe with the message that Ganymede will never love Phoebe unless Phoebe loves Silvius.
As Silvius leaves, Oliver enters. He asks for directions to Ganymede and Aliena’s cottage. Then, looking over the pair, who are still in disguise, he asks if they are the brother and sister who own that property. When they admit that they are, Oliver remarks that his brother Orlando’s description of the pair was very accurate. To Ganymede, Oliver delivers a bloody handkerchief on Orlando’s behalf. Rosalind asks what has happened. Oliver tells a lengthy story: soon after leaving Ganymede, Orlando stumbled upon a ragged man asleep in the forest, who was being preyed upon by a “green and gilded snake” (IV.iii.107). Orlando succeeded in scaring the snake away, only to see a hungry lioness emerge from the underbrush. Orlando approached the ragged man, and recognized him as his brother. Orlando’s first impulse was to let Oliver, who treated him so abominably, perish in the lion’s jaws, but his nobler nature would not allow it. He fought off the lion, wounding his shoulder but ultimately saving Oliver’s life. Orlando’s kind and selfless gesture have transformed Oliver into a new man, and the elder brother confesses that he is ashamed of his former self. He continues, saying that he and Orlando made amends and went to see the duke. There, Orlando fainted, having lost a great deal of blood in his fight with the lioness. Before passing out completely, he charged Oliver to deliver an apology to Ganymede in the form of a bloodstained handkerchief. Upon hearing this story, Rosalind faints dead away. Celia and Oliver help her recover, and Oliver remarks that young Ganymede “lack[s] a man’s heart” (IV.iii.163–164). Rosalind begs Oliver to impress upon Orlando how well she “counterfeited” a suitable reaction to his injury, in accordance with their lessons (IV.iii.167). Oliver protests that her reaction must be genuine, for her face is flushed. Rosalind, however, assures him that she was merely playing a part.

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...Hear the lights can’t let no one see me get down He’s alright I know they think I get around U an I got something they cant no about Really only heaven no’s my heart Cuz u know this aint an ordinary love We got so much history and a story about us So come on ova baby We gone light some candles tonight very special We gone do what Eva you like very special Got so many chilling on ice very special Hope u make the rest of my life very special Very special all night Wanna bet, its a little cold on yo shoulder Mama said I will understand when I’m older In my head even if u tell me it’s over Ill pretend u told me I’m your all Cuz u know this aint an ordinary love We got so much history an a story about us So come on ova baby We gone light some candles tonight very special We gone do what Eva you like very special Got so many chilling on ice very special hope u make the rest of my life very special Very special all night Flower gifts restaurants I swear he by me anything I won’t That’s y I’m so quick to put that music on for him to sip to baby We gone light candles What Eva u like Got so many chilling on ice for you baby I hope u make the rest of my night Very special All night We drinking We partying We pouring yea All...

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Theroty U

...Theory U? Jeremiah Staropoli ORGB 625 July 31, 2011 Introduction The world has known great leaders since the beginning of recorded time. Before any theories on building leadership skills or new buzz words and phrases about leadership, we experienced the impact of great leaders like Martin Luther King, Abraham Lincoln, Mahatma Gandhi, and Eleanor Roosevelt. These men and women shared little in common except for the fact that they were willing to take a stand for what they believed in and maximize whatever talents they had towards that end. Martin Luther King led the world through the tumultuous Civil Rights movement and inspired millions to change the way in which they viewed the world and each other. He was willing to give his life for this cause (Honey, 2011). Abraham Lincoln had a similar cause in an even more politically and socially divided nation and made similar sacrifices for his cause (Ferguson, 2011). Gandhi led one of the greatest social and religious reform movements in the history of the world with little formal training of any kind. Before it was popular to have a cause as a “first lady” of our nation, Eleanor Roosevelt set herself apart by championing the cause of those most severely affected by the great depression. “[S]he worked as a tireless advocate for the nation's downtrodden and fought to open relief programs to women” (Beasley, 2010). Theory U Theory U, and other theories like it, however, would have......

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