...eyes, unwilling to explain. I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye; And further still at an unearthly height, A luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been one acquainted with the night. Analysis The man in this story has walked at night a lot. He’s walked both away and back, probably his home, in the rain. He has walked out in to the city, and past the lights, maybe out of the city, and he’s looked down lonely, dark streets. The man has walked by a watch man, and look at him because he didn’t want to say why he was there, not even with a glance. The man stops because he wants to listen to a voice calling from the other street. He hoped the voice was calling for him. The man looks up at a clock, which probably is the moon, he was not satisfied with the time it showed. He ends by referring to the first line of the poem. I picked this picture for the poem because it connects so well with the poem. In the poem it says the man walked past the lights and back. In the picture it shows a man walking past city lights. The poem states that the man has looked down dark and lonely streets, in the picture the street looks very lonely and it is dark. In the picture the man looks like he is walking in the rain and it looks very mysterious and creepy just like the poem. The picture connects with...
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...English 112 4 March 2013 The Dark and Dreary Colors of Araby Araby appears as the third story in the Dubliners, a collection of fifteen short stories by James Joyce set in Dublin, Ireland. Each of the stories in Dubliners contributes to the degrading experience of existence. Robert Fuhrel points out that Joyce's story reflects his urban upbringing, education, and the purposes expressed in letters Joyce wrote attempting to get Dubliners published. Araby is set in the Dublin of Joyce's youth, and the setting and plot are based on the author’s experiences (173). The story is told through the eyes of a young and innocent boy who is stuck in a world of darkness. Araby is about a young boy who falls in love with his neighbor, Mangan’s sister. The boy spends all of his time watching, or thinking about Mangan’s sister. When the boy and Mangan’s sister finally talk, the character suggests the boy go visit a bazaar called Araby. Since Mangan’s sister cannot attend, the boy plans to go and buy Mangan’s sister a gift. On the night the boy is to attend, the uncle is late coming home and by the time the young boy borrows money and makes his way to the bazaar, most of the people have left and many of the stalls are closed. The boy buys nothing and walks through the dark, empty halls. The character is disappointed in himself and the surrounding world. The author plays with light, shadow, and color throughout the story. Joyce utilizes color in Araby to show imagery of the neighborhood...
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...theory of a dual human nature explicitly only after having witnessed all of the events of the novel, including Hyde’s crimes and his ultimate eclipsing of Jekyll. The text not only posits the duality of human nature as its central theme but forces us to ponder the properties of this duality and to consider each of the novel’s episodes as we weigh various theories. Jekyll asserts that “man is not truly one, but truly two,” and he imagines the human soul as the battleground for an “angel” and a “fiend,” each struggling for mastery. But his potion, which he hoped would separate and purify each element, succeeds only in bringing the dark side into being—Hyde emerges, but he has no angelic counterpart. Once unleashed, Hyde slowly takes over, until Jekyll ceases to exist. If man is half angel and half fiend, one wonders what happens to the “angel” at the end of the novel. Perhaps the angel gives way permanently to Jekyll’s devil. Or perhaps Jekyll is simply mistaken: man is not “truly two” but is first and foremost the primitive creature embodied in Hyde, brought under tentative control by civilization, law, and conscience. According to this theory, the potion simply strips away the civilized veneer, exposing man’s essential nature. Certainly, the novel goes out of its way to paint Hyde as animalistic—he is hairy and ugly; he conducts himself according to instinct rather than reason; Utterson describes him as a “troglodyte,” or primitive creature. Yet if Hyde were just an animal, we...
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...theory of a dual human nature explicitly only after having witnessed all of the events of the novel, including Hyde’s crimes and his ultimate eclipsing of Jekyll. The text not only posits the duality of human nature as its central theme but forces us to ponder the properties of this duality and to consider each of the novel’s episodes as we weigh various theories. Jekyll asserts that “man is not truly one, but truly two,” and he imagines the human soul as the battleground for an “angel” and a “fiend,” each struggling for mastery. But his potion, which he hoped would separate and purify each element, succeeds only in bringing the dark side into being—Hyde emerges, but he has no angelic counterpart. Once unleashed, Hyde slowly takes over, until Jekyll ceases to exist. If man is half angel and half fiend, one wonders what happens to the “angel” at the end of the novel. Perhaps the angel gives way permanently to Jekyll’s devil. Or perhaps Jekyll is simply mistaken: man is not “truly two” but is first and foremost the primitive creature embodied in Hyde, brought under tentative control by civilization, law, and conscience. According to this theory, the potion simply strips away the civilized veneer, exposing man’s essential nature. Certainly, the novel goes out of its way to paint Hyde as animalistic—he is hairy and ugly; he conducts himself according to instinct rather than reason; Utterson describes him as a “troglodyte,” or primitive creature. Yet if Hyde were just an animal, we...
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...theory of a dual human nature explicitly only after having witnessed all of the events of the novel, including Hyde’s crimes and his ultimate eclipsing of Jekyll. The text not only posits the duality of human nature as its central theme but forces us to ponder the properties of this duality and to consider each of the novel’s episodes as we weigh various theories. Jekyll asserts that “man is not truly one, but truly two,” and he imagines the human soul as the battleground for an “angel” and a “fiend,” each struggling for mastery. But his potion, which he hoped would separate and purify each element, succeeds only in bringing the dark side into being—Hyde emerges, but he has no angelic counterpart. Once unleashed, Hyde slowly takes over, until Jekyll ceases to exist. If man is half angel and half fiend, one wonders what happens to the “angel” at the end of the novel. Perhaps the angel gives way permanently to Jekyll’s devil. Or perhaps Jekyll is simply mistaken: man is not “truly two” but is first and foremost the primitive creature embodied in Hyde, brought under tentative control by civilization, law, and conscience. According to this theory, the potion simply strips away the civilized veneer, exposing man’s essential nature. Certainly, the novel goes out of its way to paint Hyde as animalistic—he is hairy and ugly; he conducts himself according to instinct rather than reason; Utterson describes him as a “troglodyte,” or primitive creature. Yet if Hyde were just an animal, we...
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...Universität Bayreuth “ Notes on Indian Country: Native American Literature” SS 2012 Claudia Deetjen American Modernism and House Made of Dawn Daniel Quitz Matrikelnummer: 1164204 Englisch (5) / Geschichte (5), LA Maximilianstrasse 16, 95444 Bayreuth Tel.: 0176/ 73911615 danielquitz@t-online.de Table of Contents 1. Introduction 2. Defining American Modernism 3. American Modernism in House Made of Dawn 3.1 Complex and Modern Urban Life 3.2 Alienation: The Portrait of a Lost Generation 3.3 The Stream of Consciousness 3.4 Other Features 4. Conclusion 5. Bibliography Quitz 1 1. Introduction When Navarre Scott Momaday first published his award-winning novel House Made of Dawn, literary critics celebrated the book as the Renaissance of Native American Literature. The novel, which won the Pulitzer Prize for fiction in 1969, has influenced both readers and well-known Native American writers such as Leslie Marmon Silko or Sherman Alexie since its first publication. Moreover, it has certainly made the success of Native American Literature possible. This is one of the reasons why Momaday can be considered as the “dean of Native American writers“ (Hager 2). House Made of Dawn is about Abel, a young Native American who returns home to Walatowa from World War II. There, he struggles to reintegrate into the tribal community as he is torn between two different worlds. On the one hand, it is the traditional environment of his pueblo...
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...and out of the ring makes for an interesting character worthy of analysis. Michael Gerard Tyson was born June 30, 1966 in Brooklyn, New York. He was only two years old when his father, Jimmy Kirkpatrick abandoned the family, leaving his mother, Lorna Tyson to take care of Mike and his two siblings, Rodney and Denise. She had a great deal of financial difficulty in supporting her family, and eight years later, she was forced to move her family into the tough, crime-ridden Brownsville neighborhood of Brooklyn. Tyson, small and shy, was often the target of bullying. To combat this, young Michael began developing his own style of street fighting, and graduated from this to criminal activity. His gang, known as the Jolly Stompers, assigned him to clean out cash registers while older members held victims at gunpoint. He was only 11 at the time. He frequently ran into trouble with police over his petty criminal activities, and by the age of 13 he had been arrested more than 30 times. (Biography, 2012) His behavior eventually landed him in Tryon School for Boys, a tough reform school in upstate New York. It was here that he was introduced to boxing through counselor Bob Stewart, a former amateur champion. In exchange for Tyson staying out of trouble and working harder in school, Stewart agreed to teach him how to box. Tyson learned quickly and practiced diligently, even slipping out past curfew to train in the dark. In 1980, Stewart introduced Tyson to legendary boxing manager...
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...’The New Girl’ analysis The story takes place in a white lower-middle-class neighborhood. The neighborhood is called Prospect Street. Only 2 kids live in the block, Allison and the narrator, so they have to be friends whether they like it or not. Allison is 10 years old while the narrator is only 8, so Allison is a kind of role model to him. A day like any other, where they almost crash, the narrator hears a laugh and turns his head to find a small girl. They smile at each other, though the peace soon being disturbed by Allison. She calls the girl nigger and scares her away. The girl tries explaining that she thought they could play but Allison calls her nigger again. The girl walks back to her house. As Allison and the narrator slowly leaves they talk about who she was. She moved in a week ago and Allison’s mom claims it’ll ruin their house if they stay. As they drove away from the house the little girls mother looks out the window with eyes filled with rage. The story takes place in USA, Prospect Street. It’s the narrators, and writers, childhood setting. The narrator says, ‘It was a hot, bright day’. He tells us how the sun is shining and warming up the place, which makes it seem like summer. Therefor we can say that the setting is a summer day in USA, Prospect Street probably around the 1940’s. There are 3 important characters in the story the narrator, Allison and the little girl. The narrator is an 8.year-old boy. He’s innocent, in the way that he doesn’t judge...
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...Video Analysis Through out the course we have been wrestling with how the media is made and who influences it. A lot of time there are underlying narratives to stories produced in the media. They use everything from lighting to shot angles to make a certain impression on the viewer. In this essay I will do a video analysis on Adele’s song “Someone like you. My goal is to illustrate my understanding of the many ways media producers make meaning and how we interpret that meaning. I will use narrative and semiotic analysis to see what strategies are being used to make the video. Through a careful analysis of how the video is being made we can see what type of meaning is trying to be expressed. Theoretical Frame To be able to do a video analysis it is important to understand semiotics. Semiotics is the discipline that studies the nature of any type of communication (Grossberg p.143). Its important to understand this does not only involve language but other forms of communicating such as traffic light codes, dress codes, or rolls that men and woman play. In all these things we are communicating with each other by using a system that we all understand and can relate to. Semiotics define that system as codes and those codes are constructed signs. For example the English language is a code that we use to communicate with each other. The code consist of words or signs that arbitrarily symbolize something for us. As mentioned above the traffic light is another code of communicating...
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...Unruly Society For this essay, I chose to look at the end of chapter 21 and beginning of chapter 22 at which point the scene where Huckleberry Finn watches as Sherburn shoots down Boggs in the street for cursing his name. After which the mob forms to lynch Sherburn and he gives his speech on cowardice. I believe this plays a very important role in the Authors main theme of the moral pubescence of the time. Generally speaking during this period in American history there was no law and order, for the most part crime was handled by the general public and it was usually handled by masked man lynching someone at night mainly out of fear for themselves because if they were to do it during the day everyone would see them and they could be killed for doing it, I think Twain is trying to convey to the reader that most people were scared. During this time there was no organized police force to help people; hence a lot of crimes went unpunished. In this passage Sherburn states, “Why don't your juries hang murderers? Because they're afraid the man's friends will shoot them in the back, in the dark” (Twain, 165). Sherburn refers to the lack of law and to the crowds own cowardice. This time of lawless society was accurately depicted in An Introduction to Policing, by J.S.Dempsey in his first chapter on early policing. “An 1840 New York newspaper reported: Destructive rascality stalks at large in our streets and public places, at all times of day and night, with none to make it afraid;...
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...very heart of MyATMonitor, a reliable, independent and trusted peer-group network of and for buy-side only institutional traders. This publication has been compiled from ongoing Q&A activity on the MyATMonitor Expert Panels. At the time of publication, the Expert Panels on MyATMonitor are Dark Pools, Commission Sharing Arrangements, EMS/OMS Relationships, Fragmentation of Liquidity, MiFID II and Transaction Cost Analysis and Best Execution. The ATMonitor team would like to thank all members and experts that have generously contributed to the success of MyATMonitor. ATMonitor Team. www.atmonitor.co.uk 2 Fragmentation of Liquidity ATMonitor Commentary Experts Panellists (in the order of appearance): Steve Grob Director of Group Strategy, Fidessa Steve is responsible for Fidessa’s strategic development.This includes the development of new geographic markets and strategic partnerships and driving new industry initiatives. As part of this Steve heads up the firm’s strategy in response to the fragmentation of the equities trading landscape, managing the firm’s initiatives in conjunction with both the established exchanges and the new and emerging alternative liquidity venues and dark pools. Steve has also played a significant part in bringing the Fidessa Fragmentation Index (FFI) and the Fragulator® to the wider trading community. He provides a regular commentary on the issues...
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...Analysis of M and Bicycle Thieves One thing that both movies, M and Bicycle Thieves, share collectively is the open ending; both movies make audiences interpret their own perception or ending of the movies. Also, both movies contain a sense of tragedy in the final scenes; in the movie M, I felt somewhat sympathetic toward the mentally ill killer even though I knew he was the serial killer and might be pretending to get away. The feeling of sympathy toward the serial killer in the presence of his victim’s families also made me feel guilty about my feelings. Also, in Bicycle Thieves, when Antonio stole the bike, I wanted him to get away without his son finding out about it, which is also a contradictory or immoral feeling knowing that the “theft” was the reason for his plight, and by stealing someone’s bicycle, he is going to place someone in his situation. Also, Antonio turned into a thief in front of his son due his circumstances shows audiences a sense of tragedy. Both of the movies did not provide a satisfactory ending that we as classic Hollywood viewers expect; instead, it allowed audiences to interpret their own endings and place audiences in action. The movie M is an important part of film history because it was the stepping stone for the serial killer genre. At the beginning, the serial killer writes a letter to the press, and the police uses that letter, handwriting, and fingerprints to find who the killer is; this kind of scenes are part of many serial killer or crime...
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...American dream is turning into a nightmare, with disheartening levels of inequality, unemployment and homelessness. In this eyewitness report, CommonWealth Magazine visits the US, in what may be its final days at the top. Capitalism is facing unprecedented challenges. Nowhere is this truer than in the United States, where unemployment has reached huge proportions, and across the country some 3 million people — the equivalent of 90 percent of Taipei City residents — are without a home. Support for the "Occupy Wall Street" movement is growing rapidly, as protesters across the United States and around the world make a ruckus about the uneven distribution of wealth and the way the rich use their money to make more money. Target No. 1 in the protests is the epitome of capitalism: the banking industry, and the governments that bailed out the banks with taxpayers' money during the last financial crisis. The protesters began to occupy Zuccotti Park at the end of Wall Street in mid-September. When we visited in October the number of blue tents pitched in the park was still growing. To me the scene looked like a disaster zone. Sitting in front of a glitzy investment bank, a shabbily dressed homeless man held out his hand for a cigarette, while warning with a threatening look in his eyes that he does not want to be photographed. But just around the corner white-collar workers sporting fashionable neckties pay the equivalent of NT$ 1,500 for a sandwich lunch at Trinity Place bar and restaurant...
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...Thanks for downloading a sample plan from Bplans.com A sample plan is a great way to get started, but you can’t just print this plan out and turn it into the bank. You’re still going to have to put in all your own information and do all of your own financial forecasts. With LivePlan, you can easily use this sample as inspiration and create your own plan, complete with financial tables and graphs. You’ll also be able to: • Save time with linked financial tables (the formulas are built in, so you don’t have to do the calculations!) • Benefit from tons of help, advice, and resources. • Present your plan with confidence, with automatic charts and graphs corresponding to your financial data. • Work on your plan anywhere, on any computer. “For 20 dollars I ended up getting a quarter of a million dollars of funding. That’s worth it!” – Todd C. Tablegate Click here to save 50% off the first month of LivePlan! Cover Page [pic] This sample business plan has been made available to users of Business Plan Pro®, business planning software published by Palo Alto Software. Names, locations and numbers may have been changed, and substantial portions of the original plan text may have been omitted to preserve confidentiality and proprietary information. You are welcome to use this plan as a starting point to create your own, but you do not have permission to reproduce, resell, publish, distribute or even copy this plan as it exists...
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...traditionally policing units and charging them with improving the quality of life in low and moderate income neighborhoods. Community policing is “a policing philosophy that promotes and supports organizational strategies to address the causes and reduce the fear of crime and social disorder through problem-solving tactics and police-community partnerships.” The main focus of community policing is on crime and social disorder through the delivery of police services that includes aspects of traditional law enforcement, as well as prevention, problem-solving, community engagement and partnerships. After surveying residents of the community our team has new and improved strategies that will better the community policing and keeps our streets safer. What is community oriented policing and what does it ask of the police officers of today? There is no one commonly recognized definition of community policing, and there is a cautious tendency to label anything and everything as community policing. However, a good working definition would be "a department-wide philosophy of full-service, personalized and decentralized policing, where citizens feel empowered to work in proactive partnerships with the police at solving the problems of crime, fear of crime, disorder, decay, and quality of life. Community policing broadens the nature and number of police functions compared with traditional policing. It emphasizes organizational change, active problem solving, and external partnerships...
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