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Autobiographical Self-Representation in Ernest Hemingway’s the Old Man and the Sea

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Autobiographical Self-representation in Ernest Hemingway’s The Old Man and the Sea

Twentieth Century American Fiction

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Art and Literature has its origin in man’s desire for immortality. This desire for eternal remembrance prompted primitive men to carve figures of himself and his surroundings in his dwelling places. As art developed and languages formed, the same desire enflamed and that became an impetus for literature. Early literature must have been a recording of real life events with strong and highly fictional additions. Thus, every literature is a product of this human desire to make oneself immortal through the recording of one’s own philosophy, imaginations and real life events. Even in the modern age this subconscious desire results in the inclusion of autobiographical elements of the author into his writings.
Ernest Hemingway, America’s most celebrated novelist-cum -short story writer of the twentieth century is said to derive the impetus for his fiction from his own real life experiences or very rarely from the experiences of others who have went through agonies in life just like him. The Old Man and the Sea, one of his greatest and most widely read work is certainly filled with many allusions to his own life, and ideals.
The Old Man and the Sea tells the story of an old fisherman named Santiago who fishes in the gulf stream. The man is having some bad time with fishing and has gone without fish for eighty five days. He is very poor and his apprentice, Manolin is the only company he has on the shore. Due to his ill luck, Manolin is forced to work on a different boat by his parents.
The major part of the novel takes place in the sea, when the old man goes into the sea alone on the eighty fifth day to catch a fish. He philosophises about many things, talks to himself aloud and interacts with the nature around his. Make small

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