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Beat Generation

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Beat Generation Literature

Allen Ginsberg
Topic 1
“Look, my suit is five bucks, shoes are three bucks, shirt is for two dollar, and tie is for one dollar. These things are all secondhand. Only my poems are first class”(Beidao, p.136), Ginsberg said to his friend. As the father of Beat Generation, Allen Ginsberg came with his astounding freedom, powerful moral integrity and unique madness. Life with poem, decadence, wandering and willful indulgence, Allen Ginsberg’s spiritual ethos of getting rid of all the fetters, thinking highly of liberalism, pursing the unconditional and absolute freedom, independence and creativity is the reflection of the truly literary, aesthetic and cultural value of his poems.
Allen Ginsberg’s spiritual ethos is embedded in his writing style and language. Ginsberg's style may have seemed to be chaotic or un-poetic, but to Ginsberg it was an open, ecstatic expression of thoughts and feelings that were naturally poetic. “Moloch! Solitude! Faith! Ugliness! […] Moloch! Moloch! […]” (Howl part 2, 3-6). According to Ginsberg: “Poetry is not an expression of the party line. It's that time of night, lying in bed, thinking what you really think, making the private world public, that's what the poet does.” Which also demonstrates Ginsberg’s poem has no form, and it is the chosen phrases that express his mind. Ginsberg believed strongly that traditional formalist considerations were archaic and didn't apply to reality. Though the language of Ginsberg’s poem is vulgar and coarse, it is inevitable in its description, which reveals his masculine. “Who let themselves be fucked in the ass by saintly motorcyclists, and screamed with joy […]”(Howl part 1). “The smoked ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of cars, worn out ashes out of chairs […]” (Sunflower Sutra). The frankness and reckless in language, the passion and counterculture in his writing style exhibits Allen Ginsberg’s free and rampant spiritual ethos. “Who walked all night with their shoes full of blood […] who cooked rotten animals lung heart feet tail borsht and tortillas […] who crashed through their minds in jail waiting for impossible criminals […]” (Howl part 1). What has been firmly embedded into reader’s mind is that the freedom of expression is indispensible in the freedom of life.
Allen Ginsberg’s spiritual ethos is hidden in the content of his poem. He believes everything can be brought into poems. Writing as drug- taking, meditation- practicing and jazz- playing through masculine and willfulness. “The absolute heart of life butchered out of their own bodies good to eat a thousand of years” (Howl part 1). Though the poem was even sued of “obscenity” by the police in San Francisco, its literary merits can’t be buried. In poem Howl, he sings the praises of all the manifestation in sexual energy broadly, “seeking jazz or sex or soup”(28), “alcohol and cock and endless balls”(11). He even declared publicly gay was good. What’s more, he shows drugs or other means of achieving an anti-rational, ecstatic state of mind in the poem: “an angry fix”(2), “heavenly connection”(3), “hallucinating”, “dreams […] drugs […]” (Howl part 1,11). Ginsberg criticized the flooding of materialism and scholasticism at that time: “Moloch whose mind is pure machinery! Moloch whose blood is running money!”(Howl part 2), and this also shows in Sunflower Sutra. He seems overwhelmed with the violation of technology, which he characterizes as “artificial worse-than-dirt”. Continuing in a flood of alliterated parings, he humanizes the wreckage around him in slang anatomical terms. With mannered exaggeration, he differentiates sunflower from locomotive. On one hand, he portrayed the golden, lovely, natural and sweet sunflower. “… [My] sunflower O my soul” “A perfect beauty of a sunflower! A perfect excellent lovely sunflower existence!” On the other hand, he painted the gray, lifeless, dusty and dark locomotive. “The grime was no man’s grime but death and human locomotives” “the ghost of a locomotive?” He humorously warns, “you are a locomotive, forget me out!” The glorified sunflower becomes the cavalier’s sword. Stuck in his belt, it arms the idealist, who lectures “ anyone who’ll listen.” In the final line of the vision, which he sets apart by a dash, the poet embraces the internal sunflower beauty of self while rejecting the outer shame that fouls society. Allen Ginsberg’s spiritual ethos is running his own blood. The expression in his eyes is the real madness. “ I saw the best mind of my generation destroyed by madness, starving hysterical naked […] The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved […]”(Howl part 1). He is arrogant and self conscious: “I want people to bow as they see me and say he is gifted with poetry, he has seen the presence of the creator.” “ We’re all golden sunflowers inside, blessed by our own seed and hairy naked accomplishment bodies […]” (Sunflower Sutra). He thinks highly of creation: “Great things are not accomplished by those who yield to trends and fads and popular opinions.” He is an idealist standing with his powerful ego, going for adventures and dreaming his dream without shame and scruple. “What is the feeling when you're driving away from people, and they recede on the plain till you see their specks dispersing? It's the too huge world vaulting us, and it's good-bye. But we lean forward to the next crazy venture beneath the skies.” He talks about his own experience and feelings. He expresses his deep and secret sensibility without shame and scruple. He stresses his emotion unintentionally and natural. He claims that his writing was spontaneous, which is closer to the emotions than to reason. He aims to impact readers and reform society.“I hope it is true that a man can die and yet not only live in others but give them life, and not only life. But that great consciousness of life.”
Allen Ginsberg is a real poet who declared: “The only thing that can save the world is the reclaiming of the awareness of the world. That's what poetry does.” His spiritual ethos in his poems is the treasure throughout the world, which is as dangerous, psychedelic and beautiful as poison, irritating people’s exploration from one generation to another.

Cited:
Allen Ginsberg. The Portable Beat Reader. NY: Viking Penguin, 1992
Beidao. The Book of Failure. Shantou (China): Shantou University, 2004

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