...Gian Lorenzo Bernini, (born December 7, 1598, Naples, Kingdom of Naples [Italy]—died November 28, 1680, Rome, Papal States), Italian artist who was perhaps the greatest sculptor of the 17th century and an outstanding architect as well. Bernini created the Baroque style of sculpture and developed it to such an extent that other artists are of only minor importance in a discussion of that style. Bernini’s career began under his father, Pietro Bernini, a Florentine sculptor of some talent who ultimately moved to Rome. The young prodigy worked so diligently that he earned the praise of the painter Annibale Carracci and the patronage of Pope Paul V and soon established himself as a wholly independent sculptor. He was strongly influenced by his close study of the antique Greek and Roman marbles in the Vatican, and he also had an intimate knowledge of High Renaissance painting of the early 16th century. His study of Michelangelo is revealed in the St. Sebastian (c. 1617), carved for Maffeo Cardinal Barberini, who was later Pope Urban VIII and Bernini’s greatest patron. A major figure in the world of architecture, he was the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, 'What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful...' In addition, he was a painter...
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...Crafts The Bernini’s Ecstasy of Saint Theresa is an impressive sculpture that I came across and as I ponder about it has an absolute important meaning, but at the same time it’s strange. I found a description of how Bernini describes this sculpture:” Beside me, on the left, appeared an angel in bodily form.... He was not tall but short, and very beautiful; and his face was so aflame that he appeared to be one of the highest rank of angels, who seem to be all on fire.... In his hands I saw a great golden spear, and at the iron tip there appeared to be a point of fire. This he plunged into my heart several times so that it penetrated to my entrails. When he pulled it out I felt that he took them with it, and left me utterly consumed by the great love of God. The pain was so severe that it made me utter several moans. The sweetness caused by this intense pain is so extreme that one cannot possibly wish it to cease, nor is one's soul content with anything but God. This is not a physical but a spiritual pain, though the body has some share in it—even a considerable share.” I feel like this certain description he is talking about the devil because he was an angel, fallen angel and he describes fire and we all know the devil is associated with fire .He says Mother Theresa said she got a spiritual pain from it so intense even uttered moans. So it also sounds like its sexual related and ecstasy is a drug so its possible this has to do with the devil. “Saint Teresa describes her intensely...
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...Mannerism and Baroque Western Governors University Literature, Arts and the Humanities: Analysis and Interpretation IWT1 May 8, 2013 Mannerism and Baroque If you study art history at any length, you will become aware of the many different periods and their individual characteristics. There are prime times throughout art history that the general populations can easily identify such as Renaissance or Impressionism. They might even be able to name a few of the artists or their artwork. As you delve further into the rich history of art, you start to notice many deviations in the style of artists who are transitioning into a new artistic period. At first look, you might not see the subtle difference in the art from the norm from that period. An overlooked period in art history is the period between the Renaissance and the Baroque periods, the Mannerism period. This period was actually a rejection of the High Renaissance era. Mannerism is the artistic period from 1520- 1600. The word mannerism is derived from the Italian word maneria, which means style or stylishness. “Art began to lose its momentum at the end of the High Renaissance, beginning of the Mannerism period because it coincided with a period of upheaval that was torn by the Reformation, plague, and the devastating Sack of Rome.” ("The National Gallery of Art," 2013, para. 2). One of the greatest reasons for the shift in artistic style is that the Catholic Church was in chaos. The Catholic Church...
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...Prologue Florence, 1283 The poet stood next to the bridge and watched as the young woman approached. The world ground to a near standstill as he remarked her wide, dark eyes and elegantly curled brown hair. At first he didn’t recognize her. She was breathtakingly beautiful, her movements sure and graceful. Yet there was something about her face and figure that reminded him of the girl he’d fallen in love with long ago. They’d gone their separate ways, and he had always mourned her, his angel, his muse, his beloved Beatrice. Without her, his life had been lonely and small. Now his blessedness appeared. As she approached him with her companions, he bowed his head and body in a chivalrous salute. He had no expectation that his presence would be acknowledged. She was both perfect and untouchable, a browneyed angel dressed in resplendent white, while he was older, world-weary and wanting. She had almost passed him when his downcast eyes caught sight of one of her slippers — a slipper that hesitated just in front of him. His heart beat a furious tattoo as he waited, breathless. A soft and gentle voice broke into his remembrances as she spoke to him kindly. His startled eyes flew to hers. For years and years he’d longed for this moment, dreamed of it even, but never had he imagined encountering her in such a serendipitous fashion. And never had he dared hope he would be greeted so sweetly. Caught off balance, he mumbled his pleasantries and allowed himself the indulgence of a smile...
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