...Culture I am of voice, courage and strength. I bow to no man other than God himself. If I allowed my faith to be tested, I will be of strong belief and value. I am worth more than riches and wealth. I walk with grace and poise; I take no sympathy for I strive to be of movement each day. I am Feminism, the advocacy aiming to define and defend equal rights for women. In addition, I am seeking to establish equal opportunities for women in education and employment. Over decades, there have been movements for women to have the same rights as men. Many advocates say feminism is important, because it is equal across all spectrums of race, class, sex, and sexuality. It will always be a movement for particularly women, but it seems to expand across time. In this present day in age, society has evolved across time, and media has made some differences in advertisements, TV shows and films. On the contrary, there are events that still appear on the web, social media and within music, specifically. For example, I was surfing the web, and ran across different artist. Some statements made were about women empowerment, body image/politics and sexual objectification, specifically the artist Beyoncé. The purpose of this essay is to discuss how Beyoncé’s song Flawless depicts feminism as well as redefining beauty. To accomplish this purpose, first I will discuss Beyoncé’s song flawless. Second, I will compare feminism to Beyoncé’s lyrics of the song flawless. Finally, I will summarize...
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...She does like her mother’s music—she watches [Beyoncé’s concerts] on the computer every night. But my album came out and I don’t know if Blue ever heard any of my music prior to this album—she’s only 18 months old and I don’t play my music around the house. But this album was new, so we played it. And she loves all the songs. She plays a song and she goes, ‘More, Daddy, more . . . Daddy song.’ She’s my biggest fan. If no one bought the Magna Carta [album], the fact that she loves it so much, it gives me the greatest joy. And that’s not like a cliché. I’m really serious. Just to see her—‘Daddy song, more, Daddy.’ She’s genuine, she’s honest, because she doesn’t know it makes me happy. She just wants to hear it.” Jay tells Robinson that Barack Obama’s 2008 election “actually renewed my spirit for America. It was like, Oh, wow, man, this whole thing about land of the free, home of the . . . it’s, like, real—it’s going to happen, everyone’s getting to participate in it. But growing up, if you had ever told a black person from the hood you can be president, they’d be like, I could never . . . If you had told me that as a kid, I’d be like, Are you out of your mind? How?” Jay tells Robinson that his mother knew he was dealing drugs as a teenager, “but we never really had those conversations. We just pretty much ignored it. But she knew. All the mothers knew. It sounds like ‘How could you let your son . . . ’ but I’m telling you, it was normal.” Jay’s checkered past taught him a few...
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...long years have elapse since Fantasia Barrino released a new album. “Back To Me” is her third album, and I must say this album is a hit. This album went back to what’s missing in the R&B world such as great melody, meaningful lyrics, and soulful singing. The first single, “Bittersweet” is talking about being in love with someone can be pleasant, but then it can be sour. “You know sometimes you have to put yourself first” are the first words you hear when you listen to this album. “I’m Doing Me” is the second single off the album that has raised to the No. 16 spot on Billboards’ R&B/Hip-Hop chart. This album has 12 tracks that you can take pleasure in listening to. It’s not following the music trend that a pretty face and a nice body will sell your album. Fantasia is a beautiful person inside and out, but her realness and angelic voice should be enough to sell this album. Fantasia has proven herself on this album by singing songs that we all have heard before. You can feel that her heart is in every track on this album. She is in the league with the other R&B divas such as Beyonce, Alicia Keys, Mary J. Blige, India Arie, Jill Scott, and Joss Stone. Fantasia recruited some of the hit makers to work with her on this album. Claude Kelly, Rico Love, Cee-lo Green, and Ne-Yo who wrote Beyonce’s hit, “To The Left,” another all time ladies anthem. “Man Of The House,” “I’m Here” and “Who’s Been Loving You” are not my favorite tracks. Other R&B female artists have sung about their...
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...advertisements have in common is displaying an attractive man or woman in their advertisement. This is because more people seem to pay more attention and are more inclined to purchase something when they find it appealing. It is astonishing however, to put such advertisements side by side regardless of what each company is trying to sell. You will come to find that the female and male representatives have very similar features. Whether they have predominant cheek bones, to chiseled abdomens, they all seem to be very “slim” and “fit”. It seems to me that being slim or fit is what is defined as attractive, and anything else that does not fit this description is considered unattractive and will not appeal to consumers. For instance, the advertisement I choose does not show a person in particular, but shows a inanimate object which is an hour glass. We have different names for different body shapes, with an hour glass (full on top, thin waist and full on the bottom) being one of them. The advertisement immediately starts of by saying in big bold letters “This is no shape for a girl” (the hour glass). The ad’s message continues to state that if you have this shape, there is no need to worry because there is the Warner’s Body-Do. The Warners Body-Do is a girdle that “equalizes you”, as the advertisement puts it. Basically, the ad is saying that, if you have another type of body shape (besides the ideal slim no curves) you are disproportionate, and that it is something that should be corrected...
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...Contents Preface Prologue: We have it Made Part I: The Mission Chapter 1: A Consumer Goes Global Chapter 2: Tattoo’s Tropical Paradise Chapter 3: Fake Blood, Sweat, and Tears Part II: My Underwear: Made in Bangladesh Chapter 4: Jingle these Chapter 5: Undercover in the Underwear Biz Chapter 6: Bangladesh Amusement Park Chapter 7: Inside My First Sweatshop Chapter 8: Child Labor in Action Chapter 9: Arifa, the Garment Worker Chapter 10: Hope Chapter 11: No Black and White, Only Green Update for Revised Edition: Hungry for Choices Part III: My Pants: Made in Cambodia Chapter 12: Labor Day Chapter 13: Year Zero Chapter 14: Those Who Wear Levi’s Chapter 15: Those Who Make Levi’s Chapter 16: Blue Jean Machine Chapter 17: Progress Chapter 18: Treasure and Trash Update for Revised Edition: The Faces of Crisis Part IV: My Flip-Flops: Made in China Chapter 19: PO’ed VP Chapter 20: Life at the Bottom Chapter 21: Growing Pains Chapter 22: The Real China Chapter 23: On a Budget Chapter 24: An All-American Chinese Walmart Chapter 25: The Chinese Fantasy Update for Revised Edition: Migration Part V: Made in America Chapter 26: For Richer, for Poorer Update for Revised Edition: Restarting, Again Chapter 27: Return to Fantasy Island Chapter 28: Amilcar’s Journey Chapter 29: An American Dream Chapter 30: Touron Goes Glocal Appendix A: Discussion Questions Appendix B: Note to Freshman Me Appendix C: Where Are You Teaching? Acknowledgments Copyright © 2012 by Kelsey Timmerman...
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