...Charlotte Perkins Gilman is one of America’s most well known feminist writers and social reformers. In “The Yellow Wallpaper” Gilman uses exaggerated literary elements such as setting, symbolism, and character to illustrate the dangers of the mistreatment and disregard of female intelligence during the early 19th century. Charlotte Perkins Gilman was born on July 3, 1860 in Hartford, Connecticut. Gilman grew up in Providence, Rhode Island with her mother after having been abandoned by her father. Gilman’s mother refused to show any form of comfort or affection towards her daughter because her mother believed that this made women weak and did not want that for Charlotte. Gilman’s mother however would, on rare occasion, caress her daughter while...
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...Charlotte Perkins Gilman, a vocal women’s rights activist and writer, wrote the short story “The Yellow Wallpaper” in 1892. Gilman wrote the story while in an unhappy marriage with her first husband, pulling some of her own personal experiences of depression and the treatments she was suggested (“Charlotte Perkins Gilman”). The story is filled with symbolism, allegories, and vivid imagery that all relates to a woman experiencing post-partum depression and the patriarchal society she lives in where mental illness is not seen as serious or a concern. Gilman starts the story off with the main woman and her husband arriving to their new house, the unnamed woman immediately suspicious of the place; “Still I will proudly declare that there is something...
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...How many nights have you spent in bed tossing and turning because the woman from your wallpaper keeps creeping around your room? For most people the obvious answer is ‘None of course’ but for some, the question wouldn’t seem that foreign. In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” we are immersed into the mind of a mentally ill young woman who is forced into solitude as a supposed cure for postpartum depression. We read her story as if reading her diary; an intimate look into the mind of someone who feels isolated, trapped and confined. After giving birth to her son, our unnamed protagonist begins showing signs of postpartum depression, which was not considered significant in the eighteen hundreds. She struggles understanding...
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...In the two stories, I read about two woman who have a way of thinking. The world does not necessarily accept this way of thinking around us. They went through mind problems, emotion problems, anger problems that their husbands helped worsen. They were basically forced to hide their emotions which wasn’t fair. John which is the narrator’s husband gets upset when she writes about how she’s feeling. Jennie, his sister also their housekeeper doesn’t help with the aggressiveness. They both make the narrator feel bad about the fact that she can’t be a normal wife or mother just because she has certain thoughts. The story is all about her thoughts and how her obsession with the yellow wallpaper grows. She’s an amazing in-depth writer who’s just going...
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...Summary of “Escaping the Jaundiced Eye: Foucauldian Panopticism in Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’” Courtney Katich Baker College Bak beautifully discusses how isolation (aka “rest”) was used as treatment in the nineteenth-century for depression in women. Doctors used rest or isolation as treatment for “nervous prostration”(Bak, 1994). The narrator in “The Yellow Wallpaper” (1892) is put on a treatment plan by her husband/doctor that is of isolation. Bak asks a question about the narrator’s sanity; was she already mad in the start of “The Yellow Wallpaper” and just reliving the decline that has already taken place (Bak, 1994) or was the story about the narrator’s slow journey into madness? I believe that both questions are the answer to Bak’s question. Bak goes on to explain just this. Bak depicts Gilman’s description of the narrators isolated living conditions. Gilman’s description of the room leaves Bak to believe that the room would drive anyone into insanity. I know that I would surly go mad in such a place. Bak cites the feminist critic Elanie Hedges who says that the “paper symbolizes her situation as seen by the men who control her and hence her situation as seen by herself” (Bak, 1994). Bak explains how “The Yellow Wallpaper” became a feminist writing explaining that men were guilty of the storyteller's psychical imprisonment and thus the mental failure. Bak (1994) compares the room and house the narrator lives in during her depression...
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...Contradictions: Through the scope of formalist criticism, it is apparent that the setting in James Joyce’s Araby and Charlotte Perkins Gilman’s The Yellow Wallpaper affects the main character’s mental and physical state” “Araby” and “The Yellow Wallpaper” are both remarkable short stories, but the thoughts conceived after reading it are everything but short. Araby, written by, James Joyce is about a young character that lives in a neighborhood that appears to be dark and gloomy based solely on the author’s description of the houses and such. “An uninhabited house of two storeys at the blind end…” suggests that this neighborhood isn’t in paramount condition. On the other hand, the author makes several references to religious faith. For example, the Christian Brothers’ School, where the young character attends, or the Priest who has died prior to this story taking place, evokes this idea of purity. It is quite contrary that in a short story where the author paints a vivid image of gloom and despair, there are religious references that cause readers into a world of contradiction. In the same way Charlotte Gilman Perkins, author of The Yellow Wallpaper seeks to evoke a message of individual expression and successfully does so by recording the progression of the illness, through the state of the “yellow” wallpaper. Apparently, the bulk of the setting of “The Yellow Wallpaper” is in a room that the unnamed narrator has been forced to stay in by her husband, John, so that she may recover...
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...With over 200 written works, Charlotte Perkins Gilman’s career as a writer is a force to be reckoned with. Many of her works, such as the ever popular The Yellow Wallpaper, are considered classics and remain relevant in today’s society. Gilman is most popular for her work deciphering women’s roles and treatment in society in the past and during her life. Gilman’s works are relatable to all women who have experienced or are experiencing oppression by society. Gilman’s feminist outlook is clearly seen in her academic works as well as her short stories. Especially in the late 1800’s and early 1900’s, feminism was starting to accumulate among women of all ages. Gilman has been compared to other great feminist writers such as Simone de Beauvoir and Betty Friedan and they all share a common theme: their personal life correlates with their writing. Charlotte Perkins Gilman’s personal struggles with oppression contribute to her success as a feminist writer, as exemplified in her works Women and Economics, Herland and The Yellow Wallpaper; Gilman’s controversial opinions on male dominated societies and women's rights label her as an icon for implementing social change in the 18th/19th century because she steers away from traditional Victorian gender roles. Born in Hartford, Connecticut on July 3rd, 1860, growing up was difficult for Gilman and her brother as her parents split due to their different views on women’s rights. Her father’s family was very liberal and believed in freedom...
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...provided by SULTAN QABOOS UNIVERSITY (29 Dec 2014 03:14 GMT) The Pedagogical Possibilities of Covering Gilman’s Wallpaper Karla J. Murphy In his introduction to The Pedagogical Wallpaper, Jeffrey Andrew Weinstock notes how the pedagogical diversity of Charlotte Perkins Gilman’s “The Yellow Wall-Paper” prompted him to collect essays for this book. He goes on to explain that “given the ubiquity of the text within various academic settings, I was also struck by the absence of attention to the text within pedagogical contexts. Despite the large (and steadily growing) body of criticism to the story, very little of it explicitly addresses its importance as a tool to facilitate learning or various ways in which to make use of the text in the classroom” (3). As a collection, Weinstock’s The Pedagogical Wallpaper contains informed, detailed, and diverse analysis that attempts to shore up the absence of “pedagogical possibilities” concerning Gilman’s transgressive short story (9). Among the contributors are a MOO space specialist, a Gilman scholar, a queer theorist, an existentialist, a formalist, and several reader/student-response theorists. Because each essayist presents a distinct critical perspective on Gilman’s text, each essay is likewise concerned with “how the narrative teaches and how to teach the narrative” (5). Thus, it seems to me that Weinstock’s The Pedagogical Wallpaper resonates with Pedagogy’s conviction that teaching is central to our work as scholars and educators,...
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...Gilman’s “The Yellow Wallpaper” and its contemporary criticism Charlotte Perkins Gilman wrote “The Yellow Wallpaper” in a time when it was customary to consider women as the weaker sex, and in need of constant care and protection. There has been an overwhelming amount of literary criticism throughout the following century, with the purpose of establishing Gilman’s message. Most critics seem to agree that it is a strongly feminist text, targeting the patriarchal society of the late 19th century. Elaine Hedges sums up the most common readings of “The Yellow Wallpaper” in her essay. She herself then argues that the text’s essentially feminist point is emphasized by the fact that the narrator is destroyed by society, where she can never get free. Initially, she debates between two possibilities of what happens to the narrator in the end: she is either liberated in her madness or is defeated by it. Then she proceeds to consider the implications of the wallpaper itself. According to critics referred to by Hedges, the entangled pattern of the wallpaper itself represents a crucial text and it has been argued that this text is not written by the narrator. Instead, it is the text of social conventions and rules presented to her by her husband, and through him by the male-dominated society, where she is not allowed to write her own story. This is one of the reasons why her text then becomes “hopelessly encrypted in fantasy” (Hedges 225). Other interpretations connect the...
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...Topic 1: “Young Goodman Brown” Written by: Nathaniel Hawthorne Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts, and raised by his widowed mother. Hawthorne’s ancestors were several of the earliest settlers of the Massachusetts Bay Colony. John Hathorne (original spelling of the family name), was his great-grandfather, who served as a judge at the Salem Witch Trials of 1692. Hawthorne felt fascination and shame for his family’s involvement in the witch trials and integrated those feelings into his fiction. Nathaniel Hawthorne believed in the existence of the devil and believed in predestination. “Young Goodman Brown” attests to Hawthorne's symbolic habit of mind and to his interest in the past, myth, and human psychology.” (Nineteenth-Century Literary Criticism). This suggests how Hawthorne’s novels, led critics to consider him a pioneer of psychological fiction. Topic 2: “Young Goodman Brown” Goodman Brown is a young faithful Christian whose begins to question his faith after a meeting in the forest with the devil. Goodman has always believed that everyone around him is of one accord not only with them-selves but also with God. When he meets face to face with the devil, Goodman is astonished that the devil appears to him as a resemblance of himself. “…and bearing a considerable resemblance to him, though perhaps more in expression than features.” (Kennedy and Gioia 343). This suggests that Goodman...
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...Name: Course: College: Lecturer: Date: The Yellow Wallpaper Paper: A Story Charlotte Perkins Gilman was born in 1860 and was a prominent American social reform lecturer and writer of short stories, novels and poetry. She was an ideal feminist in a time when her achievements were exceptional for women. For this reason, she acted as a role model for future generations of feminists owing to her nonconformist concepts and lifestyle. This means she was an activist for women’s rights. She is today remembered for her semi-nonfictional short story, The Yellow Wall Paper, which she wrote after a difficult period of post-partum depression. She wrote the book in early 19th century when feminism was rather revolutionary. The book is a true impression of a strong woman reacting to adversity. The Yellow Wall Paper is a short story that describes the suffering of a woman confined to her home after subjection to post-partum depression. She appears as a woman who is totally submissive to her husband. While suffering from acute depression, she has to spend her days restricted to her house. However, there is a frightful wall paper in her bedroom that she keeps staring at day in day out. This yellow paper drives her totally insane, and she eventually tears it down. She feels alone in her little world. Unfortunately, her husband does not give her any support despite her sickness and does not want her to write. She also cannot visit or interact with family and friends and is confined...
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...The Yellow Wallpaper The attitudes towards women’s mental and physical health in the 19thcentury vary greatly from today’s views on practicing medicine. During that time, there was prevalence for the oppression of women and the general treatment for mental illness was a popular method known as resting cures. The short story “The Yellow Wallpaper”, serves as a critique of this popular treatment as it is an account of an unnamed narrator who descends into madness when receiving this type of treatment for her illness. The author, Charlotte Gilman addresses themes of madness and insanity through the narrator’s collection of journal entries, which comprise the story. In the beginning of the story, the narrator is confined to bed rest in a rented house with her physician husband, John, who believes that total rest is in her best interest for her condition. Gilman’s disapproving views over rest cures and doctor/patient relationships are initially revealed through the narrator’s description of her husband. The narrator describes him as a man who “scoffs openly at any talk of things not to be felt and seen and put down in figure”(355) and refuses to see his wife’s illness as a true condition. Through the narrator’s description, Gilman begins to point out the flaws in medicine’s understanding of mental illness and its shortcomings in treatment. The narrator writes in her journal as a way of escape from the monotony and solidarity of her treatment. While she loves and trusts her husband...
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...When Charlotte Perkins Gilman’s “The Yellow Wallpaper” was first published in January of 1892 in the New England Magazine, it was considered a dark chronicle that was protested by a Boston physician (name unknown) in “The Evening Transcript”, a popular newspaper in Boston between 1830 and 1941. This doctor wrote; “such a story ought not to be written, he said; it was enough to drive anyone mad to read it.” It wasn’t until later that the story was realized for the depiction of societal values in an age when women were making their mark in society, both intellectually and politically. The character Gilman portrays is caught between her own artistic expression and that of expected wifehood and motherhood being regarded as the sole role of women. The time was ripe for such a story with women making their way towards equality and the Suffrage Movement. Here was a woman propelled into a stereotypical role of the time who could not conform to the servile and ancillary qualities of how a marriage was supposed to be. A woman listened to her husband, held her hanky properly and carried a tussie-mussie. The convergence of Gillman’s character as being sequestered by her physician husband as a cure for her illness in a room with yellow wallpaper lays the foundation for what becomes an obsession with the Yellow Wallpaper. It is often said that artists and writers are touched by unusual qualities of the mind, perhaps even a bit of madness. The wallpaper in the story is representative of a...
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...Feminist allegory: “The Yellow Wallpaper” by Charlotte Perkins Gilman “The Yellow Wallpaper” by Charlotte Perkins Gilman was published for the first time in 1892 and it is oftentimes referred as being a feminist, psychological or even a gothic story. From a feminist point of view, or women's liberation movement this story is taking into account the supposition that woman should have the same human, social and political rights as men, moreover, that they ought to have the same opportunities as men, and make their own decisions with respect to vocations, and legislative issues. In this story Gilman portrays a woman’s personal conflict with her unjust conditions. In the first place a feminist story is written by a woman, and it reveals...
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...“Black Swan” - “Yellow Wallpaper” Why can one only lose their self entirely or free oneself by creating an alternate reality in their own mind? If we compare the “Black Swan to the “Yellow Wallpaper,” maybe then we can begin to answer this question. “In the film 'Black Swan', Nina, always a white swan, begins to explore her Shadow (her black swan) for her lead role in 'Swan Lake'. I'm struck by the factors and presences pushing and pulling Nina into and out of her Shadow: namely, her creepy, infantilizing mother and her abusive, seducing director.” (Tally) Nina doesn't get to explore her notorious dark side in any remotely safe or healthy ways. Her mother has trapped her inside a pink, endless childhood--her bedroom full of stuffed animals, her mother physically dressing and undressing her, with Nina calling her 'mommy' in a needy, babyish voice which is the only thing, it seems, that will talk her mother back from the extreme edge of her bouts of rage.” (Tally) “Nor can Nina explore her Shadow in the world of the ballet--dominated by the forceful and dangerous director and a cut-throat group of ballerinas, many of whom seem to share Nina's eating disorder and her willingness to do anything to be on top in the company.” (Tally) “So from the beginning, is there any chance for Nina? At the end of the ballet, the swan queen can only find freedom in death: a fate that Nina shares.” (Tally) When Nina crosses over to...
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