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Chicana Liberation

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Ana Perez Cortes
ID 170 4:00-5:15 Chicana Liberation Through Art
Art has been a crucial element in the Chicana feminist movement. There were many Chicana artist such as Yolanda Lopez, Alma Lopez, and Ester Hernandez. Among the artist there were many different styles used but they all had the same objective which was to fight against the gender stereotypes that they suffered in the Chicano Movement as well as the discrimination the received in society. This could be seen in the art they created such as the radical interpretations of the Virgin of Guadalupe. Intersectionality was also important in their paintings since they both received discrimination for their race and their gender both in the movement and outside the movement. The …show more content…
The first painting is titled “Margeret Stewart: Our lady of Guadalupe”. In this painting Yolanda Lopez, does a portrait of her mother who is a seamstress working on the star mantle, which is related to the Virgin of Guadalupe. The mantle is a symbol of her mother working or creating her own destiny instead of following the expected roles of a female. The second painting in this series is titled, “Portrait of the Artist as the Virgin of Guadalupe (1978)” In this oil painting we see the Chicana artist running. This action of running “suggest the emotional, psychological, or spiritual joy found in the ability to take charge of one’s life, especially one’s sexuality, symbolically represented by the snake” (Davalos, 2008, p.91). We can also notice that the Chicana is running over the angel, this implies that Chicanas can liberate themselves form the oppression they receive. The third painting is titled “Guadalupe: Victoria F.Franco.” From the centered position, the grandmother “gains recognition for her work and calls upon the spector to look at her, the new heroine producer of the race” (Chabram, 2006, p.91). Unlike the first two paintings, this one is about death and the older generation of strong woman. Lopez states that in this painting the snake “symbolizes the end of life. She is holding the knife herself, because she’s no longer struggling with life and with sexuality. She has her own power” (Davalos, 2008, p.93). These three paintings go against the social standards of beauty; Lopez exemplifies the beauty that make up these three

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