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Christina Klein's Crouching Tiger, Hidden Dragon

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Christina Klein argues that Crouching Tiger, Hidden Dragon is simultaneously localizing and globalizing by explaining how it relies on Chinese history, culture, values, and aesthetic traditions, while still managing to bridge the gap dividing East and West. Director Ang Lee’s origins partially help bridge this gap, because having lived in many Chinese communities outside of China, deeply understands the Chinese diaspora which exists across the globe and includes many separate languages and cultures. Furthermore, with this broad range of cultural experience, Lee’s works span many genres and languages, including American Westerns like Ride with the Devil, dramatic romances such as Sense and Sensibility, and dramas like The Ice Storm. Also in

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...Crouching Tiger, Hidden Dragon CHIN 1088 12/15/2015 Fang 1 Crouching Tiger, Hidden Dragon Let’s look back to the title of this essay. Yes, it is the very film’s name that I would like to talk about. Crouching Tiger, Hidden Dragon was released in China in 2000, and directed by Ang Lee. I believe that lots of people are not unfamiliar to this person. Ang Lee was born on October 23, 1954 in Taipei, Taiwan. His titles are not only a film director, but also producer and screenwriter. Early year, he attended the National Taiwan College of Arts, where he graduated in 1975, and then relocated to the United States, where he studied at the University of Illinois at Urbana-Champaign and New York University. Ang Lee made his directorial debut in 1992 with Pushing Hands and earned Academy Award nominations for his next two films, The Wedding Banquet (1993) and Eat Drink Man Woman (1994). His later films include Sense and Sensibility (1995), starring Emma Thompson, Kate Winslet and Hugh Grant, and for which Lee earned an Academy Award nomination for best picture; The Ice Storm (1997); Crouching Tiger, Hidden Dragon (2000), for which he received four Oscars, four BAFTA Awards, a Golden Globe Award for best director; and Hulk (2003). He also went on to direct Se, Jie (2007) and Taking Woodstock (2009). In 2006, he became the first Asian to win an Academy Award for best director, for his film Brokeback Mountain, a small-budget, low-profile independent film based...

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