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Cinematography

In: Film and Music

Submitted By dashangel548
Words 479
Pages 2
Cinematography today is one of the most popular types of contemporary art. The latter is the brightest expression of the human soul! What are the reasons for this?
History of art shows us two basic reasons for its existence.

One of them can be roughly called “art for art” and the second one is rooted in the necessity of human beings to solve vital social problems. Because these rapidly expanding problems interfere with the private life of everyone; we can witness predominance of the “second” type of art.

As an example we can quote M. Moore’s movie, titled “ F 9/11”.
Analyzing any work (piece) of art, we must take into consideration that every artist aims to make us think about a problem through his own vision. The question is whether he can pull it off or not?

It is no secret, that there are various kinds of techniques to influence the audience.
M. Moore brilliantly selects and perfectly times the succession of the episodes which makes him absolutely convictive.
But we must tell the difference between the opinion of one single man and the reality.

M. Moore, a talented journalist, uses the well-known mass media techniques, for example, he only chooses that footage, which goes along well with his understanding of a problem.
The frames we are watching: the harrows of war, ruined and burning houses, soldiers, who are killing people and listening to a Bloodhound gang song, children playing in the streets before the war, determine our reaction (attitude) to the problem.

Another important example we must point out here is the use of a method of contrasts, when two opposing things get mixed. The president of the USA is sworn to do what’s best for the country and the interests its people, ordinary Americans. That is why it is so terrifying when we see him next to the relatives of the main American enemy, smiling and hugging.

And of course, after watching such things, it would be an understatement to say that what the viewer feels is a shock, it outrages them on a large scale. Thousands of coffins of American soldiers killed in action and terrorist strikes, their burned bodies, hanging on stakes in Iraq. People who are looking for the pieces of their neighbors torn by explosions are not the things you can easily get through your head.

Each of us can’t help it, but cries, watching defenseless dead children, killed by powerful adults.
We can hardly compare the power of the dominating America and backwardness, conservatism of Iraq.
The reaction can’t be ambivalent. We should not forget that it was the main aim of the author.
Truth should be found. And its search is the challenge for everyone.

With his brilliant ability to select the most eloquent episodes, perfect edit and timing, M. Moore stuns with his power of absolute conviction.

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