...My Writing Knowledge While looking over the material for this paper my first thought was I’m hungry. This is probably not a typical thought when trying to prepare an English paper. However, it gave me an interesting thought. Writing a paper is like making a cheeseburger. Aside from my cheeseburger idea I also attended a college preparatory high school and have also taken other English courses while in the Marine Corps. To make a cheeseburger you start off with the bottom bun. This is the introductory paragraph of your paper. The outside bottom of the bun is plain bread which is general, and this is the first sentence of your introductory paragraph. Moving up the bun it becomes more specific by either frying it, adding butter or mayonnaise. You make the rest of the paragraph more specific to lead into the following paragraph. The next paragraph is the first piece of meat. In relation to writing a paper this is your first main topic, a bold statement that the writer is trying to get across to the reader. This paragraph must contain the information gathered from research. Paraphrasing is a good way to incorporate your knowledge and understanding of the research and in doing this it explains the topic to the reader. The third paragraph is the cheese of the cheeseburger. This is a good place to add the details and quotes of the research to the paper. When using quotes you must cite them correctly to give credit to the author. By using facts and statistics it supports the...
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...Joshua Santiago E Midterm The short story "The Chrysanthemums “by John Steinbeck is about a woman named Elisa Allen who is not content with the life she is living. Elisa is frustrated with her husband not admiring her romantically and not having a child. The way Elisa would let her frustration out is working in her flower garden where she grows chrysanthemums. John Steinbeck used chrysanthemums to symbolize the inner self of Elisa and of every woman. The chrysanthemums was Elisa`s way out of her world. The chrysanthemums are like children to Elisa. Elisa works her garden and handles the chrysanthemums with the love and care that a parent shows there child. Elisa is very protective of her flowers and places a wire fence around them. She makes sure that "no aphids, no sow bugs or snails or cutworms"(page 351) get in there. The bugs represent harm to the flowers, and just like a good mother she gets rid of them before they can harm her children (plants). The chrysanthemums are a symbol of like children, and she is very proud of them. When Elisa's husband gives her attention and compliments her flowers that she had grown she gets happy and proud. Elisa is happy and pleased that she can grow these beautiful flowers. Elisa's pride in her ability to grow the flowers gives her the reinforcement that the flowers are a replacement for her children. The second part of the story the chrysanthemums symbolize Elisa's femininity and sexuality. The picture of Elisa taking care of the flowers...
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...OIL and Gas: From setting new records in workplace safety to boosting operational efficiency, our oil & gas consulting and technology services can help your business reach its safety, sustainability and productivity goals. We offer sustainable solutions for even the most challenging conditions and processes, which is why more than 20 of the world’s largest oil, gas and petroleum refining companies rely on us. Energy and utilities: The utilities industry has always regarded safety as its absolute priority—in protecting both the individual and the planet. Process management is vital in aligning every member of the workforce to the same utilities safety standard. Our experience in helping firms achieve zero loss-time accidents, zero days of restricted activity and zero medical treatment cases speaks for itself. And our clean technology initiatives help energy firms maintain constant compliance with environmental regulations. Chemichals: As both a major producer and consultant in the industry, we have broad experience in providing chemical process safety and sustainability solutions to chemical operations worldwide. Our proven consulting methodologies, training services, and best-in-class technologies help enable chemical companies to achieve exemplary process safety records, enhanced sustainability and improved business operations — all of which lead to a better bottom line. Minings and metal processing: Effective sustainability, safety and operations are crucial in the challenging...
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...the cards for Manet. Ironically, his art career is still being appreciated over a century later. Manet's uncle, Edmond Fournier, supported Manet is his early art interests, arranging frequent trips to the Louvre. Eventually, Manet and his parents were on the same page and they supported his calling for art. The artist’s use of color, space and composition: The lemon by Manet is a unique piece of art. Manet utilizes realism to capture the simplistic form of the fruit. However, this painting is nothing less than sophisticated demonstrating Manet’s true command of color and touch with his brush. The painting is encompassed by dull, dark colors with sporadic brightness. Manet uses different forms of yellow to capture the color, shape, and texture of the lemon. The sudden brightness in the painting can be seen as the natural reflection that the lemon and the plate give off. He also utilizes dark browns mixed with green to reflect the depth and texture of the plate. His brush strokes are different throughout the painting. At times the brush strokes are hard and streaky, and at other times very clean. The painting is open composition, with the plate that the lemon is resting on going off the canvas. The lemon is horizontally depicted, with a strong shallow sense of...
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...compose, within strict boundaries, while playing. There are actually fully written ensemble compositions out there without improvisation. The compositions are still considered modal improvisation because the compositions still follow the conventions of maqam. 2. Islamic Call to Prayer and Jewish biblical cantillation are not considered “music” of “singing,” because of sensuality. Islam believes music is overly sensual. Islamic Call to Prayer does have definite pitch, rhythm, and contour. However, Islam does not think of Call to Prayer as sensual, but “as heightened speed or ‘holy’ speech, delivered in a style requiring both declamation and the spinning out of syllables”(248). Full-fledged singing is often forbidden for Judaism because of sensuality. To get around full-fledged singing, Judaism uses the term cantillation. Cantillation is thought of as a heightened speech that is between speaking and singing. Even if a cantillation has a melody, it is still not referred to as “singing.” 3. There are many factors that make Persian classical music different from Arabic music. One of the differences is the difference between the Arabic maqam and Persian dastgah. While Persian musicians have created “composed” melodic phrases, Arab musicians rely on oral tradition of melodic phrases. The “composed” melodic phrases created by the Persian musicians make short compositions, and are called gusheh....
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...All empty space does not consist of stones. 6. Therefore, stones do not exist. To go even further, I can add another step in order to conclude that ordinary objects do not exist. The additional step would be that if ordinary objects exist, then stones must also exist. Therefore, ordinary objects do not exist. First we must see what objects exists and what objects occupy a position in space and time. Objects in the universe include planets, people, atoms, chairs, and the sun. They are all made out of parts and they are all composite objects. In order to explain the idea of composition we can say that the x’s compose a composite object if and only if the x’s, taken together have a function that none of them have separately, the x’s are physically bonded, and the x’s are inseparable. Nihilism supports Unger’s idea that stones do not exist because nihilism supports the idea that composition never occurs and therefore,...
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...INTD 103 Freehand Drawing | Elements and principles of art and design | The elements and principles of design are the building blocks used to create a work of art. The elements of design can be thought of as the things that make up a painting, drawing, design etc. Good or bad - all paintings will contain most of if not all, the seven elements of design.The Principles of design can be thought of as what we do to the elements of design. How we apply the Principles of design determines how successful we are in creating a work of art. THE ELEMENTS OF DESIGNLINE Line can be considered in two ways. The linear marks made with a pen or brush or the edge created when two shapes meet.SHAPE A shape is a self contained defined area of geometric or organic form. A positive shape in a painting automatically creates a negative shape.DIRECTION All lines have direction - Horizontal, Vertical or Oblique. Horizontal suggests calmness, stability and tranquillity. Vertical gives a feeling of balance, formality and alertness. Oblique suggests movement and action see notes on directionSIZE Size is simply the relationship of the area occupied by one shape to that of another.TEXTURE Texture is the surface quality of a shape - rough, smooth, soft hard glossy etc. Texture can be physical (tactile) or visual. see notes on textureCOLOUR Also called Hue see notes on colourVALUE Value is the lightness or darkness of a colour. Value is also called Tone see notes on tonal contrastTHE...
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...Visual Art Critique MUS 2313.003 Event: Gallery I & II of the Department of Art and Design Where: JCM Building at Texas State University Craven Image- Bill Komodore The Craven Painting was the first to catch my eye. Perhaps this was because the texture made the image seem blurry or maybe it was because it was the biggest, colorful painting you see when you walk in the door. Whatever the reason, I just had to stop and stare. At first glance it look like a soda can, and when you squinted your eyes, it even looked like the word ‘Craven’ that was in the middle said Coke. But maybe this was just what I saw especially because I was thirsty at the time. As for what is being said, I can honestly say I do not know. I am not an imaginative person so art is a weak point for me. I know craven means cowardly, which makes me think that he uses the background to abject fear to the audience. He then contrasts the background blacks and greys with a sudden orange in the middle, which draws the attention viewer’s attention to the center. The object in the middle looks like a jar that could be characterized with feeling entrapped which could continue to evoke fear. Last but not least, the lines in this painting are running in many different directions. As Dennis Spore says, “Artists use line to control our vision, to create unity” (Sporre, 15). In this artwork the artist actually does the opposite, with “non traditional brushstrokes”, to create chaos that continues the feeling of trepidation...
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...レオナルド・ダ・ヴィンチ 『絵画論』 ▪ レオナルド・ダ・ヴィンチ(1452 -1519) o イタリアのルネサンス期を代表する芸術家 o 本名はレオナルド・ディ・セル・ピエーロ・ダ・ヴィンチ (Leonardo di ser Piero da Vinci ) o 絵画、彫刻、建築、音楽、科学、数学、工学、発明、解剖学、地学、地誌学、植物学など o 万能人(uomo universale )、「飽くなき探究心」と「尽きることのない独創性」 o 肖像画『モナ・リザ』と宗教画『最後の晩餐』 o 絵画作品、レオナルドが残したドローイングや科学に関するイラストが描かれた手稿、絵画に対する信念 ▪ 手稿 o ルネサンス人文主義 o 13,000ページ、手稿にドローイング o 芸術と自然哲学が融合したもの o レオナルドが興味と関心を持ったあらゆる分野の事象が書かれている。 ▪ 「絵の本」から 絵画とほかの芸術との • 絵画と詩人との相違 • 絵画と音楽との相違 • 絵画と彫刻との相違 遠近法 Perspective • 線的遠近法 • 色彩遠近法 • 消失遠近法 • 空気遠近法 光、影、色 ▪ 参考文献 杉浦明平訳 岩波文庫 レオナルドダビンチの手記 （上） The Notebooks of Leonardo, Da Vinch Irma A. Richter, Oxford University Press －絵画とほかの芸術との 画家は、自分をする美を見たいと思えば、 肝をつぶす：to be amazed 実際この宇宙の中に本質として、現在としてあるいは想像としてあるものを、かれはまず頭の中に、次は手の中に所有する。そしてそれは非常に優秀なので、それらがいかなるものであろうとも、同時に一眸の中に均衡のとれた調和を生じる。these are of such excellence that they can present a proportioned and harmonious view of the whole, that can be seen simultaneously, at one glance, just as things in nature. 絵画は自然から生まれる、自然の孫。 絵画を軽蔑するものは哲学をも、また自然を愛していない． he who despises painting loves neither philosophy nor nature. 絵と詩の 絵と音楽 音楽は絵画の姉妹という以外に呼びようがない。 眼に比べて第二次的な感官たる聴覚に従い、 for she is depending on hearing, the sense which comes second[1],and her harmony is composed of the union of its proportional parts sounded simultaneously, rising and falling in one or more harmonic...
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...In this essay I will attempt to analyze the artwork named “Beguiling Lure “ by Isaac Talley made in 2009. The medium of this artwork is acrylic and oil on canvas. The composition is simple with the main focus being a dangling object and a portrait of a single bird. The multi coloring of the background is bright and soft with dark and light hues. The artist was able to deliver the paint onto the canvas in different directions and angles which gives the appearance of overlapping colors,roughness and a uneven texture. There is a small horizontal space that has been left blank and untouched in the middle of the canvas that provides a dividing line separating the upper portion of the painting from the lower portion. Even though there is no similarities in the main two subjects in the painting the artist brings balance, proportion and unity to his work by using the same background colors and patterns from top to bottom. The eye is automatically drawn towards two specific areas on the canvas and directly to the middle upper portion of the painting where a circular white object is attached to a dark blue string of yarn that hangs from a peg at the top of the canvas. In the bottom right corner a is a painting of a black bird standing with its back to the viewer as it looks towards the hanging object. I think the painting is a form of expression in which the intention is to give the viewer an increased awareness of how we have become a materialistic society. Because of our increased...
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...Noticeable from the distance is the installation called For Lots of Lost Windows by Akiko Utsumi. It is conceptual art combining nature and man-made materials that invites its viewers to look beyond what is present in time and grasp the spiritual connection that the evolving nature presents. The scale of the installation is evidently intended to be large and visible from distance that it is too large compared to the common windows in our houses. The composition is divided from the foreground, the middle ground, and the background. The idea and purpose of the artist is for the viewer to rediscover the beautiful scenery through her “own view” - her window. The window is a standalone structure that stands as a foreground in an open space covered...
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...introduced to music when he was five years old when his father taught him the solfeggio and the banduria. Abelardo completed his first composition, a waltz entitled "Ang Unang Buko" dedicated to his grandmother, at the age of eight. By the age of thirteen, he was playing at saloons and cabarets in Manila, and by fifteen, he was teaching at barrio schools in San Ildefonso and San Miguel in Bulacan. In 1916, Abelardo entered the University of the Philippines Coservatory of Music, taking courses under Guy F. Harrison and Robert Scholfield. During his studies, he composed the melody of the university's official anthem, U.P. Naming Mahal. After earning a teacher's certificate in science and composition in 1921, he was appointed head of the composition department at the Conservatory in 1924. Years later, he ran a boarding school for young musicians, among which were Antonino Vuenaventura, Alfredo Lozano, and Lucino Sacramento. Abelardo died in 1934 at the age of 41, leaving behind a collection of roughly 140 compositions. He is known for redefining the kundiman, bringing the form to art-song status. Notable among his works are 'Nasaan Ka Irog," "Magbalik Ka Hirang," and "Himutok." The main theater of the Cultural Center of the Philippines and the building housing the College of Music in UP Diliman(Abelardo Hall) were named in his honor and memory. Compositions: Nasaan Ka Irog Magbalik Ka Hirang...
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...Throughout the course of the first nine weeks in Mrs. Theisen's AP English Language and Composition class, my writing has changed dramatically. Towards the start of the year my writing was very weak, yet it has improved towards the start of the second nine weeks. My writing began in this class with bad thesis statements, weak transitions, awkward grammar, and lack of relevant evidence. My writing skills at the beginning of this class started in a rough spot. There are a plethora of examples of how weak my writing was at the beginning of the nine weeks. To begin, my thesis sentences lacked relevance and contained bad grammar - if I had a thesis sentence to begin with. In the very beginning of the year I had no thesis statements in my papers,...
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...well as on the job. My ability to incorporate information from sources has been reinforced by concepts that were taught in Composition 1. For the “Majors Essay” I selected a topic of interest for myself and conducted research. My focus in the past for writing papers was generally gathering as much information as possible from the web. For this assignment I had to learn new techniques that were necessary for researching topics in a real library. I felt the assignment was presented with enough information to form an outline and begin writing. The difficulty for me was remembering the five-part essay format that was learned in freshman comp and structuring my introduction. Writing an annotated bibliography was a process that allowed me to explore the methods that scholars use to organize and record information that will be used in their projects. I learned better ways of note taking as well as summarizing. Learning how to understand and evaluate sources and identifying what is needed is a skill I can carry wherever I go. Improving on an assignment like this would be very hard for me to comment on since this was the first time I have ever done something like that. The difficulty level was the summarizing and the formatting of the paper, I had no idea how much time would be put into this assignment. The preparation needed to write my research paper had me at times thinking whether or not I should drop the course and repeat at another time. I was very confused and was uncertain...
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...Composition and Inverse MAT 222 Instructor Amy Glidewell 19 January 2015 Composition and Inverse When you think of math there are several types of problems that are ment to help prepare for the different skills that you may have. I am going to solve three different problems that were assigned to me. Within he paper I will define what composition and inverse functions are. As stated in the reading , “the notation uses for composition is f composed with g of x or f of g of x” (Dugopolski, 2012). Something that is noticed is that the letters stay in he same order in each expression for the composition. These problems will be graphed and solved further in the paper. The following information was given so I can solve the following expressions. In step one I was given the following finctions: f(x) = 2x + 5, g(x) = x^2 – 3, and h(x) = 7 – x/ 3. To start I am going to compute (f-h) (4) f(4) = 2*4 + 5 = 13 h(4) = (7-4)/3 = 1 (f-h)(4) = f(4) -h(4) = 13 - 1 = 12 Answer: (f-h)(4) = 12 Evaluate the following: (f o g)(x) and (h o g)(x) (f o g)(x) = f(g(x)) = f(x^2-3) = 2(x^2-3)+5 = 2x^2 - 6 + 5 = 2x^2 - 1 (h o g)(x)=h(g(x)) = h(x^2-3) = (7-(x^2-3))/3 = (10-x^2)/3 Transform the g(x) function so that the graph is moved 6 units to the right and 7 units down. Function will be G(x) = (x-6)^2 - 10 Find the inverse function: f^-1(x) and h^-1(x) For finding f^-1(x), replace x by y and f(x) by x in f(x)=2x+5 x = 2y + 5 2y = x-5 y = (x-5)/2 Thus f^-1(x) = (x-5)/2 For...
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