...Cynthia K. Nessmith Professor Shawana Stanford American Literature 2130 14 April 2013 Film adaptation of the American novel One Flew Over the Cuckoo’s Nest One Flew Over the Cuckoo’s Nest novel was written by Ken Kesey in 1962. The film adaptation version was directed by Czech Milos Forman in 1975. My goal in this paper is not only to compare the film adaptation to the Novel but to also explain what I think the symbols represent, critic’s analysis, themes presented in this film, and the significance of the Novel. One Flew Over the Cuckoo’s Nest film’s setting begins with a police car driving down the road to people sleeping in bunk beds, ending with a glimpse of a drawing taped to the wall with a crazy face centered in it. A nurse enters a locked down facility, while another prepares medicine for the patients. The police car arrives at the facility with a prisoner in handcuffs that is released to the hospital staff. The characters in this film are as follows: Randall P. McMurphy played by Jack Nicholson, a rebellious convict with a loud mouth and a set of sexual playing cards. He’s courageous and challenges the staff/system of the mental hospital. Nurse Ratched played by Louise Fletcher is a calm, cold, well mannered, and soft spoken head nurse of the mental hospital that plays McMurphy’s enemy. Chief Bromdon played by Will Sampson is a big and tall Indian who is described as “deaf and dumb” (according to the character Billy). Billy Bibbit played by Brad Dourif is a young...
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...Most stories no matter their age or place of origin are not written to be taken at face value. There is typically a deeper meaning or moral to the story that the author attempts to convey within the work without directly stating it. But, as the meaning becomes more convoluted, it has a higher potential to be lost on its audience. In order to prevent this disconnect with readers, authors employ allusions, or hidden similarities to popular works during a specific time period. Allusions can add depth to a story and at the same time, they can pass criticism on a certain facet of society. Religious allusions especially can be effective among intellectual populations, likely to subscribe to the idea of social change. Within the stories Teddy and One Flew over the Cuckoo’s Nest, authors J.D. Salinger and Ken Kesey allude to well-known religious philosophies to express the fundamentally good nature of their protagonists...
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
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...LONGMAN LITERATURE Equus Peter Shaffer Editor: Adrian Burke scanned by naruchan proofread by tigger 2 LONGMAN 3 Contents The writer on writing Introduction Structure and form The role of psychiatry Characterisation Passion and religion Critical reaction to the play The writing of Equus Reading log Author's note on the book Author's notes on the play Equus Glossary: reading the text Study programme The play's structure Staging the play Character and relationships The writer's intentions Themes Collecting relevant quotations Beyond the play Study questions Suggestions for further reading Wider reading assignments 4 The writer on writing I suppose my head has always been full of images. Peter Shaffer is one of Britain's foremost contemporary dramatists. Born in 1926 and educated at Cambridge he had a variety of jobs before becoming a playwright. During the Second World War he worked down a coal-mine; he has also worked in the New York Public Library and as a journalist. He was awarded the CBE in the 1987 Birthday Honours List. His first big success was with Five Finger Exercise in 1958, which ran for two years in London before transferring to New York. Other successes include Amadeus (which has been filmed), The Private Ear: The Public Eye and The Royal Hunt of the Sun. This last play represented a departure for Shaffer as a writer; he moved from detective stories, naturalistic drama and farce to epic theatre and the adoption of avant-garde stage techniques. It was while...
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