...Jessica Osteen Dance critique April 15, 2012 One of the dance shows that I attended was a dance concert, on March 31, 2012. A dance show that was put on by dance faculty staff and students and I must say, I really enjoyed myself. Upon entering the theatre, I was a little nervous because I knew that my friends would be performing and I remembered them talking about how excited and anxious they all were. But once I sat down and got settled, as darkness filled the room, and the lights lit up the stage, I knew that it would be an awesome performance. As I looked up, I saw a group of students dancing, not all in unison, but of different beats and different movements. They were dressed in very elegant purples and reds, dancing, smiling, and enjoying themselves on stage. What seemed to be a joyous occasion, suddenly turned into a love triangle between three of the dancers. It was very entertaining. Another scene from the show resembled something a little opposite from the one described previously. The costumes worn seemed to be of a little less formal, and seemed to fit for a country scene of some sort. They also seemed like rags so to speak. They were hues of brown and tan. The movements seemed to be slow but very passionate. In another scene, everything seemed to be more upbeat. There were bright colors and the music and tempo of the performance was of a faster pace and everyone seemed to be in sync with each other. Between the different scenes described previously, each...
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...The group that I have chosen to identify with is the F&M Dance Company. The company is comprised of over fifty dancers and is supervised by three authoritative professors. Each fall, new choreographers are recruited by the company to teach their choreographies, or reconstruction works of other choreographers, for the Fall Dance Concert. Each spring, the students have the opportunity to choreograph a piece for the Spring Dance Concert. These student choreographed pieces are then either presented in the concert, which is what most choreographer strive for, or in the show case, which is only held on a Sunday. Due to this either/or situation, the choreographers contend with each other to secure a spot in the concert, therefore galvanizing competition,...
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...On Friday, October 30, 2015, I attended the Dance TCU Concert that was held on the campus of TCU in Ed Landreth Hall. All of the performers for this recital were students of the TCU School for Classical and Contemporary Dance. The recital was comprised of six modern, contemporary, and ballet dances that included very unique styles of dances movements. Overall, the recital had a light-hearted theatrical feel that was innovative, unorthodox, and detailed-oriented. For the purpose of this critique, I will discuss the various elements in four particular dances: they are Giselle Act II, Olivers and Kefi, Murmuration of Stars, and Tychtrip. The previous dances collectively represent the overall message the recital was trying to portray that allows...
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...Peer’s Critique Feedback COMM/110 Peers Critique Feedback Peer review would refer to the many habits in which peers can share their creativity for constructive feedback then uses that feedback to revise and improve their work. The writing process, the modification is necessary as the draft of presenting, but peers often feel that they could not let go of their original words for introducing. Peers offer productive feedback, accept constructive criticism. Methods on critiques a presentation speech, to critique a speech or a presentation it's necessary to evaluate the presenters abilities in both speech and delivery. On determining whether the presenter is using facts and narratives to make a case. One method will be evaluating the content, by including word choices, references, and sketches should tailor to the audience that will be listening to the speech or presentation. Then it will follow the evaluation the speech or presentation clarity. The presenter should use correct grammar and easy to understanding language, making it pleasant to listen to the speech and follow what it is. Other would be on seeing if the statement is convincing and educational, in a well-written speech or presentation arguments are skillfully put forth to prove high points. The implementation that I would plan on the suggestions that my teammates have mentioned and will be adding to my future presentations. The tone of voice was the critiques that my teammates comment on my tone of voice was...
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...Game Journal 6 The school of criticism that made the most sense to me was by far the biographical critique. In my opinion the vast majority of the other critiques read as though the author was simply trying to find examples for that particular type of critique where there was probably very little intentioned meaning behind it. Some of the meaning behind the game that was analyzed seemed as though it was forced. The biographical critique, however, analyzes the author’s intent behind the game using quotes from the author himself. This lends more authority to the critique and prevented it from feeling as though meaningless aspects of the game were being critiqued. In the biographical critique for Katamari Damacy the critic uses the author’s own words to describe how the author intended the game to affect his audience. This is information straight from the source and thus allows for the game to be looked at in a new light. The author intended the game’s peaceful, fun, game that is almost devoid of conflict to brighten the lives of everyone that played it and thus make the world better. The critic in a more thorough analysis could then have described whether the game is successful in doing that, and if so by how much. The biographical critique provided the author’s motivations behind making the game. This is a strong basis on which to critique the game. Analyze the author’s intent behind making the game along with how well the game imparts the author’s message. By doing this...
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...PLEASE READ THIS FIRST PAGE CAREFULLY. IT SHOULD BE DELETED WHEN YOU SUBMIT YOUR ASSIGNMENT FOR GRADING. General Rationale This document contains the instructions for the Speech Criticism Assignment. It is designed as an opportunity for you to observe and critique a presentation in a formal manner using the canons of rhetoric as a framework. Instructions 1. Carefully listen to and view the assigned presentation for this assignment. Review your professor’s announcements for the specific presentation(s) for this assignment. 2. Write an introductory section that gains the audience’s attention, gives a sense of your overall impression of the presentation, and sets up the rest of your critique. 3. Write a section about the invention canon of rhetoric as related to this presentation. 4. Write a section about the arrangement canon of rhetoric as related to this presentation. 5. Write a section about the style canon of rhetoric as related to this presentation. 6. Write a section about the delivery canon of rhetoric as related to this presentation. 7. Write a concluding section that summarizes the major critiques of the presentation and ends comfortably. Additional Expectations and Suggestions * This should be three or four double-spaced pages. * Use headings to identify clearly which canon through which you are evaluating. The four middle sections should be relatively equally developed. * Use the Questions for Canons of Rhetoric document in...
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...E. Defintion of Terms Assess - to estimate officially the value of (property, income, etc.) as a basis for taxation. Critique - is an in-depth analysis of a work, where in the end different components of that work are given recommendations for improvement. Critiques are perhaps most popular in the working world. Colleague - is someone you work with at your job. When you are a teacher, the other teachers are your colleagues. When you work as a cashier at 7-11, the guy at the deli counter is your colleague as well. Comprise - to include or contain: The Soviet Union comprised several socialist republics. Phenomenon – a fact, occurrence, or circumstance observed or observable: to study the phenomena of nature. Publication - the act of publishing a book, periodical, map, piece of music, engraving, or the like. Retain - to keep possession of. Social – pertaining to, devoted to, or characterized by friendly companionship or relations: a social club. tend - To have the care of; watch over; look after: tend a child. Various - Being more than one; several. CHAPTER III Methodology The researcher gathered data from its respondents by using Analytical method on the data presented.We can use also use Descriptive Method because we have to describe every detail of gathering data. The questionnaires were given to thirty (30) selected students. They were asked to fll-up the survey forms in their most honest way. They were able to answer the ten (10) simple questions...
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...Total Points: 100pts (25 points per critique) Instructions: 1. Each student must review FOUR peer’s ePortfolio sites. Review it carefully for all required items. 2. Score each site using the below Peer Critique Worksheet. Please provide comments justifying the score issued (this is required!). 3. Submit on Blackboard using the assignment link all FOUR critiques by the due date and time. Due Date: • Monday, March 20, 2012 by 11:59 pm. (NO LATE SUBMISSIONS ALLOWED!) Your Name: __________________ Peer Name (Site you Critiqued): ____________________ Skill Exceptional: [20 points] Effective: [15 points] Acceptable: [10 points] Unsatisfactory: [5 points] (Did not turn in an ePortfolio) [0 points] Student Score Response to ePortfolio Assignment (Required Content Areas) Followed all of professor’s directions; completed the assignment; added extra material. Followed most of the professor’s directions; completed the assignment. Did not follow most of the professor’s directions or failed to complete part of the assignment. Disregarded professor’s directions and failed to complete a significant part of the assignment. Did not complete the ePortfolio assignment. Creative Use of Technology Innovative use of graphics, sounds, e-mail, links, additional software and Internet resources: superior presentation. Several creative sounds, graphics, and links used; presentation: keeps readers attention. Some uses of interesting sounds...
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...be wrong but my opinion on “Young people need models not critics” still holds. I do however slightly understand when adults want us to know right from wrong, and know to do the right thing. My problem with this is after or in some occasions before they preach to us about being the best we can be, they demonstrate the total opposite. Being part of the younger generation I’m not sure if I’m speaking for myself when I say we don’t need a how to. What we need are people who understand us and who demonstrate the things that they speak upon, rather than pointing fingers and demonstrating the opposite of which they speak. Adults aren’t perfect but if they’re able to critique the actions of the younger generation, they should be able to perform those same things they advised us to do better. Maybe its even better to not critique us, and once we...
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...Dance Show Critique assignment: Assignment: Write a critique on a dance show you have seen or watch online. This will help you learn how to observe and critique dance, discover how dance emotionally effects you, foster dance appreciation, conjure critical thinking, and will teach you how to provide evidence to support your statements. Rules: -You may only critique TWO dances! - You may only critique professional dance companies. (Companies that have adults and are either non-profit or the dancers are paid to dance.) -This- is- an- essay! Do not treat this assignment as a journal or a worksheet! It-is-an-essay! -You must type your essay! -You must turn it in ON TIME! I will not accept late papers later than 1 week. Each day your paper is late, 5 points will be taken from your grade. Here are some local dance companies that have performances online: -Unity Dance Ensemble at: www.unitydanceensemble.com or find “Unity Dance Ensemble” on Facebook. Unity Dance Ensemble is a jazz dance company. -Culture Shock Dance Troupe at: cultureshockdance.org or find “Culture Shock Dance Troupe” on Facebook. Culture Shock Dance Troupe is a hip-hop company. -Malashock Dance at: http://www.malashockdance.org/the-company/company-photo-video Malashock Dance is a contemporary company. -Jean Isaacs San Diego Dance Theatre at: http://www.sandiegodancetheater.org/gallery.html (click on a video) Jean Isaacs is a modern/contemporary company. ****These are only suggestions. You can watch other dance...
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...were so graceful that she looked like an angel. I was inspired by her elegant walk and before the evening was over, I was determined to meet her. I really did not know how that was possible but I knew for certain that my mom would make it happen. Fast forward to two weeks later and my amazing mom gave me the news! Mrs. Sims is coming to our house! The director of my dance school had arranged the date for us and I was beyond excited. Linda Celeste Sims was born in 1977 in Haiti. She grew up in Bronx, N.Y. after she was adopted by an American family. She is one of the primary dancers with The Alvin Ailey American Dance Theater in N.Y. She is one of the most loved and admired dancers in the company which she joined in 1996 at the age of nineteen. In that same year, Mrs. Sims was honored with an award from the National Foundation for Advancement in the Arts and in 2009 she was highlighted in Dance Magazine as one of the “Best of 2009”. As a little girl, Linda Sims had aspired to become a professional dancer. Her goal was to be part of a renowned dance company. She excelled in school while taking dance classes five days a week. Her parents taught her that hard work is necessary to achieve one’s goals. I also am an aspiring dancer and I know that time spent with Mrs. Sims would help me to become a better dancer. My mom and I are planning a dinner menu that I hope would blow Mrs. Sims’s mind. For starters, we will have a spinach and artichoke dip with roasted pita...
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...Luis Morales Professor Stacy Lu The Pedagogy of Dance October 22, 2014 Teacher Critique: Jazz 1 by Tom Roberts In the following pages I will critique and discuss Tom Roberts’s Jazz 1 class at a dance studio. However, it is important to have basic knowledge of Swain’s credentials. Tom Roberts holds a BFA in Theatre from Salem State University. He has been teaching, choreographing, and performing since 1997. His teachings include Jazz 1 and Musical Theatre Dance at University of Massachusetts Boston, and Hip-Hop Fusion at Tufts University. He also teaches Jazz-Funk at the Dance Complex in Cambridge, MA and is the artistic director and choreographer of his own dance company. When observing the beginning of Robert’s Jazz 1 class, I noticed he likes to start his dance classes with a slow warm-up. His slow warm-up involved movements of the head and loosening of the neck. He then moved into shoulder and arm rotations before lying down onto the floor. When on the floor, he put a lot of emphasis on the lower abs with crunches and great emphasis on the legs and inner thighs with stretches. After the slow warm-up, he had the class go into a really fast warm-up that involved a lot of aerobics for the body. The movements in his fast warm-up put strong emphasis on leg and arm work with the rhythm of the music. The fast warm-up to the rhythm of the music created a fun environment for the whole class. After the warm-up, the class including myself, felt ready and energized for...
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...The Theory of Odissi An analysis on the traditional dance form of Odissi; it’s history, meaning and will focus on some of the different repertoires and positions in Odissi. ------------------------------------------------- Sushrut S. Vaidya Odissi is the classical dance form of the state of Orissa, popularly known for its picturesque temples and the combination of highs and lows in its music. During the course of the performance, one can notice the dancer depicting the structure of the temples and those of the idols, which come to life through the flowing movements, and graceful poses of the dancer. History: Odissi, as a dance form, may very well be one of the oldest forms of classical dances – with caves that date back the 2nd century depicting the origins of a dance scene with the assistance of full orchestration, naturally seen in Odissi. Archaeologists and scholars of dance have dated these caves to before Bharata’s Natyashastra, in which Odissi is mentioned as a style from South India by the name of Odra Magadhi. Though these performances were made at the Jagannath temple in Puri, it was widely performed in many Shaivite, Vaishnavite and Sakta temples in Orissa. The history of this dance form only says so much, the living tradition however, shows a lot more. It has been kept alive through the generations by two clans, the Maharis and Gotipuas. Maharis were once known as the Devdasis of Orissa. The word Mahari is derived from two Sanskrit words, namely Mahan...
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...This is Pow Wow He stood among the dancers in the grass arena, still and poised, ready to outperform his competition. Finally, the loudspeakers rang out with the beat of the drum, setting the dancers into motion for the last time that year. Slowly, they began to come alive quickening their pace as the singers cried out their song. His steps were perfect, each one placed with meaning, precisely timed with the beat. His feathers bobbed up and down, echoing his movements. Beads of sweat streamed down his painted face and caught at the end of his nose before being thrown onto the moccasin-beaten grass. His bells and headdress shook with each step, the red and yellow colors of his regalia blurring as he spun. His heart raced as the song reached its peak, his hands wet with nervous sweat. He timed his steps, concentrated on the beat, and took a deep breath, preparing for the move that would bring him victory: a complete and perfect handspring. As his feet came down over his body, thousands of Indians around the arena caught their breath. He pretended not to notice, continuing to pound his moccasins into the ground in rhythm with the drum. As the last beat rang, he froze his body in the stance of a warrior, posing as still as he had before the song began. His chest heaved and sweat poured down his broad, smiling face. I joined my family and the crowd in cheering for him, proud to be his niece. Dancers like him and moments like these are what keep our culture alive. This is why I love...
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... CHOREOGRAPHY (ETYMOLOGY) khoreia: “dance” graphein: “to write” STYLE in Dance derives from 3 related sets of conventions 1. The quality with which the movement is performed (texture or quality found in movement as it is performed) Rudolph von Laban’s systematization of “quality in movement”: Space: indirect, direct Time: sustained, quick Weight: strong, light Flow: free, bound Acc. to Laban, all human movement exhibits constellations of these factors that form identifiable textures or qualities of movement. 1 2. The characteristic use of the parts of the body with their symbolic associations. Solar plexus (Duncan), lower abdomen and pelvis as an isolable area (Graham), fixed/vertical torso (ballet). Pelvis: sexual, primitive instincts and desires Chest: emotions and feelings Head: intellect, rationality, process of thinking 3. Characteristic use of “performance space”. (a three dimensional spatial grid symbolically defines the space) i.e. movements that occur in the air (jumps & lifts) or gestures towards upper space – mostly associated with the pure, heavenly, etc. movements on the flor –associations with more earthly existence. 2 THEATRE DANCE From Aristocratic Entertainments (1300-1600) to Court Spectacles (1530s-1640s) to French Court Ballet – “The Sun King” Dancing (1650-1700s) French nobility “dancing” in the entertainments and spectacles to show off their power and dignity. Spectacles organized by courts, dukedoms, etc. quickly became competitive, one...
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