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Dancing Is Fun

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DOCUMENT RECORDS (established 1998) has uniquely sourced, re-mastered , digitised and re-issued the vast majority of Afro-American acoustic blues, jazz, spirituals and gospel recordings (1900-1945) from the original 78 recordings.

This astonishing project encompasses over 25,000 different tracks was made possible by the support of collectors, academics and ethnomusicologists.

DOCUMENT’S 8000 series is sourcing , digitising and re-issue much of the "old timey" pre-war country catalogue to make it permanently accessible for all.
In addition DOCUMENT has acquired the exclusive rights to over 360 hours of previously unreleased material produced by the Edison Company (1914-1929). The vast repertoires includes Jazz, Blues, Country, Dance Bands, Vaudeville, Opera, Classical and speeches by popular orators and politicians of the time.
Document 5000 Series

Document 5000 SeriesThe BIG one. At 679 CDs and growing this is one of the biggest slices of Afro-American music history that you will find anywhere.

The complete recorded works of hundreds of blues, gospel, spiritual, boogie-woogie, songster artist; from the late 1800s onwards.

Many, many recordings not available elsewhere these are the roots of soul, modern gospel, R&B, rap, black urban vocal music and rock.

MISSISSIPPI FIDDLE TUNES and Songs from the 1930s

Mississippi Fiddle Tunes and Songs from the 1930s147 Recordings (3 CDs) collected by Herbert Halpert for the Library of Congress in 1939.

Primarily conceived as a way to get people and the economy back to work, Roosevelt's WPA arts projects published state tour guides, collected ex-slave narratives, and collected folklore of all sorts, but especially folk music.

This set contains the complete fiddle and banjo field recordings collected by Herbert Halpert for his 1939 field trip in Mississippi. Then working with the New York chapter of the Federal Theatre project Halpert was drafted by the Federal Music Project to produce the recordings. An army ambulance was donated and renovated with WPA labor. The Library of Congress loaned recording equipment. The Presto 78 disc cutter, then the state of the art for portable recording equipment, was installed in the ambulance, which was later nicknamed the "Soundwagon."

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