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Death In Chopin's The Awakening

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Despite the implication of Edna’s liberation in death, Chopin reminds readers that death is still a defeat. Chopin describes how Edna “walked out” into the sea after “foamy wavelets curled up to her white feet, and coiled like serpents about her ankles”. The serpents can be interpreted as a biblical allusion, representing evil and sin. Moreover, Lee Castro (2014) likens this imagery to the serpents pulling Edna down into hell. Chopin further illustrates Edna’s apparent defeat through the repetition of Madame Reisz’s words about the courageous artist in Edna’s consciousness. Earlier in the narrative Madame Reisz contended that “the artist must possess the courageous soul that dares and defies”. When this is first stated it offers hope that Edna …show more content…
It is this contrast of idealistic romanticism and grim realism that casts Edna’s death in the light of defeat by patriarchal oppression by highlighting the fine line between the utopian promise and eternal un-fulfilment. Streater (2007) argues that regardless of Edna’s rejection of conventional gender roles, any resounding feminist triumph is overshadowed by the lingering effect it has on the reader of hopelessness. This allows Chopin to transcend the boundaries of the page and use death as a dire commentary on unrealistic nature of absolute agency for women of the time. Moreover, Emily Toth (1991) suggests that this breach may be a deliberate allusion to Chopin being forced to have Edna commit suicide to “accommodate the moral demands publishers and readers would place on a woman who committed such transgressions”. Although this is certainly a valid idea, the narrative itself achieves this stark realism without a biographical reading. Ultimately, Chopin’s use of realism casts death as symbolic of enduring patriarchal

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