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Death In William Faulkner's As I Lay Dying

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Within As I Lay Dying, William Faulkner illustrates different process of accepting the concept of life and death of a maternal figure within a rural setting. As I Lay Dying writes of a scenario in which Addie Bundren never stops working throughout her entire life and then one day she seems to grow tired and chooses to rest for the first time in her life. The Bundren children all have a large amount of varying reactions towards her death and her life before her death. Cash Bundren works to complete the coffin before his mother’s death, and after her death, a Vardaman Bundren does not agree with his mother being in the coffin which leads him to bore holes in the lid of her coffin. Darl and Jewel are both alerted at their return home of their …show more content…
He experiences a few delirious thoughts that seem to have no sense of a sound mine behind them. Faulkner states, “My mother is a fish.” (Faulkner 84). Vardaman Bundren continues to be traumatized by his mother’s death, and he continues to confuse her with the fish that he killed and gutted earlier in the novel. The symbolism used by Vardaman to show the emotions that he holds towards his mother is a defining feature of the modernism that As I Lay Dying embodies. These slightly crazed thoughts show a touch of delirium caused by trauma that began to grip Vardaman after his mother’s death. Although Vardaman narrates less than ten of the chapters of As I Lay Dying, he shows a fixation on the burial of his mother, and he displays a bit of trauma towards her body being nailed up within the coffin. Faulkner states, “When they get in finished they are going to put her in it and then for a long time I couldn’t say it. I saw the dark stand up and go whirling away and I said. ‘Are you going to nail her up in it, Cash? Cash? Cash?’” (Faulkner 65) Vardaman displays an unhealthy obsession with the burial of his mother throughout the novel, and he also goes as far as to drill holes into the top of his mother’s coffin to prevent her from being completely locked in there. Vardaman has mostly a childish obsession with his mother’s death and her burial. Slankard states, “It is precisely these oscillations and the Bundrens’ fetishizing of the maternal corpse that signify a fixation on—rather than a radical break from—the past and insist on an expanded definition of modernism in which we reconsider subject/object relations…” (Slankard 25-26) Faulkner uses modernism to show Vardaman as an obvious example of the Bundren children’s fetishizing of their mother’s death in their reactions towards her burial. He shows a large fixation on the fact that his mother will be hidden away from him after

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