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Dehumanisation in Dystopian Literature

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Submitted By roboticafarms
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‘The twentieth century has seen a rise in the appearance of a distinctive literary sub-genre, the dystopian or anti-utopian novel with dehumanisation as its dominant theme.” To what extent do ‘1984’ and ‘Brave New World’ depict a dehumanised society?

Both Orwell’s ‘1984’ and Huxley’s ‘Brave New World’ certainly deny humanness to the characters in their novels. Kelman defines humanness as having two key attributes, identity and community. Dehumanisation occurs when these are removed from society. It is true that individuality is denied to citizens and although the community remains, it is subverted in order to fit the government ideal. It can therefore be said that dehumanisation occurs as people are denied and identity and the true meaning of community which is the perception that a person is part of an interconnected community of individuals. Dystopian literature serves to critique the current social and political conditions by looking at potential conditions. Both novels were written when the fear of growing totalitarian governments was present. The novels are a prediction of what may happen to society if this power grows worldwide. In 1946, Orwell wrote "Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it." Around the time Huxley wrote ‘Brave New World’ there had been huge discoveries made in science and technology, Huxley took these and created a dystopia that uses technology to trick citizens into loving their slavery. The governments in both ‘1984’ and ‘Brave New World’ dehumanise people in order to maintain their own power. Firstly, they both restrict and change language in order to change the perceptions of people to fit party ideology. Secondly, the views on sex are distorted with it being made illegal in ‘1984’ and encouraged in ‘Brave

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