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Eng Lit Paper

In: English and Literature

Submitted By ashleyso329
Words 1983
Pages 8
So Ching Ashley
SID: 1007623943
ENG3250 Other Literatures in English
Paper Assignment 2
December 6, 2010.

Orientalism in M. Butterfly: a Struggle from Gender Identity to Political Balance Long before Song Liling made her debut as M. Butterfly on stage, there was a woman called Cho-cho-san, playing Madama Butterfly with the fullest of her life. M. Butterfly’s counterpart Madama Butterfly presents readers Cho-cho-san, a pitiful and submissive Oriental Butterfly. Cho-cho-san’s character traits fit in almost every single aspect of the ideal of Oriental women, for instance, Cho-cho-san is a geisha, an exotic representation of Japanese women in the eyes of westerners, Cho-cho-san eventually dies of seppuku, which is the Japanese ritual suicide by disembowelment, and her ultimate sacrifice of her everything from her religion to her very life. The attributes of Cho-cho-san are not exclusive to this character only but imposed on all Asian women. The western presupposition of some certain fixed and bounded Asian attributes defines the identity of Asian women and thus, creates an image of the sacrificial and submissive Oriental women. Moreover, the historical backgrounds of Hwang’s Butterfly and Puccini’s Butterfly are, in fact, the extension of gender tension to international power struggle. Cho-cho-san’s love story happens in the Meiji Period in which Japan first opened its door to foreigners; while Gallimard and Song Liling begins having an affair in the 1960s, in the midst of Cold War. Hwang’s M. Butterfly parodies Puccini’s Madama Butterfly by reversing the conventional narrative on the gender identities and the power relationship between the West and East. In other words, M. Butterfly dissolves the constructed identities of male and female as well as projects the shifting gender identities onto the fluidity and mobility of the East/West power relations.

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