...Throughout the novel, A Lesson Before Dying by Ernest J. Gaines, a variety of themes, motifs, and other literary devices are used to develop character and/or advance the plot. Albeit not the most profound or meaningful device, the idea of communion and sharing of food as described in How to Read Literature Like a Professor, by Thomas C. Foster, is immensely powerful in characterizing relationships. The denial of, acceptance of, or even just the food itself are all used to describe everything from mutual hatred to sense of community to the state of character’s personality or relationship with another character. It can even be observed in the literal biblical notion of communion such as Jesus’ last supper with his disciples. The refusal of...
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...Grant Wiggins has been teaching on a plantation outside Bayonne, Louisiana, for several years when a slow-witted man named Jefferson is convicted of murder and sentenced to death. Jefferson claims he is innocent of the crime. He says he was on his way to a bar, but changed his mind and decided to tag along with two men who were on their way to a liquor store. Upon arriving there, the two men began arguing with the storeowner, and a shootout ensued. The storeowner and the two men died, and Jefferson remained at the scene of the crime. He was arrested and tried for murder. Jefferson's lawyer argues in court that Jefferson is nothing but a poor fool, hardly more worthwhile than a hog, and therefore incapable of plotting such a scheme. The jury quickly brings back a guilty verdict. Upon hearing the lawyer's speech, Jefferson's godmother, Miss Emma, resolves to help Jefferson die like a man, not a hog. She asks Grant to help her, knowing that he will resist. Grant left many years prior to attend college, and he returned an educated man. He deplores the injustices done to his fellow black men, but he does not want to get involved in Jefferson's case. However, after considerable pressure from his aunt, Tante Lou, he agrees to try to help Jefferson. Grant, Miss Emma, and Grant's aunt go to visit Jefferson in his cell, and they discover that he too heard the lawyer's words and has taken them to heart. Silent and moody, Jefferson resists Grant's feeble attempts to reach him. The three...
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...3/5/2015 Ernest J. Gaines's 'Lesson' prompts teens to grapple with stark realities Ernest J. Gaines's 'Lesson' prompts teens to grapple with stark realities By DeNeen Brown Washington Post Staff Writer Tuesday, May 11, 2010; C01 What lessons could a city learn from reading the same book at the same time? What lessons could be learned in a city trying to heal from senseless violence from a driveby shooting in Southeast Washington that killed three teenagers last month? Could a city heal from a book that tells a complicated story about injustice, racism and the need for second chances? What would happen if throughout the city, everyone were engaged in the same lesson? Like back in English class, when a professor asked you to think deeper, to look for symbolism in the story, for irony, character development, layers of complication? Officials at the D.C. Humanities Council and the D.C. Public Library system are participating in the "Big Read," a program sponsored by the National Endowment for the Arts to "revitalize the role of literary reading in American popular culture," are hoping that everyone in the city can learn from reading the same book. This year, the Humanities Council selected "A Lesson Before Dying," by Ernest J. Gaines, a novel about a black teenager living in segregated Louisiana, who is sentenced to death in the 1940s for murders he did not commit. The council and the library system distributed more than 2,500 copies of the book to programs for the homeless...
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...Not Your Everyday Hero Firefighters save lives, so they must be heros. Hercules has strength and courage, so he must be a hero. Superman saved a whole city, so he has got to be a hero. What about the everyday hero? The hero that doesn’t expect a reward for their good deed. The hero that does something because it’s just the right thing to do. Who determines who a hero is? Heroes come in all shapes and sizes. Tall or short, skinny or fat, and even black or white. In the novel A Lesson Before Dying, the hero of the story cannot fly, he does not have the most strength or courage and he hasn’t saved any lives, much less a whole city. The hero in this story is a black man - charged for murder. Throughout A Lesson Before Dying Jefferson, an uneducated black man, is found guilty of murder for being in the wrong place at the wrong time. A white man died, so the logical reasoning during the 1940’s must be that a black man is guilty. From the moment Jefferson’s defense attorney stated, “‘Why, I would just as soon put a hog in the electric chair as this’,” Jefferson and the majority of all the white men living in the Bayonne, Louisiana believed Jefferson was a hog who was going to die in the chair (Gaines 8). While Jefferson is sitting on death row, Grant Wiggins is sent by Jefferson’s godmother, Miss Emma, to make Jefferson walk to “the chair” as a man - not a hog. During the first few visits by Grant to Jefferson, the responses and actions Jefferson says and does are not very hopeful...
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...Instructor’s Manual and Test Bank to accompany A First Look at Communication Theory Sixth Edition Em Griffin Wheaton College prepared by Glen McClish San Diego State University and Emily J. Langan Wheaton College Published by McGrawHill, an imprint of The McGrawHill Companies, Inc., 1221 Avenue of the Americas, New York, NY 10020. Copyright Ó 2006, 2003, 2000, 1997, 1994, 1991 by The McGrawHill Companies, Inc. All rights reserved. The contents, or parts thereof, may be reproduced in print form solely for classroom use with A First Look At Communication Theory provided such reproductions bear copyright notice, but may not be reproduced in any other form or for any other purpose without the prior written consent of The McGrawHill Companies, Inc., including, but not limited to, in any network or other electronic storage or transmission, or broadcast for distance learning. PREFACE Rationale We agreed to produce the instructor’s manual for the sixth edition of A First Look at Communication Theory because it’s a first-rate book and because we enjoy talking and writing about pedagogy. Yet when we recall the discussions we’ve had with colleagues about instructor’s manuals over the years, two unnerving comments stick with us: “I don’t find them much help”; and (even worse) “I never look at them.” And, if the truth be told, we were often the people making such points! With these statements in mind, we have done some serious soul-searching about the texts that so many teachers—ourselves...
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