Monday, February 28, 2011
Wuthering Heights - Feminist Criticism
The feminist criticism is perhaps the perspective that best applies to Wuthering Heights. For one, any personal possessions of a woman goes straight to the husband once she marries. It’s like the woman doesn’t even exist because she has to live under the husband’s name, who now owns her belongings. Thrushcross Grange would have been Isabella’s had she not married Heathcliff but, since she did marry him, Heathcliff automatically becomes the owner. In addition, the wives of men in the novel are treated at times like they’re below the “man of the house.” One example of this inferior treatment in Wuthering Heights is, again, with Isabella. When Heathcliff beats Isabella, there isn’t much she can do within the law to stop Heathcliff because, in order to make Heathcliff stop physically abusing her, she would have to prove (in a court probably partial towards men) that her life was in danger as a result of the abuse. The law back in Brontë’s day really favored men over women and put women at a great disadvantage.
I think the topic that will garner even more attention from contemporary feminist critics will be “the role of film and other popular media in the construction of the feminine gender” (Brontë 451). I remember the very first article our class blogged on about how people are reading less. With more people now turning to other forms of entertainment like watching movies, the creators of movies add their opinions in them and help shape the public’s ideas. Oftentimes, the public isn’t even aware that the shaping process is occurring. Feminist critics, then, will carefully examine these newer and more popular forms of entertainment and make serious efforts to raise the public’s awareness of underlying patriarchal ideology.
Reading the sentence, “French feminists tended to focus their attention on