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Every Good Boy - Essay

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Every Good Boy

Many people struggle with finding your identity and finding that one thing that you supposedly have a talent for.
That is one of the themes David Nicholls presents in the short story Every Good Boy, which is about a young man who gets pressured by his family to find his talent.
One day his father comes home and he has brought a big piano with him. His intentions with the piano, is that the boy is going to play it. The father keeps telling him, that everybody has a talent, and with a sister who is a gifted and influential majorette and an older brother, who can dismantle things, there gets developed expectations for him.
So he starts taking piano-lessons with Mrs Chin, who lives across the streets. He practice very Thursday for an hour, but there still isn’t any improvement, and Mrs Chin is about to give up, and gets more and more frustrated with him. She keeps telling him that he will be the death of her and that her head is about to burst.
One day while playing “The entertainer” by Scott Joplin, Mrs Chin dies and the boy begins to clean up, so it doesn’t seem as he was there when she died. He can’t endure the thought that everybody is going to know that he killed her with his terrible piano playing.

It appears clearly that the author presents the theme by showing how the narrator struggles with finding his identity, and with all the pressure around him, it makes it even harder.
It’s a typical situation for human beings, to be at a place in life where you feel like you haven’t accomplished enough and that often results in identity crisis. At the age of 9, it shouldn’t be necessary to compare yourself with your older siblings, but when his parents are so proud of them, he also wants some attention.
The narrator has two older siblings that have accomplished different things, which gives him an extra pressure.
My sister was a gifted and influential majorette, my older brother could dismantle things…

The narrator appears as a very optimistic boy and he wont give up even though everybody tells him that he doesn’t got a chance. The author doesn’t let the reader know a lot about him, like what he looks like but we are told in the beginning that he is 9 years old when his dad bought the piano.
“Do you ever wonder,” Mrs Chin asked, pleadingly, as she took the money, “if you might want to possibly … give up?” But I was a stubborn child, proud and possibly a little spiteful, and not yet ready to surrender my dreams of virtuosity.
Even though everybody keeps telling him to quit playing, he won’t do it. And that is a positive thing to do. He is just a child but he is a stubborn child who is proud and a little spiteful.
The narrator is a place in life where he is beginning to realise that he has made it to the point where people start to expect things from him, and his siblings are succeeding in life and getting their parents to be proud of them. That’s something he also wants to be able to do, and he thinks the way to impress them, is by playing the piano, and in that way get a talent.
When his dad arrived with the piano he said that the kids could play it, so already there, it is expected that he will get a talent as a piano player.

The narrator keeps referring to the piano as a monster, and it seems like he wants to play the piano, but it still isn’t his “true” dream. All he want is just success and to get acknowledgement. He wants it so badly and mentions that he is entirely without ability.
At the age of nine I was remarkable for being entirely without ability.
… But at that time of my life I could – and this really is no exaggeration – do nothing well.
Graceless, charmless, physically and socially inept.
So when his dad arrives with the piano, it’s his chance to prove to everybody that he can do something special to.

The short story ends with the narrator explaining how the “monster” was passed on to a nephew, and then got sent to the local dump. He imagine it as screaming while it got burned and he points out that peace finally returned to their house.
And then six months later, he started violin lessons.
It seems that although the narrator didn’t find his talent while playing piano he still wont give up his dreams about becoming something big in life.
The narrator discusses with himself, if or if not it is his fault that Mrs Chin passed away in that fatal way.
I was sorry that Mrs Chin hadn’t grown to like me more, or indeed at all, but it was absurd to imagine that my playing was bad enough to prove fatal. I told my self, over and over, ragtime does not kill, no matter how you play it – and after a while I came to believe it.
He feels a sense of guilt, but then begins to realise that it wasn’t his fault.
It was never necessary to “clean” up the crime scene, and making it look like she passed away after their session. But he moves on, and he doesn’t give his dreams up.

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