...of different cultures cause different attributes to become valued in leaders. These cultural values are reflected in both the actions of a hero and in the heroic motivations. This paper focuses on the heroes of the Iliad, the Aeneid, Beowulf, and The Song of Roland and examines how historical events and cultural circumstances shaped the portrayal of the heroes in these works. Sabiduria, vol.1,1 Hero as a Reflection of Culture 1 Every culture has heroes. In works of literature, is an individual to be admired and emulated, and because of this he is the embodiment of the greatest virtues of the culture that created him. The ideals of every culture were shaped by the social conditions of the time and therefore different attributes became valued. To different degrees, the hero in a work is a result of not only the culture from which the hero comes, but also the culture of the author. Cultural values are reflected in both the actions of a hero and his motivations. As heroes, Achilles, Aeneas, Beowulf, and Roland reflect the values of the societies that created them. One of the oldest works of ancient literature is Homer‟s Iliad. Homer‟s works are dated to between 900 and 750 B.C. (Krieger, Jantzen and Neill 106). Although the events of the Iliad take place during the Greek Bronze Age, the culture portrayed in Homer‟s works is that of Greek Dark Age (Redfield 99). The Dark Age was a result of the struggles that took place after the fall of the Mycenaean civilization...
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...ancient peoples of Mesopotamia, Greece and India produced several important epics that have continued to influence the development and study of literature for thousands of years. The ancient epic poem first emerged as an oral tradition to be re-told by storytellers throughout a culture. The development of writing in these areas allowed these stories to be written down and preserved for later generations. The Iliad and The Odyssey are early examples of the epic poem. Later Roman and other civilizations continued this literary tradition through the rest of the classical era. (http://ancienthistory.about.com) Pre-classical or ancient period hero; “The Aeneid is epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans under whose name Aeneas and his Trojan followers are destined to be subsumed”. (The longman anthology of world literature: Compact edition, 2008). “The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the Iliad, composed in the 8th century BC. Virgil took the disconnected tales of Aeneas'...
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...Homer’s, The Iliad, the Greek gods of ancient times play a crucial role in the lives of the people they serve. These immortals decide who lives and who dies; who to help and who to ignore; who will win the war and who will lose it. Unfortunately for the Greeks, the gods are portrayed as selfish beings that make their decisions based on their emotions. Their idea of love is warped to fit their needs and wants. Having one’s fate entrusted to such a being would cause those individuals to be fearful of displeasing or angering the gods. When making decisions, the Greeks must always consider if their decisions will please the gods, or even more importantly, if their decisions will anger the gods. Due to their impulsive behavioral patterns, selfish...
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...Odyssey The Iliad and the Odyssey are two of the world masterpieces that have survived the times . Admired through the ages as the ultimate epics Homer 's Iliad and the Odyssey , was venerated by the ancient Greeks themselves as the cornerstone of their civilization (Nagy , Online . The two epics are the portrayal of early Greek civilization with the spotlight focused on heroism and the heroes ' struggles and triumph Early Greece likewise was depicted in the two epics as a people who believed in the power of the immortals which was clearly shown in how br the gods and goddesses ran the lives of the characters The Iliad and Odyssey are both colorful and dramatic . Not only was Homer able to use vivid s of the different war episodes but he was also successful in portraying supernatural beings that Odysseus met during his journey back home . These styles of Homer likewise characterized the people during the time that the epics were written A very diverse Greek culture was shown in the Iliad and the Odyssey Just like what was previously mentioned , people in ancient Greece revered their heroes . The people then consider men or women who were endowed with superhuman abilities which were believed to have come from the gods and the goddess as their heroes . These heroes likewise embodied the character of the Greek people as a whole . Homer used the different characters in the two epic to give a picture of how society and the people was during the earlier times Achilles was regarded...
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...exemplifies certain morals that are valued and held dear by the society/ culture from which the hero comes. 5. Usually embodies cultural and religious beliefs of the people. 6. Has no superpowers, but is smart, brave and has fears too; which he must overcome to protect his friends, family and / or nation. 7. Can also be a warrior of some sort who performs extra-ordinary tasks that most find difficult. 8. Is also a polished speaker who can address councils of chieftains or elders with eloquence and confidence. Literature is replete with examples of epic heroes. Classical Greek literature in particular has produced some of the most famous epic heroes. The epic hero in Greek literature is best defined in the contrasting characters of Achilles and Odysseus, the principal figures in Homer’s grand epic poems The Iliad and The Odyssey, respectively. When Achilles is presented to us in the beginning of The Iliad, we see him as callous and stubborn with an almost child like temper, but his eventual...
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...mortal affairs in two ways. First, they act as external forces upon the course of events, as when Apollo sends the plague upon the Achaean army. Second, they represent internal forces acting on individuals, as when Athena, the goddess of wisdom, prevents Achilles from abandoning all reason and persuades him to cut Agamemnon with words and insults rather than his sword. But while the gods serve a serious function in partially determining grave matters of peace and violence, life and death, they also serve one final function—that of comic relief. Their intrigues, double-dealings, and inane squabbles often appear humorously petty in comparison with the wholesale slaughter that pervades the mortal realm. The bickering between Zeus and Hera, for example, provides a much lighter parallel to...
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...The Odyssey, written by Homer, is a series of poems that describe the heroics of Odysseus following the events of The Iliad. Throughout the books, there are many characters who show the features of a hero, who is someone who overcomes an impossible task or foe, even themselves, and can be occasionally given recognition for their feats. Two characteristics that a great hero and a great leader need are caution and cunning, and none show these better than Penelope and Odysseus. Penelope shows caution and Odysseus shows cunningness, who show these traits the best, which shows that great leaders need to be cautious and cunning. Caution, as shown by Penelope, illustrates the concept that great heroes need to be cautious. In book twenty-three, lines 94-100, Penelope is in distress, trying to think of how to approach the stranger who...
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...to the beliefs, culture, and nation in which they live. The classical hero and medieval hero will be the focus of this essay. Three great heroes from the early classic to medieval periods are Beowulf, Achilles, and Sir Gawain. The paper will look at the similarities and differences of literary heroes in order to discover how heroes changed over time. Beowulf and Sir Gawain are romantic heroes full of bravery, loyalty, humility, courage, and virtue. Beowulf and Sir Gawain were both involved in battles of great magnitude and admired for their super human strength. Both of them battle with the intent to bring honor to the King: Sir Gawain to honor King Arthur and Beowulf to honor Hrothgar. The battles they fight are against good and evil, “Grendel is a shepherd of evil” and the Green Knight represents pre- Christian tribal paganism. The custom of the time period was to keep their word and honor the one who helped them rise to knighthood. Beowulf kept his word as seen in the poem as he returns from the adventures and presents all his gifts to Hygelac as a sign of loyalty (line 2145). Sir Gawain keeps his word with Lord Bertilak, by agreeing to exchange their winnings at the end of each day (Sir Gawain 1105-1113). Beowulf and Sir Gawain differ as heroes in several ways. First, Sir Gawain is an Arthurian Hero and as such holds to a Christian faith while Beowulf holds to the pagan history of Britain. Sir Gawain draws strength from his devotion to Christ and the five social graces...
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...Bailey Ormond Friday, October 6th “Disguise Is Necessary” 1 In The Odyssey of Homer, disguise plays an influential role in the development of the plot and Odysseus’ return to Ithaca. In Book 1 of The Odyssey, Athena uses disguise to influence Telemachus. Athena comes to Ithaca disguised as Mentes, an old friend of Odysseus. Mentes convinces Telemachus to go search for his long lost father (1:271-279).1 Athena’s use of disguise in the opening book puts faith in Telemachus that his father may still be alive; this is very important for the development of the plot because Telemachus was on the cusp of giving up hope that Odysseus would never return home. The departure of Telemachus also reveals the character of the suitors as they plan to murder him upon his return to Ithaca. The suitors have already been characterized as greedy and disrespectful but their plot to kill Telemachus is evidence of how despicable they truly are. In Book 6, Athena uses disguise to persuade Nausicaa. Athena visits Nausicaa while she is asleep disguised as “the daughter of Dymas, famed for seafaring, a girl of the same age in whom her fancy delighted” (6: 22-23). Using this disguise Athena urges Nausicaa to wash clothes the following day (6: 25-31). Without Athena stirring Nausicaa in her sleep, her and Odysseus would not have been acquainted. Athena also persuades her to have a favorable opinion of Odysseus by making him appear more handsome and favorable than he actually is (6: 223-231). Athena’s use...
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...interfered with the immortals. For example in the Iliad, Achilles sends his soldiers, out to help Patroclus. Achilles worries about Patroclus, and prays to Zeus that Patroclus may return unharmed and the ships unharmed also. During this battle Patroclus kills Zeus’s son. Because Patroclus kills Zeus’s son, he plans to kill Patroclus for slaying Sarpedon. He first allows Patroclus to kill the Trojans and protect the ships, as asked for in one of Achilles prayers. In contrast, the Hebrew culture is monotheistic meaning they believe in one true God. In the Hebrew culture, their God does not interfere as much as in the Greek culture. God watches over them and guides them, but allows them to make their own choices. In few occasions God has had to step down and intervene because...
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...what modern women grapple with. However, what sets Penelope apart is that she is accomplishing them at a time when women were seen as property and unable to have reigning duties. "The hero is the man or woman who has been able to battle past his personal and local historical limitations” (Campbell). Because of Penelope’s success in the face of adversity, she is a true heroine. Although inundated with suitors, she maintains her heroic loyalty to Odysseus in his absence. Contrastingly, her cousin, Clytemnestra, is unfaithful to her husband, Agamemnon, while he is fighting the Trojan War alongside Odysseus. Penelope knows that it is not conventional or acceptable to remain unmarried if one’s husband is considered dead, but her deep love and devotion to Odysseus keeps her inventing new means to avoid marrying any of the suitors. Because she is born to a prince and holds the royalty title, and anyone she marries will become King of Ithaca. For that reason, Penelope does not have to fear the same fate as Andromache, Hector’s wife in The Iliad. Hector was of royal blood, but Andromache was not; therefore, upon his death, she became someone else’s concubine. Penelope’s reason for not marrying is not for reasons of survival, but rather, for her absolute commitment to Odysseus. Instead of the brawn of the men heroes of that time, Penelope uses wits and brains to establish herself as a heroine. Penelope’s “heroism demands the courage to go unrecognized as a hero” (Heitman)....
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...The roles of women in ancient Greek tragedies . The ancient Greek society was a society dominated by men, even the plays and proses mostly constituted of heroics of men, like Hercules, Achilles and many other. In such societies , women were considered to be frail and were expected to be submissive to men, a prize of war for victors, and their main role was to support their husbands. However, in many tragedies, women were often depicted as major characters, inkling that women may not have been the weak the submissive characters as they were thought to be. Many well-known Greek plays contained several well-written, complex, and heroic female characters. Each female character took upon herself, the role of villain, the role of victim, and the role of heroine. The tragedies also revealed the problems women encountered in this era within marriage, inheritance and social life when they attempted to break out of their traditional gender roles. Clytemnestra, daughter of Leda and Tyndareus, was probably one of the most recognizable female villains in history due to her partaking in the murder of her husband Agamemnon and his female consort, Cassandra. . in the play Agamemnon by Aeschylus, she was depicted as brutal, treacherous, and cunning woman. Her speeches made the citizens and the audiences to be well-aware of how she would welcome her husband home. “Let there spring up into the house he never hoped To see, where justice leads him in, a crimson path. In all things...
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...forget and emancipate ourselves from, knowledge previously acquired; we must set aside old notions and embrace fresh ones; and as we learn, we must be daily unlearning something which it has cost us no small labor and anxiety to acquire. Skepticism has attained its culminating point with respect to Homer, and the state of our Homeric knowledge may be described as a free permission to believe any theory, provided we throw overboard all written tradition, concerning the author of the Iliad and Odyssey. Lots of arguments have appeared to run in a circle. “This cannot be true because it is not true; and that is not true, because it cannot be true.” Such seems to be the style, in which testimony upon testimony, statement upon statement, is consigned to denial and oblivion. Odyssey is one of the two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad. The poem is fundamental to the modern Western canon and is the second oldest extant work of Western literature, the Iliad being the oldest. Another knowledge that has been taken for granted is the Ilocano’s Biag ni Lam Ang. It is an epic poem of the Ilocano people from the Ilocos region of our country, Philippines. It is recited and written in the original Iloco, and is believed to be a composite work of various poets who passed it on through generations and was...
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...examine the thematic importance of the decisions taken by a hero in accordance to or defiance of self control and pietas and the consequences they lead to. These expectations are clearly marked out for the reader who waits in anticipation to garner the fate of the hero. I will analyse the themes of self control and pietas or duty in the Odyssey and discuss their special significance in this epic. I will then briefly talk about the Hindu concept of duty or Dharma with reference to the Ramayana. I however do not intend to use the concept of monomyth coined by Joseph Campbell also referred to as the hero's journey(which is a basic pattern that its proponents argue is found in many narratives from around the world.) in comparing these epics. The example of the Ramayana will only serve my purpose of highlighting the theme of duty in mythologies across the world. Lastly, I will conclude with the importance of inspecting these themes because of their significance to the plotline. Georg Wissowa notes that pietas was meant by the Romans as "the conduct of the man who performed all his duties towards the deity and his fellow human beings fully and in every respect."Around the year 70 BC, Cicero defined pietas as the virtue "which admonishes us to do our duty to our country or our parents or other blood relations. 1 Essentially a Roman concept ,I will employ it in this paper in context to Greek...
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...THE IMPACT OF ORGANIZATIONAL POLITICS ON THE WORK OF THE INTERNAL HUMAN RESOURCE PROFESSIONAL by Julie A. Paleen Aronow A Research Paper Submitted in Partial Fulfillment of the Requirements for Master of Science Degree in Training and Development Approved: 4 Semester Credits Dr. Kat Lui The Graduate College University of Wisconsin – Stout May, 2004 ii The Graduate School University of Wisconsin – Stout Menomonie, WI 54751 ABSTRACT Aronow Julie Ann Paleen ________________________________________________________________________ (Last Name) (First) (Middle) THE IMPACT OF ORGANIZATIONAL POLITICS ON THE WORK OF THE INTERNAL HUMAN RESOURCE PROFESSIONAL ________________________________________________________________________ (Title) Training and Development Dr. Kat Lui May 2004 65 ________________________________________________________________________ (Graduate Major) (Research Advisor) (Month/Year) (No. of Pages) American Psychological Association, 5th Edition ________________________________________________________________________ (Name of Style Manual Used in this Study) The coveted epicenter for the contemporary human resource professional is partnering with other internal business leaders to fulfill the organization’s mission through sound and ethical business principles and human resource practices. Over three decades, the discipline has matured into one that includes transactional practices along side the more sophisticated organizational development...
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