...The text complexity is not as high as some of the other books I have selected, and because of this I believe that this book would be the perfect choice for him to read on his own. This descriptive fact based book will aid my student in viewing how Europeans immigrated to America in the 1900s, and this example of immigration can be added to his preexisting schema of what immigration is, and how immigrants felt as they left their home countries and began to sail to the New...
Words: 1764 - Pages: 8
...THIS is a brave and artful novel disguised to appear safe and conventional. One can read on for some time as if it were simply a ''terror stalks the high seas'' thriller, but one would be an uncommon fool to do so for very long. Joseph O'Connor, an Irish critic and playwright who is also the author of several previous novels, lures us into an easy read that, before we know it, becomes a chilling indictment not of a murderer but of us. As a London publisher says midway through the book, advising a writer unsuccessfully peddling his fiction, this is ''a good old thumping yarn,'' the sort of thing a reader can ''sink his tusks into.'' But ''Star of the Sea'' is also an agonizing inquiry into the nature of abandonment and the difficulty of finding anyone who will truly care about the fate of others. How large does suffering have to loom before we take notice? O'Connor suggests that we can tolerate mountains of misery, sipping our coffee and reading our newspapers as the corpses pile up beneath the headlines. The Star of the Sea is a leaky old tub sailing from Ireland to New York in the terrible winter of 1847, carrying in its staterooms a reluctantly intertwined collection of characters. The most noteworthy is an Irish aristocrat, David Merridith, Lord Kingscourt, whose Oxford training has shown him ''how to put on like a cheerful idiot'' while he's got his ''hands sliding around your neck.'' Merridith and his family are being stalked by a man named Pius Mulvey, who has been...
Words: 679 - Pages: 3
...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th century—History ...
Words: 98420 - Pages: 394
...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th century—History ...
Words: 98420 - Pages: 394
...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th century—History ...
Words: 98420 - Pages: 394
...When asked to name works of the Romantic Movement, one may mention works such as Hawthorne’s, The Scarlet Letter, or Poe’s, “The Raven.” These works, while both romantic, are American. However, the Romantic Movement actually began in Europe, with books such as Goethe’s, The Sorrows of Young Werther, and others. The American Romantic movement was influenced from the European gothic style of writing; the American writer, Washington Irving acts as a bridge, displaying this style in his works, and essentially sparking the American Romantic movement. Of course, to start a movement so widespread, Irving needed inspiration; fortunately, his trip to Europe included scores of opportunities for such, and played an integral role Irving’s starting of the American Romantic Movement. Specifically, one such inspiration he picked up from Europe was the habit of keeping journals. Irving’s journals became one of his most prized possessions, and in them, he was constantly trying to improve on his writing. (Williams). Another source of inspiration for Irving was the European myths and legends that he learned of. In fact, “Irving's most important friendship in Granada, both now and during his second visit in 1829, was with this Spanish peasant, Mateo Ximénez, who acted as his guide and who told him many tales which later appeared in Irving book. (The Alhambra 1832)” (Williams) (22) “Irving wanders into the town of Sleepy Hollow, New York, and is told of the story of the Headless Horseman, also...
Words: 820 - Pages: 4
...In American literature, around the 19th and 20th centuries, many writers instituted themes and mythical tales of the “tragic mulatto”. The tragic mulatto was usually a stereotypical, fictional character that was assumed to be sad, or even suicidal, due to being of mixed race. Failing to completely fit in the “white world” or even the “black world”, the “tragic mulatto” is illustrated as a victim of a society divided by race. This depiction typically influenced the notion that there is/ was no place for one that is neither completely “black” nor white”. The tragic mulatto myth historically painted people of mixed race as emotionally unstable, sexually seductive, effeminate or otherwise troubled. “The tragic mulatto is usually a woman. Especially in mediocre melodramas, so often the vehicle for presenting the tragic mulatto character. Nothing supposedly inspires sympathy more than the plight of a beautiful woman whose touch of “impurity” makes her all the more attractive. The fact that many of these stereotyped characters are raised as white women—in fact as aristocratic white women and only discover their Negro blood as adults—allows white readers more identification with them than with full-blooded Negroes.” —Judith R. Berzon, Neither White Nor Black: The Mulatto Character in American Fiction As seen in our selected readings, the character of mixed race was often a she, appearing to be all white but part of her was black. At times, she would hide or deny her blackness through...
Words: 674 - Pages: 3
...Good Will Hunting: A Protagonist’s Path to Physiological Fulfillment and What That Teaches Viewers About Success Introduction Good Will Hunting is the touching story of a young man’s struggle to transcend his Dickensian childhood, to discover his place in the world, and to achieve intimacy with others. On some levels the story and the plot of Good Will Hunting, conveys a very fundamental messages to the viewer; that we are all products of our environments and made up of the vast experiences in which we live. However, this movie introduces an extremely complex character whose past is tainted by abuse and abandonment and introduces a character that is both genius in his capability but hindered by his inability to face his brutal upbringing. Character development The most compelling character that Will encounters is Sean, Will’s psychiatrist. What makes the character unique is that Sean too comes from Southey, the rough and tumble neighborhood that Will grew up in. Sean has escaped his past by attending Harvard and graduating as an intellectual. However, Sean is also conflicted, as he has suffered after witnessing the slow death of his wife from cancer. In there first meeting, after Will tells Sean that his painting of a boatman in a storm is a metaphor for his own tumultuous existence after the loss of his true love, Sean responds with violent consternation. Will notes that his therapist has not fully recovered from his past something that draws Will closer...
Words: 1249 - Pages: 5
... and has logically been compared with Jane Austen. So has Barbara Pym (1913-1980) who tasted fame, sadly enough, only at the end of her life (her real name was Mary Crampton). Another restrained and perceptive artist, she is a master of J f ingenuous and candid dialogue and reflection which are resonant with comic overtones. Critics I called her "modern Jane Austin. Excellent Women (1952) and A Glass of Blessings (1958) were reprinted in the late 1970s when Philip Larkin and David Cecil drew attention to the quality of her neglected work. Later novels, The Sweet Dove Died (1978) and Quartet in Autumn (1978), are no less engaging in their blend of pathos and comedy. One might well put beside these two English writers the Irish writer Mary Lavin (1912-1996), whose short stories focus on the ups and downs of family life with quiet pathos and humour. Her novels, The House in Clewes Street (1945) and Mary O'Grady (1950), are family histories presented with psychological sensitivity and a delicious vein of irony. The public domain intrudes more into the work of Olivia Manning (1917-1980) who found herself, with her husband, in Bucharest in 1939, to be driven by German advances first to Greece, then to Egypt. She recorded her experience in her Balkan Trilogy: The Great Fortune...
Words: 4940 - Pages: 20
...U.S. Companies Dodge $60 Billion in Taxes With Global Odyssey - Blo... http://www.bloomberg.com/news/print/2010-05-13/american-companies... By Jesse Drucker - May 13, 2010 Tyler Hurst swiped his debit card at a Walgreens pharmacy in central Phoenix and kicked off an international odyssey of corporate tax avoidance. Hurst went home with an amber bottle of Lexapro, the world’s third-best selling antidepressant. The profits from his $99 purchase began a 9,400-mile journey that would lead across the Atlantic Ocean and more than halfway back again, to a grassy industrial park in Dublin, a glass skyscraper in Amsterdam and a law office in Bermuda surrounded by palm trees. While Forest Laboratories Inc., the medicine’s maker, sells Lexapro only in the U.S., the voyage ensures most of its profits aren’t taxed there -- and they face little tax anywhere else. Forest cut its U.S. tax bill by more than a third last year with a technique known as transfer pricing, a method that carves an estimated $60 billion a year from the U.S. Treasury as it combines tax planning and alchemy. (See an interactive graphic on Forest’s tax strategy here.) Transfer pricing lets companies such as Forest, Oracle Corp., Eli Lilly & Co. and Pfizer Inc., legally avoid some income taxes by converting sales in one country to profits in another -- on paper only, and often in places where they have few employees or actual sales. After an economic bailout in which the U.S. government lent, spent or guaranteed...
Words: 3646 - Pages: 15
...you are gambling your heart away piece by piece. Later on in the quote, he mentions “He that made this knows all the cost”, Yeats is saying that you are aware of the uncertainties even though you might not acknowledge them. Throughout this entire quote, Yeats was trying to tell a reader to be prepared whilst giving their heart away, and that it like a thin piece glass, fragile, yet can cause pain when shattered. “Never give all the heart” is one of many poems that Yeats had written about Gonne, another poem that he had composed about her is, “A Drinking Song”. The poems are based upon couples telling the truth to the people they love before it is too late, before they get ahead of themselves. Yeats felt that Gonne had led him on due to the fact she had let him love her for so long, she should have told him that she didn’t love him from the beginning so that he wasn’t wasting his time with...
Words: 3166 - Pages: 13
...Everett LeRoi Jones, was an African-American writer of poetry, drama, fiction, essays, and music criticism. Baraka read his poem “Somebody Blew up America?” on the September 11th attacks and was heavily criticized for anti-Semitism and attacks on public figures. His poem is free verse and has no set structure but maintains its rhythmic elements for oral sharing. The poem was meant to be shared orally so that Baraka would be able to emphasize and share lines specifically for an audience. Malcolm X, born Malcolm Little, was an African-American Muslim minister...
Words: 1322 - Pages: 6
...Alternate History, History and Historical Elements in “Flight” Flight the novel by Sherman Alexie itself is a travel through time. Although the novelist makes references to historical events in the book, this work cannot be called as historical fiction. Rather it falls into the category of Alternate history. It belongs to the genre where the author alters events that really happened in the past and sets his plot in the resulting changes. In the case of Flight, the novel can be called speculative fiction with a heavy dose of history and historical elements. In this narrative of Zits’ story, the author makes the protagonist jump into different historical identities. Zits does this as he travels through time and revisits history. Zits understanding of violence changes as he travels through these different...
Words: 1924 - Pages: 8
...years passed and the country continued to grow, the barriers of prejudice and discrimination were beginning to crumble. The different groups began to accept the differences that accompanied the diversity of the nation. These changes bring up a question. Has the United States finally overcome our fear of diversity? If we examine the cultural background of Americans, we will discover many are of European descent. Many of our ancestors came looking for religious freedom. Others came to settle debts they had in their homeland. Some citizens are descendants of slaves who were sold to affluent citizens and plantation owners. The circumstances around people in these groups arrival resulted in prejudice and ethnocentrism. Prejudice was not just directed toward African Americans during the 19th century. German, Irish, Polish, Chinese and Italian immigrants found themselves the victims of prejudice and discrimination (Schaeffer, 2013). They came to the United States to find a better life. Many worked for wages which were less than Caucasian workers. Employers during this time would hire more immigrants because of this fact. Prejudice grew stronger toward these groups because they were taking the jobs away from white workers. This trend is still evident in...
Words: 1181 - Pages: 5
...different and that we can learn cooperatively in the social, economic, and intellectual world. Diversity is valued because it helps to encourage growth, personal and professional (Schaefer, 2012). The important thing to learn is that as a society we can remember that it’s not about Black, White, Asian, Hispanic or Latino ethnicities but constantly focused on being one with my brothers or my sisters. We could use these words in our everyday lives to face any situation at hand (Kolb 2009). At the end of the day it’s about all our differences, melting into one pot and being stirred only to make a change. “The fusing process goes on as in a blast-furnace; one generation, a single year even—transforms the English, German, the Irish emigrant into an American. Uniform institutions, ideas, language, the influence of the majority, bring us in similar complexion; the individuality of the immigrant, almost even his traits of race and religion, fuse down in the democratic alembic like chips of brass thrown into the melting pot” (Munson-Coan, T). This article though written in 1875 says a significant amount about America. I think by 2050 the U.S. population will be going strong (www.newgeography.com) In the varying cultures, there are some that believe in ethnocentrism. Ethnocentrism is one of the...
Words: 1332 - Pages: 6
