...Clarisse is a unique, wide-eyed, sharp-minded, innocence, inquiring person that somewhat has endless desire to know more. Bradbury describes Clarisse as a “slender and milk white” face, and also, she wears white dress. (3) Whiteness, which generally represents pureness, predominates in her and thus it shows that she is a naive person. In the book, she acts like a ‘light’ that is ready to illuminate Montag’s thoughts and change him to a new person. Moreover, she dislikes things that are related to technology, but she has limitless curiosity to know more about life and nature. Clarisse behaves more like ‘normal’ human in orthodox way, for example, she “hike around in the forest, watch the birds, and collect butterflies.” (20) In this technological-advanced...
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...Clarisse is incredibly important to this novel, most importantly, Montag and his character arc. At the very beginning of the book, Montag leaves work and meets 17 year old Clarisse. When she asks him the tough question of, “Are you happy?” (p. 10), it slowly gets into Montag’s mind, making him wonder if he felt real happiness. Clarisse is seen by everyone as weird, being a 17 year old who was asking strangers if they’re happy. She had made Montag grow more curious and it leaves readers to wonder, would he have had the strength to start reading had he never met Clarisse? He had a few novels before their first conversation, but had never opened them. When Guy returned to work after his meeting with Clarisse, the Hound starts to growl at him....
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...In the novel Fahrenheit 451, the main character is a man named Guy Montag. Montag lives in a futuristic American city were firemen start fires instead of putting them out. Where they live with little emotion as possible and where they spend most of their time in front of televisions laughing, talking, and arguing with their “families”. Montag is one of the firemen of the town, The job of the firemen is to burn books that causes people of the town to be sad, angry, or any other strong emotions. The people of the town live their lives with little emotion as humanly possible. For example, they drive at over 100 miles per hour because the drivers only focus on getting from point A to point B. Montag meets this 17 year old new neighbor named Clarisse...
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...“Are You Happy?” Fahrenheit 451 is a Dystopian society set in the future. Guy Montag, the main character, is a fireman but not in the way we have firemen. He burns books. In this society reading is illegal, elections are rigged, all the citizens are constantly bombarded with mind numbing TV shows leaving them no time to think. Clarisse McClellan is a 17 year old who is neighbors with Montag. She is viewed as abnormal and anti social because she likes talking to people, having real relationships with people and interactions with people. Beatty is a fire chief in Montag’s district. He knows literature but strongly dislikes it. Faber is an old retired English professor. Montag meets him one day in a park While Faber was reading! Montag, rather...
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...Ray Bradbury is a master of characterization techniques. He uses his expertise, such as indirect characterization, in the creation of Fahrenheit 451. In addition to learning about the explicit qualities of Bradbury’s characters, readers receive deeper insight as we carefully read his stories. In Fahrenheit 451, we learn more indirect information about the protagonist, Guy Montag, through the words used to introduce this character. We have a clear view of Montag’s thoughts and feelings that lead him into his own transformation. When the novel begins, we learn that Montag’s values are similar to that of the society he lives in. The culture in which Montag is accustomed to is one without cogitation or analysis. Their society believes that books cause pain and should not exist. Everyone in this society believes they live in a carefree, painless world beyond having burdens. In the first sentence of the novel, Montag shows how much he loves his work as a fireman: “It was a special pleasure to see things eaten, to see things blackened and changed” (Bradbury 1). The job of a fireman in this society is to set fires, not to eradicate them. Houses that are revealed to contain books, by those who set off the alarms, are destroyed by firemen. Montag enjoys watching books wither and disintegrate in front of his eyes, but never thinks why he does it. His ideas begin to change when he walks home one evening and runs into a young woman named Clarisse McClellan, who lives on the same street as...
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...“Robert Reilly claims that the novel is "a frightening picture of how the products of science can destroy persons and human values" (67), but this is an unfortunate simplification” (McGiveron). This quote brings up another overlaying theme in Fahrenheit 451 which is the dehumanization of the populace in the novel. The people in this book no longer care about anything whether it be their children, war, death, or the problems in the world around them. This is because the less they had to think the more they stopped to care and they gradually stopped caring about anything at all. Death, war, famine, and pain are all just words to them and mean nothing because they no longer understand the gravity of these concepts and it is all because...
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...The development of technology has clearly transformed society and its routine. The evolution of technology was accurately predicted by Bradbury through descriptions included in his novel, Fahrenheit 451. Characters in the novel’s society as well as our own society experience loss of memory and destruction of relationships due to the excessive use of technology. The effects of negative influences brought by technology created distractions and caused violence to arise in both real and fictional societies. Author, Ray Bradbury, communicates his predictions regarding technology and its impacts on humanity through his brilliant novel, Fahrenheit 451. Despite the novel’s date of publication, Ray Bradbury included pieces of technology...
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...Name Professor Class Date Fahrenheit 451 (word count: 1,426) The book “Fahrenheit 451” by Ray Bradbury conveys to the reader that censorship and technology can be a tool used by governments to restrict human freedoms supported by endless access to knowledge and intimate relationships. The message of the book is that censorship and technologies, without limit, will erode the nature of human freedoms experienced in a society that values access to knowledge, books, and deep thinking. The world within Fahrenheit 451 can be characterized by a population controlled by media and extreme levels of knowledge censorship. The media is the tool employed by the government and embraced by most citizens as a means of steering the group aimlessly through life; vicariously living out any lingering ambitions and motivations towards non-conformity through the characters inside the television. In an effort to stifle creative thinking, spiritual growth, resistance, and the human tendency towards a general thirst for knowledge, the government has issued legislation that makes books illegal. Books are considered a social evil due to their inherent ability to encourage individuals to question existing frameworks and think for themselves. Therefore, the society in the book lives in a world where history does not exist and the reality is constructed and delivered through the television. The book’s protagonist, Montag, represents an individual that makes a transition from a...
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...As stated by Steve Maraboli, “You express the truth of character with the choice of your actions.” This quote describes how a character changes with his actions. It relates to a 24th century city dweller named Guy Montag. He takes pleasure burning illegally owned books and the homes of their owners while considering himself as a fireman. His story in Fahrenheit 451 thoroughly describes the different changes a person can experience through the variety of someone's actions. Throughout the text of Fahrenheit 451, Montag shows many different traits such as being oblivious, rebellious, and audacious. Throughout the hearth and the salamander, Montag is oblivious to his society’s problems. As stated in the text, “While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, burnt-corked,...
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...A Study of the Allusions in Bradbury's Fahrenheit 451 Author(s): Peter Sisario[->0] [(essay date February 1970) In the following essay, Sisario examines the source and significance of literary allusions in Fahrenheit 451 and considers their didactic potential for the beginning student of literature.] Ray Bradbury's Fahrenheit 451 is more than just a readable and teachable short novel that generates much classroom discussion about the dangers of a mass culture, as Charles Hamblen points out in his article "Bradbury's Fahrenheit 451 in the Classroom." It is an excellent source for showing students the value of studying an author's use of specific allusions in a work of fiction. While writing excellent social criticism, Bradbury uses several direct quotations from works of literature, including the Bible; a careful analysis of the patterning of these allusions shows their function of adding subtle depth to the ideas of the novel. Fahrenheit 451 is set five centuries from now in an anti-intellectual world where firemen serve the reverse role of setting fires, in this case to books that people have been illegally hoarding and reading. Literature is banned because it might potentially incite people to think or to question the status quo of happiness and freedom from worry through the elimination of controversy. "Intellectual" entertainment is provided by tapioca-bland television that broadcasts sentimental mush on all four walls. The novel, first written in a shorter version...
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...storyline, both in American and foreign literature. Pioneers of the archetype concept include scholars Joseph Campbell, Christopher Vogler, and Carl Jung, whose notions of archetypal literature developed into what most academics accept as the characteristic blueprint for a quest story today. Though these archetypes were first described just over a hundred years ago, they have persisted throughout literary and visual art for millennia. The most important archetype that Vogler describes in his Memo That Started It All is The Hero. He describes Hero characters as the central figures of stories that often make influential accomplishments on behalf of their respective civilizations...
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...The text under analysis is a short story "The Smile"written by the prominent American writer Ray Bradbury. Raymond Douglas "Ray" Bradbury (August 22, 1920 – June 5, 2012) was an American fantasy, science fiction, horror and mystery fiction writer. He is best known for his dystopian novel Fahrenheit 451 (1953) and for the science fiction and horror stories gathered together as The Martian Chronicles (1950) and The Illustrated Man (1951), Bradbury was one of the most celebrated 20th-century American writers. Many of Bradbury's works have been adapted into comic books, television shows and films. The Smile" is set in the future after warfare has destroyed nearly all traces of civilization. Cities have been reduced to junk piles and cornfields glow with radioactivity at night. The survivors of this warfare wear soiled gunnysack clothing. Their homes are caves and other semi-dwellings that can give them even a measure of protection from the icy weather. Their spirits are as cold as the winter weather because they are filled with hatred for the past; the past has caused their present to be miserable and deplorable.In this society where beauty is nonexistent and where only hatred and destruction remain, the young boy Tom,the main character, stands in a queue, waiting his turn to view "the smile," the Mona Lisa. As each man passes by the portrait, he "appreciates" it by spitting upon it. However, when Tom's turn comes to spit upon the painting, his mouth is dry. All that he can say...
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...libraries around the world for the past one hundred and sixty years, proving it can withstand the test of time. Her classic writing style, unforgettable characters, and literary acclaim have all contributed to the novel’s success. These same characteristics apply to J.D. Salinger’s The Catcher in the Rye, supporting that this novel will also stand the test of time. Each author has a style uniquely their own, with...
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...super-powerful computer programs devoted to snuffing out Neo and the entire human rebellion. The telephone call initiated by Morpheus prompts the police to visit Mr. Anderson’s home with the offer of deliverance and the awakening. Morpheus is known to the government as a legendary computer hacker and a terrorist. Morpheus meets up with Mr. Anderson and offers him a choice of a blue pill or a red pill. The choice that is offered will afford Mr. Anderson to either wake up in a world beyond his imagination or to continue to exist in his current state existence. The “real world” * 2. Analysis of The conversation between Morpheus and Smith, The Battle between the humans and the machines. “Human beings are a disease, a cancer of this planet Cross cutting with Neo and Trinity trying to save Morpheus, testing Neo‟s powers and the length he will go to save Morpheus. * 3. Semiotic Analysis * 4. Semiotics and Structuralism• The war between man and machines.• Humans compared to a virus.• The five...
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
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