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Feminism In Cover Girl

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Hayworth’s star quality is seen in the technicolor musical Cover Girl. She plays the protagonist, Rusty Parker, a woman who works at a nightclub and aspires to become a dancer on Broadway. The film exemplifies the idea of womanhood and labor during World War II. Parker is a dainty, feminine woman who works to achieve her dreams. Parker visits the office of modeling agency, although she initially rejected, the editor of the magazine, John Coudair sees her as timeless beauty. Parker reminds Coudair of a lost love. She fulfills her dreams of starring on Broadway with her connections with Coudair. This is an example of cosmetic femininity aligning with labor. Parker uses her feminine beauty as a tool to establish her career as a dancer (87). On

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