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Fiction Assigment

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Submitted By kittykatkelly
Words 929
Pages 4
Laquedia Kelly
English 1102 MWF
Professor Wruz
20 March 2014 EVERYDAY USE Alice walker
Alice walker’s “Everyday Use” is a story about the differences of a family split between tradition/heritage and the allure of dreaming big. Told in 1st person point of view, the narrator is the matriarch of the family dubbed “mama” throughout the story. The narrator’s name is never revealed because her role as speaker, through lengthy inner monologues, diminishes the “true focus” of the story which is on Maggie and Dee, “Mama’s” two daughters. So, to counteract this problem the author doesn’t give Mama a name thereby shifting focus to the interactions between the daughters. Race plays a major part of this story as the author capitalizes on the idea of heritage; however, she does not let it overwhelm the plot, slowly dropping subtle hints about their appearances/ race using situations of happenstance. She writes when explaining a thought, “Who can even imagine me looking a white man straight in the face” (590) and “Don’t ask me why: in 1927 colored ask fewer questions than they do now.” when explaining her reasons for never having a proper education. We find out over a span of a couple paragraphs that the characters are black.
Two worlds clash as the narrator guides us through the lives of her two daughters who are completely different, one living a life of “golden opportunity” the other a life of simplicity. The story opens as Mama is awaiting the arrival of her eldest daughter Dee, who is portrayed as materialistic with “No” being a word she never heard (589). In fact, the narrator uses imagery to describe this phenomenon, she writes “She used to read to us without pity; forcing words, lies, other folks’ habits, whole lives upon us two, sitting trapped and ignorant underneath her voice. She washed us in a river of make believe, burned us with a lot of knowledge we didn’t necessarily need to know,” illustrating that Dee used pretty words dipped in sweet nectar to get what she wanted. Though, I can’t force myself to view Dee as completely selfish, she is a person who aspired to success and wanted more out of life. I think the narrator is jealous of her daughter.

ORIENTATION Daniel Orozco
“Orientation” by Daniel Orozco is for lack of a better word, crazy. It’s about a seemingly typical orientation that becomes unhinged as the process progresses. The story is written in an order that makes the reader an interactive member of its scheme, we become the employee on the receiving end of the orientation: “These are your IN and OUT boxes”, with “Your” being the key word for us readers (105).
The story begins with a clear position, “Those are the offices and these are the cubicles,” ensuring that the readers understand both the setting and position of the narrator (105). Written in 1st person, the narrator is in charge; which, is made clear by the constant inclusion of “You May be let go” (105). However, the author does not reveal neither the narrator’s sex nor the name of the employee having the orientation because these are not important elements to the progression of the story. The author does not give the employee a name or lines, this person’s role does not matter. In fact, the narrator answers his own question, “You must pace your work. What do I mean? I’m glad you asked that.” The narrator is the main and only character that matters. Or maybe the author intends to leave the small details up to the readers.
As the orientation goes on, things start to become bizarre. It becomes hard to not question the narrator’s sanity or validity of the words he/she speaks. We start to lean toward the proverb “If walls could speak” because he/she knows every intimate detail of the employees lives, like a fly on the wall. From John LaFountaine, the office pervert, to Kevin Howard, the office serial killer known as the Carpet Cutter. It is never revealed whether or not the narrator is very nosey or a horrible liar, I choose to believe the latter. In an effort to relieve boredom, the narrator creates personas for each of his/her co-workers, an attempt to pace his work, expand one hour of work into the eight hour work day (105). All the employees seem to be tied to one another which is strange; it’s as if they have no life outside of the office, Russell Nash likes Ananda, Amanda is in love with Albert Bosch (105-106). The narrator seems to set every character with a dark side because he views them as too perfect; though, Kevin Howard is a murderer it doesn’t interfere with his work. The narrator proclaims him as the fastest typist (109). However, when describing Matthew Payne he/she fails to give a “full” description as he did the others. Why? because “We have never seen him”(107). Therefore, the narrator cannot make a persona for that person so he/she warns the employee, “You will never see him.” The narrator makes more and more ridiculous stories: they see ghost, a mind reader. To prevent the employee from confirming these rumors the narrator suggests, “But we’re not supposed to know any of this. Do not let on. If you let on, you may be let go.” (106) Again, this is to discourage the employee from confirming his stories.

THE BRIDEGROOM
By. Ha Jin
The “Bridegroom” by Ha Jin is a story about about social acceptance concerning homosexuality.

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